The lakes had been designed to reveal any radiobiological changes in a selected range of fauna, but the specimens had long since bloomed into grotesque parodies of themselves and been destroyed.
Sometimes in the evenings, when a sepulchral light lay ' over the concrete bunkers and causeways, and the basins seemed like ornamental lakes, in a city of deserted mausoleums, abandoned even by the dead, he would see the spectres of his wife and son standing on the opposite bank. Their solitary figures appeared to have been watching him for hours. Although they never moved, Traven was sure they. were beckoning to him. Roused from his reverie, he would stumble forward across the dark sand to the edge of the lake and wade through the water, shouting soundlessly at the two figures as they moved away hand in hand among the lakes and disappeared across the distant causeways. Shivering with cold, Traven would return to the bunker and lie on the bed of old magazines, waiting for their return. The image of their faces, the pale lantern of his wife's cheeks, floated on the river of his memory.
The Blocks (2)
It was not until he discovered the blocks that Traven realized he would never leave the island.
At this stage, some two months after his arrival, Traven had exhausted his small cache of food, and the symptoms of beri-beri had become more acute. The numbness in his hands and feet, and the gradual loss of strength, continued. Only by an immense effort, and the knowledge that the inner sanctum of the island still lay unexplored, did he manage to leave the palliasse of magazines and make his way from the bunker.
As he sat in the drift of sand by the doorway that evening, he noticed a light shining through the palms far into the distance around the atoll. Confusing this with the image of his wife anti son, and visualizing them waiting for him at some warm hearth among the dunes, Travern set off towards the light. Within a hundred yards he lost his sense of direction. He blundered about for several hours on the edges of the landing strip, and succeeded only in cutting his foot on a broken coca-cola bottle in the sand.
After postponing his search for the night, he set out again in earnest the next morning. As he moved past the towers and blockhouses the heat lay over the island in an unbroken mantle. He had entered a zone devoid of time. Only the narrowing perimeters warned him that he was crossing the inner field of the fire-table.
He climbed the ridge which marked the furthest point in his previous exploration of the island. From the plain below it the recording towers rose into the air like obelisks. Traven walked down towards them. On their grey walls were the faint outlines of human forms in stylized poses, the flash-shadows of the target community burnt into the cement.
Here and there, where the concrete apron had cracked, a line of palms hung in the motionless air. The target lakes were smaller, filled with the broken bodies of plastic models.
Most of them lay in the inoffensive domestic postures into which they had been placed before the tests.
Beyond the furthest line of dunes, where the camera towers began to turn and face him, were the tops of what seemed to be a herd of square-backed elephants. They were drawn up in precise ranks in a hollow that formed a shallow corral, the sunlight reflected off their backs.
Traven advanced towards them, limping on his cut foot. On either side of him the loosening sand had excavated the dunes, and several of the blockhouses tilted on their sides. This plain of bunkers stretched for some quarter of a mile, the half-submerged hulks, bombed out onto the surface in some earlier test, like the abandoned wombs that had given birth to this herd of megaliths.
The Blocks (3)
To grasp something of the vast number and oppressive size of the blocks, and their impact upon Traven, one must try to visualize sitting in the shade of one of these concrete monsters, or walking about in the centre of this enormous labyrinth that extended across the central table of the island. There were two thousand of them, each a perfect cube 5 feet in height, regularly spaced at ten-yard intervals. These were arranged in a series of tracts, each composed of two hundred blocks, inclined to one another and to the direction of the blast. They had weathered only slightly in the years since they were first built, and their gaunt profiles were like the cutting face. of a gigantic die-plate, devised to stamp out rectilinear volumes of air the size of a house. Three of the sides were smooth and unbroken, but the fourth, facing away from the blast, contained a narrow inspection door.
It was this featme of the blocks that Traven found particularly disturbing. Despite the considerable number of doors, by some freak of perspective only those in a single aisle were visible at any point within the maze. As he walked from the perimeter line into the centre of the massif, line upon line of the small metal doors appeared and receded.
Approximately twenty of the blocks, those immediately below ground zero, were solid: the walls of the remainder were of varying thicknesses. From the outside they appeared to be of uniform solidity.
As he entered the first of the long aisles, Traven felt the sense of fatigue that had dogged him for so many months begin to lift. With their geometric regularity and finish, the blocks seemed to occupy more than their own volumes of slace, imposing on him a mood of absolute calm and order.
He walked on into the centre of the maze, eager to shut out the rest of the island. After two random turns to left and right, he found himself alone, the vistas to the sea, lagoon and island closed.
Here he sat down with his back to one of the blocks, the quest for his wife and son forgotten. For the first time since his arrival at the island the sense of dissociation set off by its derelict landscape began to recede.
One development he did not expect. With dusk, and the need to leave the blocks and firal food, he realized that he had lost himself. However he retraced his steps, struck out left or right at an oblique course, oriented himself around the sun and pressed on resolutely north or south, he found himself back again at his starting point. Only when darkness came did he manage to make his escape.
Abandoning his former home near the aircraft dump, Traven collected together what canned food he could find in the waist turret and cockpit lockers of the Super fortresses.
He pulled them across the atoll on a crude sledge. Fifty yards from the perimeter of the blocks he took over a tilting bunker, and pinned the fading photograph of the blonde-haired child to the wall beside the door. The page was falling to pieces, like a fragmenting mirror of himself. Since the discovery of the blocks he had become a creature of reflexes, kindled from levels above those of his existing nervous system (if the autonomic system was dominated by the past, Traven sensed, the cerebro-spinal reached towards the future). Each evening when he woke he would eat without appetite and then wander among the blocks. Sometimes he took a canteen of water with him and remained there for two or three days on end.
The Submarine Pens
This precarious existence continued for the following weeks. As he walked out to the blocks one evening, he again saw his wife and son, standing among the dunes below a solitary camera tower, their faces watching him expressionlessly. He realized that they had followed him across the island from their former haunt among the dried-up lakes. At about this time he once again saw the distant light beckoning, and decided to continue his exploration of the island.
Half a mile further along the atoll he found a group of four submarine pens, built over an inlet, now drained, which wound through the dunes from the sea. The pens still contained several feet of water, filled with strange luminescent fish and plants. The warning light winked at intervals from the apex of a metal scaffold. The remains of a substantial camp, only recently vacated, stood on the pier outside. Greedily, Traven heaped his sledge with the provisions stored inside one of the metal shacks.