Daniel's best and only friend in the village was a Yup'ik boy named Cane, whose grandfather had taken it upon himself to teach Daniel how to hunt and fish and everything else that his own father should have. For example, how after killing a rabbit, you had to be quiet, so that the animal's spirit could visit. How at fish camp, you'd set the bones of the salmon free in the river, whispering Ataam taikina. Come back again.
Daniel spent most of his childhood waiting to leave. He was a kass'aq, a white kid, and this was reason enough to be teased or bullied or beaten. By the time he was Trixie's age, he was getting drunk, damaging property, and making sure the rest of the world knew better than to fuck with him. But when he wasn't doing those things, he was drawing - characters who, against all odds, fought and won. Characters he hid in the margins of his schoolbooks and on the canvas of his bare palm. He drew to escape, and eventually, at age seventeen, he did.
Once Daniel left Akiak, he never looked back. He learned how to stop using his fists, how to put rage on the page instead. He got a foothold in the comics industry. He never talked about his life in Alaska, and Trixie and Laura knew better than to ask. He became a t\pical suburban father who coached soccer and grilled burgers and
mowed the lawn, a man you'd never expect had been accused of something so awful that he'd tried to outrun himself. Daniel squeezed the eraser he was kneading and completely rubbed out the hawk he'd been attempting to draw. Maybe if he started with Duncan-the-man, instead of Wildclaw-the-beast? He took his mechanical pencil and started sketching the loose ovals and scribbled joints that materialized into his unlikely hero. No spandex, no high boots, no half mask: Duncan's habitual costume was a battered jacket, jeans, and sarcasm. Like Daniel, Duncan had shaggy dark hair and a dark complexion. Like Daniel, Duncan had a teenage daughter. And like Daniel, everything Duncan did or didn't do was linked to a past that he refused to discuss. When you got right down to it, Daniel was secretly drawing himself.
* * *
Jason's car was an old Volvo that had belonged to his grandmother before she died. The seats had been reupholstered in pink, her favorite color, by his grandfather for her eighty-fifth birthday. Jason had told Trixie he used to think about changing them back to their original flesh tone, but how could you mess with that kind of love?
Hockey practice had ended fifteen minutes ago. Trixie waited in the cold, her hands tucked into the sleeves of her jacket, until Jason came out of the rink. His enormous hockey bag was slung over his shoulder, and he was laughing as he walked beside Moss. Hope was a pathological part of puberty, like acne and surging hormones. You might sound cynical to the world, but that was just a defense mechanism, cover-up coating a zit, because it was too embarrassing to admit that in spite of the bum deals you kept getting, you hadn't completely given up.
The Tenth Circle
When Jason noticed her, Trixie tried to pretend she didn't see the look that ghosted over his face - regret, or maybe resignation. She concentrated instead on the fact that he was walking toward her alone. “Hey,” she said evenly. “Can you give me a ride home?”
He hesitated, long enough for her to die inside all over again. Then he nodded and unlocked the car. She slid into the passenger seat while Jason stowed his gear, turned over the ignition, and blasted the heater. Trixie thought up a thousand questions - How was practice? Do you think it'll snow again? Do you miss me? - but she couldn't speak. It was too much, sitting there on the pink seats, just a foot away from Jason, the way she'd sat beside him in this car a hundred times before.
He pulled out of the parking spot and cleared his throat. “You feeling better?”
Than what? she thought.
“You left psych this morning,” Jason reminded her. That class seemed like forever ago. Trixie tucked her hair behind her ear. “Yeah,” she said, and glanced down. Trixie thought of how she used to grasp the stick shift, so that when Jason reached for it, he would automatically be holding her hand. She slid her palm beneath her thigh and gripped the seat so she wouldn't do anything stupid.
“What are you doing here, anyway?” Jason said.
“I wanted to ask you something.” Trixie took a deep breath for courage. “How do you do it?”
“Do what?”
“All of it. You know. Go to class and practice. Make it through the day. Act like . . . like none of it mattered,” Jason swore beneath his breath and pulled the car over. Then he reached across the seat and brushed his thumb over her cheek; until then, she hadn't been aware she was crying. “Trix,” he sighed, “it mattered.”
By now, the tears were coming faster. “But I love you,” Trixie said. There was no easy switch that she could flip to stem the flow of feelings, no way to drain the memories that pooled like acid in her stomach because her heart no longer knew what to do with them. She couldn't blame Jason; she didn't like herself like this, either. But
she couldn't go back to being the girl she'd been before she met him; that girl was gone. So where did that leave her?
Jason was wavering, she could tell. When he reached over the console to pull her into his arms, she tucked her head against his neck and rounded her mouth against the salt of his skin. Thank you, she murmured, to God or Jason or maybe both.
His words stirred the hair beside her ear. “Trixie, you've got to stop. It's over.”
The sentence - and that's exactly what it was, in every sense of the word - fell between them like a guillotine. Trixie disengaged herself, wiping her eyes on the puffy sleeve of her coat. “If it's us,” she whispered, “how come you get to decide?” When he didn't answer - couldn't answer - she turned and stared out the front window. As it turned out, they were still in the parking lot. They hadn't gotten anywhere at all.
* * *
The entire way home, Laura planned the way she was going to break the news to Seth. As flattering as it was to have a twenty-something man find a thirty-eight-year-old woman attractive, it was also wrong: Laura was his professor; she was married; she was a mother. She belonged in a reality made up of faculty meetings and papers being published and think tanks conducted at the home of the dean of humanities, not to mention parent-teacher conferences at Trixie's school and worries about her own metabolism slowing down and whether she could save money on her cellular service if she switched companies. She told herself that it did not matter that Seth made her feel like summer fruit about to drop from a vine, something she could not remember experiencing anytime in the last decade with Daniel. Doing something wrong, it turned out, packed a heady adrenaline rush. Seth was dark and uneven and unpredictable and . . . oh, God, just thinking about him was making her drive too fast on this road. On the other hand, Laura's husband was the most solid, dependable, mild-mannered man in all of Maine. Daniel never forgot to put out the recycling bin; he set the coffee to brew the night before because she was a bear when she didn't have any in the morning; he never once complained about the fact that it had taken a good decade longer than he'd liked to make a name for himself in the comics industry because he was the stay-at-home parent. Sometimes, ridiculously, the more perfect he was the angrier she got, as if his generosity existed only to highlight her own selfishness. But then, she had only herself to blame for that - wasn't she the one who'd given him the ultimatum, who'd said he had to change?
The problem was (if she was going to be honest with herself) that when she asked him to change, she was focusing on what she thought she needed. She'd forgotten to catalog all the things she'd lose. What she had loved most about Seth - the thrill of doing something forbidden, the understanding that women like her did not connect with men like him - was exactly what had once made her fall for Daniel.