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“She wasn’t always good to you, and I don’t like it when people aren’t good to you,” he says as he lets go of my hair, the strands falling against my clingy red shirt.

His words hurt, but they don’t sear. They hurt in the way the truth sometimes can. “Maybe she was too nice. Maybe that’s what you meant,” I manage to say.

“Yeah.”

“I guess it hit close to home what that lady said at the meeting,” I admit.

“I can imagine.”

I drink more of my espresso, finishing it quickly, then set the small cup on the counter.

I still feel edgy, antsy. I tap my fingers against the counter, beating out notes of my frustration.

“Hey. Let’s get out of here. Get away from people, okay?”

“Sure.”

Trey grabs his backpack, makes some kind of see you later gesture to Jordan, places a palm on my hip, and guides me to the back of the coffee shop, past the bathroom, then a tiny office. He opens the door to the office, shuts it, and unlocks a green screen door that opens into the smallest garden courtyard I’ve ever seen. Lined with red brick and planted flowers, this tiny garden area is wedged next to a vacant apartment building slated to be razed. There’s a stained glass window in the empty structure, and it makes such a beautiful piece of random found art.

A pink stained glass window in an abandoned building.

I look at Trey. “What is this little place?”

“Jordan said they’re going to open it up soon. Make it like a tiny outdoor area for the coffee shop. There’s room for a table or two.”

“Wow,” I say, and turn in a circle. On the other side, we are fenced in by tall wooden posts. Ivy skates down the wood. “I feel as if I’ve made my great escape.”

“Yeah.”

“Can we stay all night?” I joke.

“Maybe,” he says softly, and his voice sounds different. I don’t know what it is, but he seems vulnerable, like he’s about to say something.

“Maybe?”

He shrugs, drops his backpack to the ground, and leans against the wall. The night air is warm, and I can hear the sounds of traffic not far from us — horns honking, tires squealing, but then it fades in my ears as he lifts a hand, and it feels as if he might be reaching for me. I don’t know, I’m not sure, I don’t know how to read this moment, and how it’s shifted to possibility. Because I don’t know what happens when a girl likes a boy, and a boy likes a girl, and if that’s even what’s going on here. All my finely-tuned radar is off, it’s skittering, it’s pointing in every direction because everything is different when I’m not being paid for pleasure.

The world slows down as he touches my arm. The second he makes contact, his fingertips both electric and unbelievably soft and gentle on my skin, I know he senses that something has changed. Maybe he could tell I was at the end of my rope, was veering toward Cam. I close my eyes for the briefest of moments, delighting in how my arm is tingling. The sensations race through my body, and I want to be touched by him. I don’t have to feign interest, or fake a turned-on look.

But an ominous sound squawks from my back pocket. Darth Vader’s theme music.

“Fuck.” The moment isn’t just broken. It’s shattered into a million shards that cut me and leave me bleeding.

I grab my phone and open the email from Miranda.

There’s no subject line, she never bothers with subject lines, I’m not worthy of a subject line. I have to open the email to see what she wants. It’s a small act, but it sends a powerful message. She holds all the cards.

I click on the email. She doesn’t write my name.

It just says: package coming friday after 330 by courier specific time unknown return per usual

Which is bullshit. She knows the time. She knows it down to the fraction of a second, I’m sure. She probably has an advanced computer simulation program on how to blackmail most effectively and relies on the perfect combination of algorithms and data and past behavior and future predictions to determine exactly when, where, why and how to send me her next set of instructions. And she’s not going to tell me the time, never has, never will. Her whole game is for me to be on pins and needles waiting for the package while simultaneously keeping my mom from intercepting the package. She often sends them to my mom’s house, so she can torture me, make me scamper across the alligator pit.

I write back to Miranda, equally curt, but managing to capitalize and use periods: Message received.

I shut down my email and close my eyes. I feel Trey press his hand on top of mine.

I open my eyes and look at him again. I am twisted inside out. I could punch this brick wall now, split my knuckles open, and slam it all over again. I push my hands roughly through my hair and groan loudly in frustration. “I fucking hate her.”

“Me too,” he whispers. “I hate her for you.”

“I hate how she controls my life,” I say between gritted teeth.

I breathe out hard, wishing I could release all this coiled tension from my body. Trey is still leaning against the wall, and his gorgeous arms are on display, the art swirling down in lines, shapes, patterns that mesmerize me. His arms are strong, sculpted and muscular. I want them around me.

Fuck everything else in the world right now.

I step toward him, cup his cheeks. “I’m tired of waiting for you,” I say, shedding all my walls. He knows all my secrets and lies. He can know my truth. “I’m so tired of it,” I say softly, then I hold his gaze and trail my fingers along his jawline, from his earlobe, across his scar to his chin, watching the expression in his eyes shift from surprise to desire. To desperate want. I run my index finger across his top lip, and he closes his eyes briefly, his chest rising and falling, his breath catching. He opens his eyes again, watches me. I touch his bottom lip, and he nips on my finger, then flashes a quick grin that fades as he whispers, “I’m tired too.”

That’s it. That’s all. I can’t wait. I don’t want to. I’m sick of it. I need this contact with him. I need this moment. I need to know what it’s like again to have this kind of connection.

I kiss him.

Slow. Soft. But full of need. Full of hope. Full of my wish for this, us, him and me, to become more than just friends. I want him so badly, I want to return to our night, I want him to take away the pain again. I want his touch to remind me that there is good in the world, that two people can care and be close, and it doesn’t have to be a game, or someone using the other.

That there can be something real and true.

He groans as I trace his lips with my tongue. His lips part, and he lets me lead the kiss, lets me taste his mouth and his tongue. Then, in seconds, the kiss changes. He spins me around, and now my back is against the brick wall, and he threads his hands into my hair, running his fingers through the thick strands, all while kissing me deeply, his tongue sliding against mine, his breath tasting so good, his lips capturing mine. It’s a fiery kiss, full of months of pent-up longing, borne of a night when everything seems so far out of reach that sometimes you have to grab the visceral, the physical, to tie you back to earth. To make you forget all the ways your life is spinning beyond your control. He kisses harder, insistently, as if he can’t get enough of me, as if he needs to taste me, to drown in this kiss with me.