Then just a few months ago she ran off with some man from the city who was passing through. Didn’t need the bus ticket after all, he had his own car, quite the boat. Hubby’s pissed as hell; he’s talking about a posse, go into the city, smoke them out, beat the guy up, get her back, smack her around a bit. A lot of men wouldn’t bother, with a tramp like that; but it seems he doesn’t believe in divorce, says somebody has to stand for the right values.
Personally I think he’s still nuts about her and anyway his pride is hurt. Trouble is she’s flaunting it—the new man’s quite well off, set her up in some sort of mansion, her picture gets in magazines and people asking about her opinions, it’s enough to make you sick. So there she is, all diddied up in her new pearl necklace and smiling away as sweet as pie and saying how happy she is in her new life, and how every woman should follow her heart. Says it wasn’t easy when she was growing up, being half-divine and all, but now she’s come to terms with it and she’s looking at a career in the movies. Says she was too young to get married that first time but now she knows how fulfilling love can be, and the chief wasn’t, well, he just wasn’t. Of course everyone thinks she’s saying he was a nothing in the sack department, so there’s been some snickering up the sleeves, though not openly because he’s still got a lot of clout in this town.
The long and the short of it is, pardon my pun, nobody likes to be laughed at. The chief’s from a big family, a brother and a lot of cousins, all of them with muscles and tempers. My bet is things will get serious. It’s worth watching.
SALOME WAS A DANCER
Salome went after the Religious Studies teacher. It was really mean of her, he wasn’t up to her at all, no more sense of self-protection than a zucchini, always droning on about morality and so forth, but he’d finger the grapefruits in the supermarket in this creepy way, a grapefruit in each hand, he’d stand there practically drooling, one of those gaunt-looking men who’d fall on his knees if a woman ever looked at him seriously, but so far none of them had. As I say it was really mean of her, but he’d failed her on her mid-term and she was under pressure at home, they wanted her to perform as they put it, so I guess she thought this would be a shortcut.
Anyway, with a mother like hers what could you expect? Divorced, remarried, bracelets all up her arms and fake eyelashes out to here, and pushy as hell. Started entering Salome in those frilly-panty beauty contests when she was five, tap-dance lessons, the lot, they’d slather the makeup on those poor tots and teach them to wiggle their little behinds, what a display. And then her stepdad ran the biggest bank in town so I guess she thought she could get away with anything. I wouldn’t be surprised if there wasn’t some hanky-panky going on in that direction too, the way she’d bat her baby blues at him and wheedle, sickening to watch her rubbing up against him and cooing, he’d promised her a Porsche when she turned sixteen.
She was Tinker Bell in the school play when she was twelve, I certainly remember that. Seven layers of cheesecloth was all she wore, there was supposed to be a body stocking underneath but whether there was or not, your guess is as good as mine. And all those middle-aged dads sitting with their legs crossed. Oh, she knew what she was doing!
Anyway, when she got the rotten mark in Religious Studies she went to work on the guy, who knows how it started but when they were caught together in the stockroom she had her shirt off. The teacher was growling away at her bra, having trouble with the hooks, or so the story goes, you have to laugh. If you want what’s in the package you should at least know how to get the string off, is what I say. Anyway, big scandal, and then he started badmouthing her, said she was a little slut and she’d led him on, did some innuendo on the mother just for good measure. Everyone believed him of course, but you always knew with Salome that if anyone’s head was going to roll it wouldn’t be hers. She accused the poor jerk of sexual assault, and since she was technically a minor—and of course her banker stepdad threw his weight around—she made it stick. Last seen, the guy was panhandling in the subway stations, down there in Toronto; grown a beard, looks like Jesus, crazy as a bedbug. Lost his head completely.
Salome didn’t come to a good end either. Tried out for ballet school, Modern Dance was what she thought would suit her, show a lot of skin, centre your thoughts on the pelvis, bare feet, fling yourself about, but she didn’t get in. Left home after some sort of blowup between the mom and the stepdad, midnight yelling about Miss Princess and her goings-on, furniture was thrown. After that she took to stripping in bars, just to annoy them I bet. Got whacked in her dressing room one night, right before the show, too bad for Management, someone clobbered her over the head with a vase, nothing on but her black leather macramé bikini and that steel-studded choke collar, used to get the clients all worked up, not that I’d know personally. Saw two guys running out the stage door in bicycle-courier outfits, some sort of uniform anyway, never caught them though. Hit men set on by the stepdad is one rumour, wild with jealousy. Guys get like that when their hair falls out. It was all the mother’s fault, if you ask me.
PLOTS FOR EXOTICS
From an early age I knew my ambition was to be in a plot. Or several plots—I thought of it as a career. But no plots came my way. You have to apply for them, a friend of mine told me. He’d been around, though he hadn’t been in any plots himself, so I took his advice and went down to the plot factory. As for everything else, there was an interview. So, said the youngish bored man behind the desk, you think you’ve got what it takes to be in a plot. What sort of character did you have in mind? He was fiddling with a list, running his felt-tip pen down it. Character? I said. Yes, that’s what we do here. Plots and characters. You can’t have one without the other. Well, I said, I might as well try out for the main character. Or one of them—I suppose every plot needs more than one. You can’t be a main character, he said bluntly. Why not? I said. Look in the mirror, he said. You’re an exotic. What do you mean, an exotic? I said. I’m a respectable person. I don’t do kinky dancing. Exotic, he said in his bored voice. Consult the dictionary. Alien, foreign, coming in from the outside. Not from here. But I am from here, I said. Do I have a funny accent or something? I don’t make the rules, he said. Maybe you are, I’m not denying it, but your appearance is against it. If we were in some other place you wouldn’t look as if you’d come in from the outside, because you’d already be outside, and so would everyone else there. Then I’d be the exotic, wouldn’t I? He gave a short laugh. But we’re here, aren’t we. Here we are. And there you are. I wasn’t ready to argue about who looked like where, so I said, Okay then, not the main character. What else have you got? For exotics, he said, flipping through the pages of his list. Let me see. There didn’t used to be much of a choice. You could be a jovial, well-meaning exotic, or a stupid, drunken, wife-beating abuser of an exotic, or a hostile exotic falling off a horse, or a clever, malevolent exotic with some kind of big evil plan. If you were a woman, you could be a sexy exotic—a smouldering, beautiful, amoral degenerate. On the other hand, you could be a comical servant. That was it. That was it? I said. I was dismayed. But there’s more options now, he said. His manner was warming up. You could be the best friend, he said. You wouldn’t get the girl, but at least you’d get a girl of some sort. Or you could be the next-door neighbour, drop by for friendly chats. Or you could be some guy with lore—sort of like a coach. Teach the main character how to slice off heads, one-handed, with a sword. We can always use those. Or you could be a wise person; you could have, like, an ancient religion, or you could say meaningful but obscure things, issue what-do-you-call thems. Portents, I said. Yes, he said, like that. Once you only had to be a woman to get those wise parts, any kind of a woman, but then women started having jobs and no one could believe they were wise any more. Nowadays if you’re a wise woman you have to be an exotic woman. You can have wisdom if you’re a man, but you have to be old as well. Beards help. Can you sing? Not particularly, I said. Too bad, he said. The opera’s out, then. Lots of plots there. I could’ve put you in the chorus. They don’t care what anyone looks like. They all wear those exotic outfits anyway. Listen, I said. None of this sounds like me. It doesn’t exactly call out. How about getting me a job in the plot factory? I think I’d be good at that. What? he said. He sounded alarmed. I’d get the hang of it really fast, I said. I could make up some new plots, or give a twist or two to the old ones—move the characters around a few slots. Give some other people a crack at playing the drunken idiots and the comic servants and so on. Increase their dramatic range. What I was really thinking was, I’d be able to rope off a main character or two for myself. Fulfill my childhood dreams. Or I could do a whole plot with nothing in it but exotics. Exotics wall to wall. Then I’d be the main character for sure, no question.