Xenophon stood silent, staring at the tiny, ancient woman as she sat motionless on her holmos, her bowl-shaped tripod seat, with her feet dangling down and her face turned toward him expectantly. Her eyes were closed, but even so one could see that she was blind, and not merely blind but blinded-the eyelids closed flat behind the darkened shadows where her eyes would have been, evincing not the slightest hint of the normal convex bulge of the eyeballs. The lids were withered and wrinkled, lacking lashes, and gave the impression of having been fused shut to permanently conceal the empty sockets. On her lap was balanced a plain wooden bowl, on which a small pile of the laurel leaves that had been burning on the altar continued to smolder, sending a small plume of smoke floating lazily upwards and enwreathing her face with its astringent scent. A crown of laurel had been placed on her head, and she held a small branch in her right hand. Thus sat the Pythia, the two prophetai on either side waiting to interpret or otherwise assist her in speaking for the god, all staring back at Xenophon, ready for his query.
"Thou may pose thy question to the lord Apollo, through the person of the holy Pythia," the voice again droned in the ponderous accents of the ancient Delphian dialect, which caught me by surprise. It was only with some difficulty, by recalling the sentence again in my mind, that I was able to understand what our interlocutor had said, whom I now saw was a small, potbellied scribe seated on a high stool just behind the Pythia, his stylus poised over a fresh wax tablet.
Xenophon's eyes flitted from the Pythia to the two priests and back again, but he remained silent. Perhaps he had failed to understand the scribe's order to begin? I prepared to step forward out of the shadows to assist him with a quick, prodding whisper in the ear. The priest facing us on the left wore a sour, irritated expression, glaring at Xenophon as if resenting him for having dragged him out of bed for this duty. The other priest, however, the senior of the two, bore a benign, grandfatherly expression, and waited patiently. Finally, the elder priest nodded at Xenophon kindly, as if reassuring him that he was permitted to speak, and he opened his mouth slightly as if to utter words of encouragement. Before he did so, however, Xenophon seemed to snap to, and without even taking an introductory breath, launched into the question he had so carefully prepared over the past few days.
"Mighty lord Apollo, I entreat thee, hear my question," he intoned quietly, but deliberately and confidently, in his best imitation of the ancient dialect. He stood stock-still and straight as an oar, his eyes fixed on the sightless, sealed face of the Pythia. "Pythian Apollo, god of the Muses, I beseech thee to tell me whether it be thy will that I journey to Sardis to accompany my friend, Proxenus, on his expedition with Cyrus…"
From the moment he began speaking, the old woman had been trembling and showing signs of agitation, rocking back and forth and thrusting her chin up in the air, her feet kicking and heaving like a toddler wishing to be let down from a high chair. Her breath came in a series of short gasps, and before Xenophon had quite finished, she raised her face straight up to the ceiling, flinging the branch she was holding and clapping her hands fiercely to her ears. She uttered a short shriek, as if from pain, flecks of spittle glistening on her chin. The two priests, their expressions as unflappable as hers was frenzied, quickly placed their hands behind her shoulders to prevent her from tipping backward off the tripod.
Suddenly she leaped forward off the seat, landing unsteadily on the floor. Taking a crouching step toward Xenophon, her twisted face pointed directly at his, she paused, then began pacing shakily to the side, still supported by the priests, and mumbling in her dialect so quickly and disjointedly that I was able to pick out only the occasional word. Her arms flapped wildly in gesture, as if she were inebriated or entranced, and her utterances, now repeated over and over, were punctuated rhythmically by the same little shriek with which she had first interrupted Xenophon. She seethed and foamed, ranging back and forth before the altar, appearing to ignore our presence, and jerking her head as if to rid herself of an insect that had crawled into one of her ears and was tormenting her. The scribe followed close behind the old woman and the two priests, rapidly scratching out her words on his tablet. Xenophon stood dumbfounded, his hands hanging limply at his sides, and he glanced at me with a look of utter bewilderment. Nothing we had heard had prepared us for this reaction from the priestess.
After a few moments, the old woman again stopped directly in front of Xenophon and peered up at him, her ancient fingers knotted in tight fists, and her shriveled eyelids seeming to stare straight into his face. Xenophon held his ground and moved not a muscle, for the crone's aspect and behavior were terrifying.
Suddenly she seemed to slump, with her face still staring into his. The two priests half carried, half dragged the Pythia two or three paces backwards, and lifted her again up onto the tripod, where she took a deep breath and reassumed the calm and expectant posture we had seen upon first entering. The priests cautiously removed their hands from under her upper arms, and when convinced that her turmoil had passed, quickly stepped behind her to the scribe, where all three conferred in whispered tones. Moving back to their positions after a moment, the scribe stood up, looked at Xenophon and spoke, reading from his tablet.
"He of wisdom unsurpassed,
Whose words with venom must compete,
Knows that which rules old men and fools,
Though not thyself in thy self-deceit."
"Xenophon of Athens: The Pythian Apollo knows what passeth in thy heart."
At this, Xenophon blinked, and seemed to recoil slightly in silent confusion. He quickly recovered, and again stood at immobile attention while the scribe continued.
"Attempt not to deceive the god with thy mortal lips. Peer deep within thyself, and ask not questions to which thou already knowest the answer, seek not advice which thou dost not intend to obey. Though thy sacrifice has been found worthy, Apollo has rejected thy question and refuses to answer. Ask only that which is of significance to thee."
At this, Xenophon's confidence appeared to flag for an instant. His shoulders slumped, and he gazed over at me again in bewilderment, until I gave a slight shrug, and looked away. He stared down at the floor for what seemed like an eternity. Everyone present in the room, the priests, the scribe, and most especially the Pythia herself, had fixed their unblinking faces on him, again maintaining the utmost silence. Finally he looked up, straightened his shoulders, and stepped forward a pace to stand once more directly in front of the ancient, leathery creature.
"Mighty lord Apollo, I entreat thee, hear my question," he began again using the stock formula. He paused slightly, then continued, his voice hoarse and croaking. "To which god should I sacrifice to make my intended journey to Sardis successful, to fare well upon it, and to return in safety?" This time the Pythia remained calm, her wrinkled face as expressionless as a dried apple. After a moment, what appeared to be a smile crept across her lips, revealing the black, rotten stubs of her two front teeth. Apollo the double-tongued was filling her being, surely weaving a web of words on her lips that would leave us wondering in our confusion, words that would coil and uncoil and meander tangentially to their meaning like a water snake through a bed of reeds. Suddenly, she flung open her dead, frozen eye-lids, revealing behind them not eyes, nor even the watery whites of the blank eyeballs as the blind often show, but what was worse, pure nothingness-black, empty sockets where eyes should have been, like those of a plaster mask worn by an actor, but without the actor's living eyes peering from behind to humanize the eerie, dead quality of the blank surface. Her vacant, cavernous holes penetrated deeply into Xenophon's face, and in reply to his query, she uttered merely one word, in a croak imitating, or mocking, his own voice: