Выбрать главу

The dancing was madder and livelier than on the last occasion. There was more vigour in the marionettes, and I was bound to confess that they knew their trade, little as I valued it. All the couples were expert, and when now and then a bungler barged in he did not stay long. I saw no sign of the girl in green whom Archie had admired, but there were plenty like her. It was the men I most disliked, pallid skeletons or puffy Latins, whose clothes fitted them too well, and who were sometimes as heavily made-up as the women.

One especially I singled out for violent disapproval. He was a tall young man, with a waist like a wasp, a white face, and hollow drugged eyes. His lips were red like a chorus-girl's, and I would have sworn that his cheeks were rouged. Anyhow he was a loathsome sight. But ye gods! he could dance. There was no sign of animation in him, so that he might have been a corpse, galvanised by some infernal power and compelled to move through an everlasting dance of death. I noticed that his heavy eyelids were never raised.

Suddenly I got a bad shock. For I realised that this mannequin was no other than my ancient friend, the Marquis de la Tour du Pin.

I hadn't recovered from that when I got a worse. He was dancing with a woman whose hair seemed too bright to be natural. At first I could not see her face clearly, for it was flattened against his chest, but she seemed to be hideously and sparsely dressed. She too knew how to dance, and the slim grace of her body was conspicuous even in her vulgar clothes. Then she turned her face to me, and I could see the vivid lips and the weary old pink and white enamel of her class. Pretty, too …

And then I had a shock which nearly sent me through the window. For in this painted dancer I recognised the wife of my bosom and the mother of Peter John.

Chapter 14 SIR ARCHIBALD ROYLANCE PUTS HIS FOOT IN IT

Three minutes later I was back in the curiosity shop. I switched off my light, and very gently opened the street door. There was a sound of footsteps on the pavement, so I drew back till they had passed. Then I emerged into the quiet street, with Abel's little brazier glowing in front of me, and Abel's little sharp face poked out of his pent-house.

"All right, sir?" he asked cheerfully.

"All right," I said. "I have found what I wanted."

"There was a party turned up not long after you had gone in. Lucky I had locked the door after you. He wasn't inside more than five minutes. A party with a black topcoat turned up at the collar—respectable party he looked—oldish—might have been a curate. Funny thing, sir, but I guessed correctly when you were coming back, and had the door unlocked ready for you… . If you've done with me I'll clear off."

"Can you manage alone?" I asked. "There's a good deal to tidy up."

He winked solemnly. "In an hour there won't be a sign of anything. I have my little ways of doing things. Good night, sir, and thank you." He was like a boots seeing a guest off from an hotel.

I found that the time was just after half-past eleven, so I walked to Tottenham Court Road and picked up a taxi, telling the man to drive to Great Charles Street in Westminster. Mary was in London, and I must see her at once. She had chosen to take a hand in the game, probably at Sandy's instigation, and I must find out what exactly she was doing. The business was difficult enough already with Sandy following his own trail and me forbidden to get into touch with him, but if Mary was also on the job it would be naked chaos unless I knew her plans. I own I felt miserably nervous. There was nobody in the world whose wisdom I put higher than hers, and I would have trusted her to the other side of Tophet, but I hated to think of a woman mixed up in something so ugly and perilous. She was far too young and lovely to be safe on the back-stairs. And yet I remembered that she had been in uglier affairs before this and I recalled old Blenkiron's words: "She can't scare and she can't soil." And then I began to get a sort of comfort from the feeling that she was along with me in the game; it made me feel less lonely. But it was pretty rough luck on Peter John. Anyhow I must see her, and I argued that she would probably be staying with her Wymondham aunts, and that in any case I could get news of her there.

The Misses Wymondham were silly ladies, but their butler would have made Montmartre respectable. He and I had always got on well, and I think the only thing that consoled him when Fosse was sold was that Mary and I were to have it. The house in Great Charles Street was one of those tremendously artistic new dwellings with which the intellectual plutocracy have adorned the Westminster slums.

"Is her ladyship home yet?" I asked.

"No, Sir Richard, but she said she wouldn't be late. I expect her any moment."

"Then I think I'll come in and wait. How are you, Barnard? Found your city legs yet?"

"I am improving, Sir Richard, I thank you. Very pleased to have Miss Mary here, if I may take the liberty of so speaking of her. Miss Claire is in Paris still, and Miss Wymondham is dancing to-night, and won't be back till very late. How are things at Fosse, sir, if I may make so bold? And how is the young gentleman? Miss Mary has shown me his photograph. A very handsome young gentleman, sir, and favours yourself."

"Nonsense, Barnard. He's the living image of his mother. Get me a drink, like a good fellow. A tankard of beer, if you have it, for I've a throat like a grindstone."

I drank the beer and waited in a little room which would have been charming but for the garish colour scheme which Mary's aunts had on the brain. I was feeling quite cheerful again, for Peter John's photograph was on the mantelpiece and I reckoned that any minute Mary might be at the doorway.

She came in just before midnight. I heard her speak to Barnard in the hall, and then her quick step outside the door. She was preposterously dressed, but she must have done something to her face in the taxi, for the paint was mostly rubbed from it, leaving it very pale.

"Oh, Dick, my darling," she cried, tearing off her cloak and running to my arms. "I never expected you. There's nothing wrong at home?"

"Not that I know of, except that it's deserted. Mary, what on earth brought you here?"

"You're not angry, Dick?"

"Not a bit—only curious."

"How did you know I was here?"

"Guessed. I thought it the likeliest cover to draw. You see I've been watching you dancing to-night. Look here, my dear, if you put so much paint and powder on your face and jam it so close to old Turpin's chest, it won't be easy for the poor fellow to keep his shirt-front clean."

"You—watched—me—dancing! Were you in that place?"

"Well, I wouldn't say in it. But I had a prospect of the show from the gallery. And it struck me that the sooner we met and had a talk the better."

"The gallery! Were you in the house? I don't understand."

"No more do I. I burgled a certain house in a back street for very particular reasons of my own. In the process I may mention that I got one of the worst frights of my life. After various adventures I came to a place where I heard the dickens of a row which I made out to be dance music. Eventually I found a dirty little room with a window and to my surprise looked down on a dancing-hall. I know it, for I had once been there with Archie Roylance. That was queer enough, but imagine my surprise when I saw my wedded wife, raddled like a geisha, dancing with an old friend who seemed to have got himself up to imitate a wax-work."