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A eunuch silently drew a low chair onto the carpet in the middle of the tent, gleaming in the torchlight with its inlaid whorls of silver and ivory. The master craftsman who had made it for Cyrus' ancestors centuries ago had added a low footrest under the seat, mortised into the very frame, a perfect design for a musician to rest a foot while plucking the lyre. Over it all was draped a heavy fleece for comfort. Asteria gently sat down on the magnificent chair, and the room went silent.

From the first, single pluck of the lyre's string she held the men captive and breathless, entranced by her beauty and by the sweet, crystalline purity of her voice. She fingered the instrument's strings almost randomly at first, as if searching for a motif or attempting to identify mood and pattern, then suddenly seemed to be completely absorbed by the music she was playing. Her fingers tumbled over the strings like a vessel floating down a current, pausing here and there to explore eddies and avoid shoals, picking up speed along the straight rapids and then vacillating over the still waters of a heavenly lake shimmering in the moonlight. The girl sang in flawless Greek, a love ode set to a melody undoubtedly of her own device, for it had elements of Persian intervals quite unlike what one might have heard sung in Athens, which were in striking counterpoint to the song's utterly Grecian mood and lyrics. Her face assumed an expression of such utter concentration as to be almost unbearable, like one of those ambiguous masks used in the theater, on which pleasure and anguish meet and coexist, seeming to break over each other alternately like waves against the outgoing tide. I was astonished to find, or perhaps I merely imagined, that as Asteria's gaze swept calmly about the room from man to man while she sang, it seemed to linger on me, so that I felt as if she were addressing me alone. No doubt every man felt the same, for she was trained in the ways of pleasing an audience, and what better measure of success than for each man to feel as if he had been the recipient of a private performance? Still, I was certain her gaze had stayed on mine longer than her childhood music instructors might have dictated.

There is an ancient Greek word, a strange and lovely word rarely used anymore in its earliest sense, which describes the gradual return of a vibrating lyre string to its point of rest and equilibrium after the instrument has ceased to sound. In modern times, a more sinister meaning has overtaken the original. As Asteria's last, sweet note died slowly into silence, calling this ancient word to mind, every man, slave and general alike, held his breath. Then looking up at us, she smiled shyly, stood quickly with a deferential nod to Cyrus, and skipped out the rear of the tent to join her companions. The men's conversation again began filling the room, though more subdued this time, as the raucous mood had been broken and reverie had taken its place. Once touched by the gods, it is difficult for a mortal to return so soon to the toils of the earth. The banquet broke up shortly afterwards, as each man excused himself, thanking the prince and pledging his own assistance in the forthcoming venture. Xenophon and I walked slowly back to our camp, each in our own silent thoughts, each undoubtedly thinking the same thing.

The word, my Muses prod; what is the ancient word I mentioned, with the two-faced meaning? A word connoting aspects of both art and brutality, life and death, beauty and terror, a strange word in its ability to encompass such things simultaneously, a word tragic in the loss of its benign significance in favor of one more searing. Such a word, so fitting in many ways to my own little tale, this word I gingerly lift and expose from its grave one last time, in the hope that its earlier meaning, that of a peaceful resolution of a gently sounding chord, might thereby not be forgotten without at least a wake.

The word is katastrophe.

CHAPTER FOUR

ONE AFTER ANOTHER the muttering, swaying seers stood up from their crouching position, their arms bathed in blood to the elbows as they finished examining the entrails of the sacrificed goats and conferred with each other on their meaning. The prince had gathered the entire army at the makeshift drill grounds on the riverbank to watch the omens being taken for crossing the enormous river and proceeding on to Babylon. The men craned their necks, peering at the mysterious doings, their hearts heavy at the thought of either outcome. The seers finally nodded at Cyrus to approach, and with somber expressions they explained to him in low tones the results of their omens. A hundred thousand pairs of eyes were fixed on his face as it slowly broke out in a grin, and he raised his arms in triumph.

"The gods are with us!" he cried. "The omens are good, we cross today!"

Scattered cheers broke out among the troops, and those on the outer edges began to disperse, some separating into the crews that had already been organized and for several days had been working to repair the bridge, while others returned to their individual units to begin breaking camp. All stopped their departures, however, when they noticed what Cyrus did next.

Gathering together his elite bodyguard of six hundred cavalry, he calmly and deliberately rode down to the bank of the river, and without pausing, urged his mount in, followed closely by his troops. On they splashed, as the broad river became gradually deeper, to the horses' knees, to their bellies, to their withers. The men stood silent, some muttering questioningly to themselves as they wondered how the prince would swim his horse safely across the fast-moving stream, and even if successful, how he would expect a body of a hundred thousand troops, most of whom could not swim, to follow him, laden with weapons, armor and the enormous baggage train.

The horses continued wading forward, and had now reached the middle of the brown river, the water swirling about their flanks. Even at this distance we could see the desert-trained Persian ponies hesitating, their eyes rolling in terror, but the disciplined cavalry soldiers, sitting bolt upright and looking straight ahead at the opposite side, kept a firm grip on their reins. Suddenly, with all eyes upon Cyrus, we saw that his horse's belly had emerged from the current-then its tail and its hocks. With a final flourish the prince urged his mount into a canter and the entire six hundred pranced through the shallows on the other side, frothing the water in a cloud of spray and raising a distant cheer that we could clearly hear over the din of a half mile of water flowing in front of us.

We reciprocated with an ear-splitting roar-every man raising his fists, his spear, his helmet, in jubilation at the most remarkable omen we had yet seen from the gods: the mighty Euphrates, considered by the locals as being impassable without boats, had given a sign that Abrocomas' vicious burning of the bridge had been a wasted effort. Even the river itself had made way for the prince's army.

As we marched, we kept the Euphrates on our right, though at times because of the roughness of the terrain we were forced to divert ourselves away from its course for miles, even days. For a month after the crossing we picked our way silently across that accursed terrain, where the Persian sun god Ahura-mazda tormented the land with a blinding light and oppressive heat by day. By night, he was replaced by some evil lunar deity who took advantage of his colleague's temporary absence from the skies to send darkness as gelid as a Scythian winter to torment the troops in their sleep. The wood of the wagons grew so dry and shrunken that pegs and joints fell out of their own accord, and the spokes rattled and spun dully in their hubs, unless tied with green hides or secured with pebbles wedged into the gaps. The land was as flat and hot as an armorer's anvil, the heat rising in waves on the horizon, forbidding even trees from growing, for nothing could survive save twisted, stunted little shrubs not sufficient even for small cooking fires for the army, and pitiful, ground-hugging little herbs.