The old soldier seemed a little surprised and more than a little annoyed to see them. He took Holliday's Visa card, swiped six euros off for each of them and waited for confirmation before he handed them their tickets. He gestured toward a table full of colored brochures and went back to his newspaper. They edged past the lectern and continued down the corridor and then down a short set of stone stairs to a vestibule of sorts, short corridors going to the left and right with another set of stairs and a longer hallway straight ahead.
"Do you really think we're going to find anything after all this time?" Meg asked, looking through the brochure she'd picked up. Somewhere in the distance, muffled by the thick stone of the castle, Holliday could hear the thumping chatter of a helicopter. He was surprised; it was hardly flying weather. Probably some Sunday sailor in need of rescuing.
"You never know," said Holliday. "They came here on the return trip; maybe they also stopped on the way to wherever they were going. The church was here at the time. The old records might tell us something if they still exist."
"According to the brochure the entrance to the church is down the stairs, straight ahead. The St. Aubyn Library is to the right past something called Sir John's Room and the Armoury."
"Church first," said Holliday.
The Priory Church formed the core of the sprawling castle, cloisters, kitchens and other chambers and halls leading off from it. The church itself was quite plain, quarried stone, two aisles of arches and a Rose window at either end, which was uncommon. There was a carved wooden altarpiece in the shape of an eagle with outstretched wings and rows of light wood chairs, spindly beside the heavy stone pillars of the arches stretching back from the choir.
The stonework was very old and undecorated in the old Benedictine way. Not so the triptych east window, all three panels showing an immense winged figure of the archangel Michael, massive sword in his right hand and a long narrow shield clenched in his left, the famous motto clearly visible: Quis Ut Deus.
"I am like God," translated Meg, staring up at the enormous figure outlined in lead. St. Michael's robes and armor had been done in glass squares and diamonds of deep yellow and blood red. The blue eyes were so dark they looked almost black.
"I could never understand if that meant he was God, or just the representative of God," said Holliday, vaguely recalling a few bits and pieces from his parochial school past.
"He had been invested with the power of God so that he could smite the Devil in the desert," answered Meg.
"That obviously didn't work out for him," said Holliday. "Because the Devil's still in business."
Meg ignored the observation.
"He was also the first knight and the one who invented the concept of chivalry," she said as though it was an answer.
Holliday didn't argue. "More to the point, he was the archangel most often associated with the Masons and the Templars," he responded.
Meg stared around the room, scanning everywhere in the gloomy wood-beamed hall for anything that would provide a clue to Jean de Saint-Clair and his voyage with the Blessed Juliana.
"There's nothing for us here," she said finally.
Holliday nodded in agreement. "Let's try the library," he suggested.
They went back through the church, leaving through the south exit this time, directly across from where they'd entered. They went up a short flight of steps and into a complex of rooms that had originally been the residence of the prior of the church. All the rooms were arch-roofed within, the oak black with age. As they went down the short connecting passageway the small glass panes in the leaded windows began to rattle.
The helicopter Holliday had heard before now sounded as though it was directly overhead. It was a big one, and Holliday thought he could detect the telltale signature slow thump of a multi-rotored Sikorsky S-61, or its British counterpart, the Sea King. Maybe the capsized day sailor had gotten lucky after all, pulled out of the drink in the nick of time; the weather outside wasn't getting better as the day wore on, that was certain. Holliday could hear the rain pelting the window like hail. The walk back down to the harbor wasn't going to be any picnic, either. He was surprised the helicopter was flying at all. Holliday and Sister Meg continued down the hall as the chopper thundered overhead, the sound of the rotors fading.
The library was immense, lit by leaded clerestory windows that would have illuminated the rows and rows of leather-bound volumes in the bookcases that lined the room if there had been any sun. As it was, the gloomy weather outside turned the room into a dusty cavern. Riding above the bookcases on the interior side of the room was a huge medieval embroidery, unrolled, cased in wood and glass like the rare books below.
According to a discreet National Trust plaque beside the open doorway, the embroidery predated the Norman Conquest and was thought to have been created by the original Benedictines who had occupied the island.
Purportedly the two-hundred-and-seventy-foot banner had been stitched by a young monk, Morgan of Clare, who swore he'd seen a vision of St. Michael in the ovens of the abbey while he was baking bread in the early morning hours one day. He dedicated the rest of his life to creating the long linen work of art. The embroidery, like the much more famous Bayeux Tapestry in France, was actually an illustrative timeline of the abbey and of St. Michael's Mount.
Dismayed, Meg stared at the cases of books. She tried the handle on one of the multipaned glass doors. Not surprisingly it was locked. She turned to Holliday and shrugged.
"Now what?" Meg asked. "We can't look for clues in books we can't get at."
"Maybe we won't have to," said Holliday, squinting up at the long embroidered banner above the bookcases.
16
"The tapestry?" Meg asked. "What about it?"
"I think our friend Brother Morgan of Clare was something of a historian," explained Holliday, squinting up into the gloom. "He certainly had access to whatever constituted a library or scriptorium in the old abbey."
Meg followed his glance.
"What exactly are you looking at?"
"There, just to the left of where the middle window starts."
"A knight in armor being attacked by another knight. A man being burned at the stake. Two men on a single horse. A battle?"
"It's a date. Friday, October 13, 1307. The Templars are being attacked, their leaders burned at the stake. The two knights on a single horse is the symbol of the Templars. The whole embroidery's been done that way. Not only was Brother Morgan a historian, he was also a canter."
"A singer?" Meg asked.
"Canter with an e," said Holliday. "It's a term in heraldry where the designer of a coat of arms makes visual puns from a person's name. Elizabeth Bowes-Lyon, the old Queen Mother and the wife of George VI. The family crest is bows and arrows and lions, Bowes, Lyons. Princess Beatrice of York has three bees-bees thrice, over the royal arms of York. A canter invents the crests. Morgan was doing the same thing here. It's a rebus, an old-fashioned word puzzle."
"You lost me back at bees thrice," said Meg.
"It's simple. Look at the embroidery. Two knights on a horse. The Latin word Iulia and a woman wearing black robes, followed by a two-masted, lateen-sailed ship with a sail flying an engrailed cross, followed by an island with a castle on it, and the Greek word ichthys enclosed with the symbol of the fish."
"The old symbol for the Christian Church," said Meg. "I get it now. Sort of."
"The two knights on a horse means a Templar, Iulia and the woman in the robes is your Blessed Juliana, a boat with a lateen sail like that was a classic Venetian design, and an engrailed cross was the arms of the Saint-Clairs. Ichthys was an ancient puzzle on its own: iota, chi, theta, upsilon, sigma were all letters referring to Christ. Arranged in a five-character square it could be read in any direction. It's called a palindromic acrostic, or a magic square. On top of all that, Ichthys was also the original name for St. Michael's Mount. Put it all together and you get: A Templar knight and the Blessed Juliana came to St. Michael's Mount in a Venetian 'nau' sometime after the fall of the Templars in 1307."