“Where are we going?” I asked Aunt Estée.
“Ardua Hall,” she said. “You can stay there while I visit your parents.”
I’d heard Ardua Hall mentioned, always in hushed tones because it was a special place for the Aunts. Whatever the Aunts did when we weren’t looking was not our concern, said Zilla. They kept themselves to themselves and we should not poke our noses in. “But I wouldn’t want to be them,” Zilla would add.
“Why not?” I asked her once.
“Nasty business,” said Vera, who was running pork through the meat grinder for a pie. “They get their hands dirty.”
“So we don’t have to,” said Zilla mildly, rolling pie crust.
“They dirty up their minds too,” said Rosa. “Whether they want to or not.” She was chopping onions with a large cleaver. “Reading!” She gave an extra-loud chop. “I never liked it.”
“I didn’t either,” said Vera. “Who knows what they’re forced to dig around in! Filthiness and muck.”
“Better them than us,” said Zilla.
“They can never have husbands,” said Rosa. “Not that I’d want one myself, but still. Or babies either. They can’t have those.”
“They’re too old anyway,” said Vera. “All dried up.”
“The crust’s ready,” said Zilla. “Have we got any celery?”
Despite this discouraging view of the Aunts, I’d been intrigued by the idea of Ardua Hall. Ever since I’d learned that Tabitha wasn’t my mother, anything secret had attracted me. When I was younger I’d ornamented Ardua Hall in my mind, made it enormous, given it magic properties: surely the location of so much subterranean but ill-understood power must be an imposing construction. Was it a huge castle, or was it more like a jail? Was it like our school? Most likely it had a lot of large brass locks on the doors that only an Aunt would be able to open.
Where there is an emptiness, the mind will obligingly fill it up. Fear is always at hand to supply any vacancies, as is curiosity. I have had ample experience with both.
“Do you live there?” I asked Aunt Estée now. “Ardua Hall?”
“All the Aunts in this city live there,” she said. “Though we come and go.”
As the streetlights began to glow, turning the air a dull orange, we reached a gateway in a high, red-brick wall. The barred iron gate was closed. Our car paused; then the gate swung open. There were floodlights; there were trees. In the distance, a group of men in the dark uniforms of the Eyes were standing on a wide stairway in front of a brightly lit brick palace with white pillars, or it looked like a palace. I was soon to learn it had once been a library.
Our car pulled in and stopped, and the driver opened the door, first for Aunt Estée, then for me.
“Thank you,” said Aunt Estée to him. “Please wait here. I’ll be back shortly.”
She took me by the arm, and we walked along the side of a large grey stonework building, then past a statue of a woman with some other women posed around her. You didn’t usually see statues of women in Gilead, only of men.
“That is Aunt Lydia,” said Aunt Estée. “Or a statue of her.” Was it my imagination, or did Aunt Estée give a little curtsy?
“She’s different from real life,” I said. I didn’t know if Aunt Lydia’s visit to me was supposed to be a secret, so I added, “I saw her at a funeral. She’s not that big.” Aunt Estée did not answer for a moment. I see in retrospect that it was a difficult question: you don’t want to be caught saying that a powerful person is small.
“No,” she said. “But statues aren’t real people.”
We turned onto a paved pathway. Along one side of it was a long three-storey building of red brick punctuated by a number of identical doorways, each with a few steps going up to it and a white triangle over the top. Inside the triangle was some writing, which I could not yet read. Nonetheless I was surprised to see writing in such a public place.
“This is Ardua Hall,” said Aunt Estée. I was disappointed: I’d been expecting something much grander. “Come in. You will be safe here.”
“Safe?” I said.
“For the moment,” she said. “And, I hope, for some time.” She smiled gently. “No man is allowed inside without the permission of the Aunts. It’s a law. You can rest here until I come back.” I might be safe from men, I thought, but what about women? Paula could barge in and drag me out, back into a place where there were husbands.
Aunt Estée led me through a medium-sized room with a sofa. “This is the common sitting area. There’s a bathroom through that door.” She ushered me up a flight of stairs and into a little room with a single bed and a desk. “One of the other Aunts will bring you a cup of warm milk. Then you should have a nap. Please don’t worry. God has told me it will be all right.” I didn’t have as much confidence in this as she appeared to, but I felt reassured.
She waited until the warm milk arrived, carried in by a silent Aunt. “Thank you, Aunt Silhouette,” she said. The other one nodded and glided out. Aunt Estée patted my arm, then left, closing the door behind her.
I had only a sip of the milk: I didn’t trust it. Would the Aunts give me drugs before kidnapping me and delivering me back into Paula’s hands? I didn’t think Aunt Estée would do that, though Aunt Silhouette looked as if she might. The Aunts were on the side of the Wives, or that’s what the girls had said at school.
I paced around the small room; then I lay down on the narrow bed. But I was too overwrought to go to sleep, so I got up again. There was a picture on the walclass="underline" Aunt Lydia, smiling an inscrutable smile. On the opposite wall was a picture of Baby Nicole. They were the same familiar pictures that had been in the classrooms at the Vidala School, and I found them oddly comforting.
On the desk there was a book.
I’d thought and done so many forbidden things that day that I was ready to do one more. I went over to the desk and stared down at the book. What was inside it that made it so dangerous to girls like me? So flammable? So ruinous?
39
I reached out my hand. I picked up the book.
I opened the front cover. No flames shot out.
There were many white pages inside, with a lot of marks on them. They looked like small insects, black broken insects arranged in lines, like ants. I seemed to know that the marks contained sounds and meaning, but I couldn’t remember how.
“It’s really hard at first,” said a voice behind me.
I hadn’t heard the door open. I startled and turned. “Becka!” I said. I’d last seen her at Aunt Lise’s flower-arranging class with blood spurting out of her cut wrist. Her face had been very pale then, and resolved, and forlorn. She looked much better now. She was wearing a brown dress, loose on top, belted at the waist; her hair was parted in the middle and pulled back.
“My name isn’t Becka anymore,” she said. “I’m Aunt Immortelle now; I’m a Supplicant. But you can call me Becka when we’re alone.”
“So you didn’t get married after all,” I said. “Aunt Lydia told me you have a higher calling.”
“Yes,” she said. “I won’t have to marry any man, ever. But what about you? I heard you’re going to marry someone highly important.”
“I’m supposed to,” I said. I started to cry. “But I can’t. I just can’t!” I wiped my nose on my sleeve.
“I know,” she said. “I told them I’d rather die. You must have said the same thing.” I nodded. “Did you say you had a calling? To be an Aunt?” I nodded again. “Do you really have one?”