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She looked to where it had come from and saw Andrew, the older boy, with none other than a blowgun in his hands. And the empty spot on the wall where he’d taken it from. Dear God, the heathen had fired at her.

He ducked behind the sofa and ran.

That was it. She’d had enough. She went after him, with every intention of laying a hand on him—only for as long as it took to throw him out of the house. All of them. Let Lady Smythe-Helsing fire her. Let the doctor report what an awful governess she was.

As she chased Andrew through the doorway from the parlor to the library, she tripped. Looking back, she saw why—Alice and Arthur, crouched on either side of the doorway, had pulled a length of rope across the passage, just as she stepped into it. Good heavens, what had gotten into them? They’d always been holy terrors but never truly malicious. The injuries they inflicted were usually accidental.

The two of them scrambled to their feet and ran back toward the parlor.

Rubbing a bruised elbow, she went to follow them. Four against one was terrible odds. Especially those four. How had she gotten into this? Oh yes, she needed a job. She had too much education for scut work but not enough for anything professional. Be a governess, that was the solution. Some of the very wealthy families still had them. What an opportunity. Better than regular teaching, and maybe she’d catch the eye of some wealthy gentleman who would take her away from all this.

Bollocks. All of it. This wasn’t a job, it was a war.

She entered the parlor and paused—they’d hidden, and were being very quiet for once.

Several more weapons seemed to have vanished from their places on the wall, and she had a sinking feeling. She had already started backing away, step by step, when Arthur came at her with a spear that was larger than he was. Alice had a bow and quiver of arrows.

Sylvia turned and ran. Out of the parlor, through the kitchen, where she nearly collided with Andrew, who was now wielding an axe as well as the blowgun. Changing direction mid-stride, she made her way through a pantry to a scullery and then to a workroom, and from there to the foyer again, and to a second library, where she slammed shut the door and bolted it.

There, next to the wall, stood Anne. She’d been hiding behind the door, and Sylvia hadn’t looked. Anne stared at her. In her hands, clutched to her chest, she held a cage the size of a shoebox, made of sticks tied together with twine. In the cage was a mouse, the small, brown kind that invaded pantries and scurried across kitchen floors. The creature huddled in the corner, sitting on its haunches, its front paws pressed to its chest, trembling. Its large and liquid eyes seemed to be pleading. Sylvia understood how it felt.

On the other hand, the girl’s gaze was challenging. She looked up at Sylvia, who somehow felt shorter. Her breath caught, and when she tried to draw another, she choked. The corner of the girl’s lips turned up.

Meanwhile, little hands had begun pounding on the door.

“All right,” Sylvia said. “That’s how it is, is it?” She unbolted the doors and flung them open. The other three children—spears, blowguns, axes, arrows, daggers, and scalpels in hand—were waiting for her. Little Anne stood behind her, wearing an expression of utter malice, like she was thinking of how to build a larger cage. “You lot will have to catch me, first,” Sylvia said.

She shoved past them with enough force to startle them into stillness, just for a moment. Then, they pelted after her. This time, Sylvia made for the front door, breezing past the startled housekeeper. She wrestled opened the heavy front doors, didn’t say a word to the chauffeur who was leaning on the hood of the Bentley and smoking a pipe. He stared after her wonderingly, but she didn’t have time to explain, because the four little Smythe-Helsings were charging after her, silent and determined, weapons held to the ready. As she’d hoped they would.

The end of the drive was perhaps a hundred yards away. Sylvia wasn’t an athlete, by any means, but she was no slouch, either, and herding these children for the last year had certainly kept her fit. All she had to do was reach the end of the property and not look back. But she could hear their footsteps kicking up gravel, gaining on her.

Then she was across the line marked by the brick columns at the end of the drive. If this didn’t work, she was lost. She stopped and turned to see the four children running after her, murder hollowing their expressions. First Alice, then Andrew, then Anne, then little Arthur crossed the invisible line, and they all stopped and stared, bewildered, at the weapons in their hands.

Arthur dropped the spear and started crying.

“Oh, Arthur, hush now, it’s all over now, it’s all right.” Sylvia knelt beside him and gathered him in her arms, holding him while he sobbed against her shoulder. Then all the children were crying, clinging to her, and she spread her arms to encompass them.

She made them wait by one of the brick columns while she went to fetch the car. They stayed right where she told them to, hand in hand, watching her with swollen red eyes her entire way back to the manor, where she told the chauffeur that they’d like to go home now, and didn’t answer any of his brusque questions. The housekeeper watched her from the front steps, a glare in her eye and a sneer on her lips. Sylvia paid her no mind.

BACK AT THE Smythe-Helsing estate, the children were exhausted, and Sylvia gave them each a glass of water and a biscuit and put them to bed. She then went to see Lady Smythe-Helsing, who had returned from her watercolor class and was sitting in her parlor taking tea.

Sylvia approached. “Lady Smythe-Helsing, ma’am?”

“Yes, what is it?” She set aside her cup and scowled at the interruption.

Taking a deep breath, Sylvia said, “I quit.”

The woman blinked, transforming her native-born elegance into a fish-like gawping. It made Sylvia stand a little taller. Without her furs and title, the lady was no better than her governess.

“What?” she finally said.

“I quit. I’m leaving. I’ve had enough. I quit.” She felt like a general who’d won a battle.

“This is outrageous.”

“This is not the Middle Ages,” she said, imagining tearing that medieval tapestry to bits. “I can leave when I like.”

“But what will you do? I certainly won’t be writing you a referral after this.”

“Anything I want,” she shot back without thinking, then tilted her head, considering. “Maybe I’ll go to America. Hollywood. I’ll be a movie star.”

“You’re delusional.”

“Perhaps. Perhaps not.”

“You’ll fail. And you’ll never find another position as a governess.”

“Thank God,” Sylvia said, and went to fetch her things.

SYLVIA REACHED THE stairs that led down from the children’s wing to the back door when a figure stopped her. Little Anne in her nightgown, hugging her flaxen-haired doll.

“Anne. Hello.”

“Hello.”

“And then good-bye, rather. I’m leaving.”

“I know,” the girl said. “I’ll miss you.”

“Pardon? Really?”

“You’re the best governess we’ve ever had. You listen.”

“Oh, Anne. But you understand that I have to leave.”

“Oh yes. It’s the only sane choice.”

Sylvia smiled. “There’s a good girl, Anne.”

Anne smiled, too, and wandered back to bed.

Suitcase in hand, Sylvia left through the back door and walked away from the Smythe-Hesling manor with a spring in her step.

Storage

The housekeeper watched the Smythe-Helsing children and their governess depart, then went to the parlor, to the tapestry hanging in the center of a group of portraits. Odd, faded, ambiguous, it seemed to change shape based on how one tilted one’s head when looking at it. A fascinating piece. The housekeeper took it down off its nail, rolled it up, and carried it to a downstairs room, to put with other ambiguous experiments. On the way, Lambshead removed the wig and false nose, and dispensed with the stooped posture that had transformed him.