The rifle was immense by most standards-fifty-four inches when assembled, or almost five feet long. The weapon had a built-in bipod toward the front of the rifle and a telescopic monopod at the rifle's point of balance. Hancock chose neither. Instead he took a custom-made, sand-filled rest from the backpack and placed it on the capstones of the chest-high wall of the tower.
By kneeling on one leg he could bring the target to bear almost exactly. He looked at his watch. Five minutes to twelve. It would be soon now. He took his handheld Pioneer Inno satellite radio out of the backpack and plugged in the earbuds. The radio was tuned to CNN, which was carrying the apostolic blessing live, something the network did every year on Christmas Day.
According to the commentator more than sixty thousand people were gathered in Saint Peter's Square to hear their sins forgiven. Based on the last four urbi et orbi blessings, Hancock knew that he had no more than a minute and ten seconds to find the target and take the shot. At two minutes to twelve a huge cheer went up in the square. Hancock tossed the radio into the backpack and rose to his firing position, placing the barrel just behind the suppressor on the sand pillow. He turned the knob on the telescopic sight two clicks and the target area jumped into view: the central loggia, or balcony, of St. Peter's Basilica.
There were eight other people on the long balcony with His Holiness: two bishops in white vestments and miters; two priests in white cassocks with red collars; a sound man with a boom microphone; a cameraman; the official Vatican photographer, Dario Biondi; and a senior cardinal who held the large white-and-gold folder containing the blessing.
In the middle of it all was the Pope himself. He sat on a red-and-gold throne with a golden crosier, or shepherd's crook, held in his left hand. He was dressed in white and gold vestments and a matching white-and-gold silk miter. Behind the throne, barely visible in the shadows of the doorway, Hancock could see several dark-suited members of the Vigilanza, the Vatican City security force.
At last, through the sight he saw the Pontiff's lips begin to move as he started the short blessing: "Sancti Apostoli Petrus et Paulus: de quorum potestate et auctoritate confidimus ipsi intercedant pro nobis ad Dominum."
A papal banner draped over the balcony lifted slightly in a light wind and Hancock adjusted the sight minutely. Below the balcony, unseen and unheard, the enormous crowd gave the obligatory response in unison: "Amen."
Fifteen seconds gone.
Hancock wrapped his latex-gloved finger around the trigger as the Pope began the second line: "Precibus et meritis beat? Mariae semper Virginis, beati Michaelis Archangeli, beati Ioannis Baptist?, et sanctorum Apostolorum Petri et Pauli et omnium Sanctorum misereatur vestri omnipotens Deus; et dimissis omnibus peccatis vestris, perducat vos Iesus Christus ad vitam?ternam."
Twenty-five seconds gone.
The field of vision clear, a three-quarters profile; not the best angle for the job but good enough.
The crowd responded once again: "Amen."
Thirty seconds gone. Through the telescopic sight Hancock saw the Pope visibly take a breath before beginning the third line of the blessing. His last breath.
Hancock fired.
The two-and-three-quarter-inch, missile-shaped, sharp-nose round traveled the distance between Hancock and the target at a muzzle velocity of 3,350 feet per second, reaching the Pope in just a fraction more than one and a half seconds.
Hancock waited until he saw the impact, striking the Pontiff in center mass, ripping through the chest wall and tipping the throne backward into the doorway of the balcony. Sure of his primary kill, Hancock then emptied the six-round magazine in an arc across the balcony, his object to create mayhem and as much confusion as possible. He succeeded.
With the task completed, he took down the rifle and laid it on the stone floor of the tower. He took a few moments to collect each brass casing and strip off the Tyvek suit. He put the shell casings into the pocket of his ski jacket, stuffed the Tyvek suit into his backpack and then took a small, clear plastic bag from his pants pocket.
The plastic bag and its contents had been sent to him by his employer, along with instructions regarding their use. He pulled open the zipper-top bag and tipped the contents onto the stone floor. The solid gold coin gleamed in the bitter winter light.
After he received it, Hancock had copied the image of the coin and taken it to a specialist in ancient coins. It was authentic, dated 1191. The name of the seated figure in the center of the piece was scrolled around it: al-Malik an-Nasir Yusuf Ayyub, a Kurdish soldier born in what was now Tikrit, Iraq, and known to the Western world as Saladin, the man who took back Jerusalem from the Crusaders and defeated Richard the Lionheart. With the coin in place he shrugged the backpack over his shoulders and headed downward from the tower, leaving the rifle behind.
He had overestimated the time it would take for the return journey. Five minutes after beginning the downward trip he reached the alley, locking the anonymous black door behind him. At six minutes, ahead of schedule, he climbed into his rental car and headed for the Roma Termini, the main railway station.
As he drove he heard siren after siren heading for the Vatican, but no one paid him the slightest attention. He arrived at the train station eleven minutes after the assassination, caught one of the frequent Leonardo Express trains to Fiumincino Airport, where he caught a prebooked flight to Geneva on the oddly named Baboo, a short-haul company that used Bombardier Dash 8 turboprops.
The elapsed time from kill to takeoff was fifty-four minutes. By that time neither the Vatican police nor the State Police had even established the direction the onslaught had come from, let alone any clue as to the identity of the assassin.
The job was done. The Pope was dead.
Crusader had begun.
2
"I should be there," grumbled Peggy Blackstock, curled up in a cracked leather club chair in the very male study of a Georgetown row house, watching a plasma TV mounted above the tiny fireplace. The assassination of the Pope, as well as the deaths of two bishops, a cardinal, the Vatican's official photographer and a member of the Vigilanza, was still very much in the news cycle as CNN commentators analyzed every second of the Pontiff's blessing, running the same gruesome footage of the bullet hit over and over.
Every news network had their correspondents reporting about every minimal forward motion of the investigation, no matter how insignificant, and the questions about the lax security around the Pope were flying in all directions. It was a tragedy of global proportions for a billion Catholics, but meat and potatoes for the media.
"You should rest," said Doc Holliday, Peggy's quasi-uncle. Holliday was seated at the big old wooden desk at the far end of the room, marking a stack of term essays from his students. He was covering for a fellow medievalist who was on a year's sabbatical from his position at Georgetown University, and the newly renovated nineteenth-century, classic row house was part of the deal. When Holliday had been offered the job, he jumped at it. The thought of a year spent in the quiet groves of academe sounded like the perfect answer to the summer of hell and violence he'd just endured. When Peggy's husband, Rafi, had to leave Jerusalem for an extended archaeological expedition, Holliday had immediately offered her safe refuge in the Georgetown house to recuperate from her recent miscarriage.
"Phooey," snorted Peggy. "Much more rest and I'll die of boredom. Besides, I knew Dario Biondi; he was a good friend."