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It was almost dark when at last, after several false casts, I came into Palmyra Square. It was a square only in name, for one side was filled with a warehouse of sorts, and another straggled away in nests of small brick houses. One side was a terrace of artisans' dwellings, quite new, each with a tiny bow-window and names like "Chatsworth" and "Kitchener Villa." The fourth side, facing south, had once had a certain dignity, and the builder who had designed the place seventy years ago had thought, no doubt, that he was creating a desirable residential quarter. There the houses stood apart, each in a patch of garden, which may at one time have had lawns and flowers. Now these gardens were mere dusty yards, the refuge of tin cans and bits of paper, and only a blackened elm, an ill-grown privet hedge, and some stunted lilacs told of the more cheerful past. On one house was the brass plate of a doctor, on another that of a teacher of music; several advertised lodgings to let; the steps were untidy, the gates askew on their hinges, and over everything was written the dreary legend of a shabby gentility on the very brink of squalor.

Number 4 was smarter than the others, and its front door had been newly painted a vivid green. I rang the bell, which was an electric one, and the door was opened by a maid who looked sufficiently respectable. When I entered I saw that the house was on a more generous scale than I had thought, and had once, no doubt, been the home of some comfortable citizen. The hall was not the tank-like thing of the small London dwelling, and the room into which I was ushered, though small, was well furnished and had an electric fire in the grate. It seemed to be a kind of business room, for there was a telephone, a big safe, and on the shelves a line of lettered boxes for papers. I began to think that Madame Breda, whoever she might be, must be running a pretty prosperous show on ordinary business lines.

I was presently led by the maid to a room on the other side of the hall, where I was greeted by a smiling lady. Madame was a plump person in the early forties, with dark hair and a high colour, who spoke English almost without an accent. "Dr. Newhover has sent you. So? He has told me. Will you please go in there and take off your coat and waistcoat? Your collar, too, please."

I did as I was bid, and in a little curtained cubicle divested myself of these garments and returned in my shirt-sleeves. The room was a very pleasant one, with folding doors at one end, furnished like an ordinary drawing-room, with flowers in pots and books, and what looked like good eighteenth-century prints. Any suspicion I may have had of the bona fides of the concern received a rude shock. Madame had slipped over her black dress a white linen overall, such as surgeons wear, and she had as her attendant a small thin odd-looking girl, who also wore an overall, and whose short hair was crowned with a small white cap.

"This is Gerda," Madame said. "Gerda helps me. She is very clever." She smiled on Gerda, and Gerda smiled back, a limp little contortion of a perfectly expressionless face.

Madame made me lie down on a couch. "You have a headache?"

I mendaciously said that I had.

"That I can soon cure. But there are other troubles? So? These I must explore. But first I will take away the pain."

"I felt her light firm fingers playing about my temples and the base of my skull and my neck muscles. A very pleasant sensation it was, and I am certain that if I had been suffering from the worst headache in the world it would have been spirited away. As it was, being in excellent health, I felt soothed and freshened.

"So," she said, beaming down on me. "You are better? You are so beeg that it is not easy to be well all over at once. Now, I must look into more difficult things. You are not happy in your nerves—not altogether. Ah! these nerves! We do not quite know what they are, except that they are what you call the devil. You are very wakeful now. Is it not so? Well I must put you to sleep. That is necessary, if you are willing."

"Right-o," I answered; but inwardly I said to myself, "No, my woman, I bet you don't." I was curious to see if, now that I was forewarned, I could resist any hypnotic business, as I believed I could.

I imagined that she would try to master me with her eyes, which were certainly remarkable orbs. But her procedure was the very opposite, for the small girl brought some things on a tray, and I saw that they were bandages. First of all, with a fine cambric handkerchief, she swathed my eyes, and then tied above it another of some heavy opaque material. They were loosely bound, so that I scarcely felt them, but I was left in the thickest darkness. I noticed that she took special pains so to adjust them that they should not cover my ears.

"You are not wakeful," I heard her voice say, "I think you are sleepy. You will sleep now."

I felt her fingers stray over my face, and the sensation was different, for whereas, when she had treated my headache, they had set up a delicious cool tingling of the skin, now they seemed to induce wave upon wave of an equally pleasant langour. She pressed my forehead, and my senses seemed to be focused there and to be lulled by that pressure. All the while she was cooing to me in a voice which was like the drowsy swell of the sea. If I had wanted to go to sleep I could have dropped off easily, but, as I didn't want to, I had no difficulty in resisting the gentle coercion. That, I fancy, is my position about hypnotism. I am no kind of use under compulsion, and for the thing to affect me it has to have the backing of my own will. Anyhow, I could appreciate the pleasantness of it and yet disregard it. But it was my business to be a good subject, so I pretended to drift away into slumber. I made my breath come slowly and softly, and let my body relax into impassivity.

Presently she appeared to be satisfied. She said a word to the child, whose feet I could hear cross the room. There was a sound of opening doors—my ears, remember, were free of the bandages and my hearing is acute—and then it seemed to me that the couch on which I lay began slowly to move. I had a moment of alarm and nearly gave away the show by jerking up my head. The couch seemed to travel very smoothly on rails, and I was conscious that I had passed through the folding doors and was now in another room. Then the movement stopped, and I realised that I was in an entirely different atmosphere. I realised, too, that a new figure had come on the scene.

There was no word spoken, but I had the queer inexplicable consciousness of human presences which is independent of sight and hearing. I have said that the atmosphere of the place had changed. There was a scent in the air which anywhere else I would have sworn was due to peat smoke, and mixed with it another intangible savour which I could not put a name to, but which did not seem to belong to London at all, or to any dwelling, but to some wild out-of-doors… . And then I was aware of noiseless fingers pressing my temples.