“If you wish. I am not much given to such pastimes as a rule.”
“But tonight?”
He smiled. “I can refuse you nothing, child.”
She hugged his arm and her girlish laughter filled his heart with warmth.
“Perhaps you should have made yourself a child before, Werther?” suggested the Duke of Queens, drifting away from the dance and leaving a trail of green fire behind him. He was clad all in soft metal which reflected the colours in the Ball and created other colours in turn. “You are a perfect father. Your metier.”
“It would not have been the same, Duke of Queens.”
“As you say.” His darkly handsome face bore its usual expression of benign amusement. “I am the Duke of Queens, child. It is an honour.” He bowed, his metal booming.
“Your friends are wonderful,” said Catherine Gratitude. “Not at all what I expected.”
“Be wary of them,” murmured Werther. “They have no conscience.”
“Conscience? What is that?”
Werther touched a ring and led her up into the air of the Ball. “I am your conscience, for the moment, Catherine. You shall learn in time.”
Lord Jagged of Canaria, his face almost hidden by one of his high, quilted collars, floated in their direction.
“Werther, my boy! This must be your daughter. Oh! Sweeter than honey! Softer than petals! I have heard so much – but the praise was not enough! You must have poetry written about you. Music composed for you. Tales must be spun with you as the heroine.” And Lord Jagged made a deep, an elaborate bow, his long sleeves sweeping the air below his feet. Next, he addressed Werther:
“Tell me, Werther, have you seen Mistress Christia? Everyone else is here, but not she.”
“I have looked for the Everlasting Concubine without success,” Werther told him.
“She should arrive soon. In a moment My Lady Charlotina announces the beginning of the masquerade – and Mistress Christia loves the masquerade.”
“I suspect she pines,” said Werther.
“Why so?”
“She loved me, you know.”
“Aha! Perhaps you are right. But I interrupt your dance. Forgive me.”
And Lord Jagged of Canaria floated, stately and beautiful, towards the floor.
“Mistress Christia?” said Catherine. “Is she your Lost Love?”
“A wonderful woman,” said Werther. “But my first duty is to you. Regretfully I could not pursue her, as I think she wanted me to do.”
“Have I come between you?”
“Of course not. Of course not. That was infatuation – this is sacred duty.”
And Werther showed her how to dance – how to notice a gap in a pattern which might be filled by the movements from her body. Because it was a special occasion he had given her her very own power ring – only a small one, but she was proud of it, and she gasped so prettily at the colours her train made that Werther’s anxieties (that his gift might corrupt her precious innocence) melted entirely away. It was then that he realized with a shock how deeply he had fallen in love with her.
At the realization, he made an excuse, leaving her to dance with, first, Sweet Orb Mace, feminine tonight, with a latticed face, and then with O’Kala Incarnadine who, with his usual preference for the bodies of beasts, was currently a bear. Although he felt a pang as he watched her stroke O’Kala’s ruddy fur, he could not bring himself just then to interfere. His immediate desire was to leave the Ball, but to do that would be to disappoint his ward, to raise questions he would not wish to answer. After a while he began to feel a certain satisfaction from his suffering and remained, miserably, on the floor while Catherine danced on and on.
And then My Lady Charlotina had stopped the orchestra and stood on the platform calling for their attention.
“It is time for the masquerade. You all know the theme, I hope.” She paused, smiling. “All, save Werther and Catherine. When the music begins again, please reveal your creations of the evening.”
Werther frowned, wondering her reasons for not revealing the theme of the masquerade to him. She was still smiling at him as she drifted towards him and settled beside him on the floor.
“You seem sad, Werther. Why so? I thought you at one with yourself at last. Wait. My surprise will flatter you, I’m sure!”
The music began again. The Ball was filled with laughter – and there was the theme of the masquerade!
Werther cried out in anguish. He dashed upward through the gleeful throng, seeing each face as a mockery, trying to reach the side of his girl-child before she should realize the dreadful truth.
“Catherine! Catherine!”
He flew to her. She was bewildered as he folded her in his arms.
“Oh, they are monsters of insincerity! Oh, they are grotesque in their apings of all that is simple, all that is pure!” he cried.
He glared about him at the other guests. My Lady Charlotina had chosen “Childhood” as her general theme. Sweet Orb Mace had changed himself into a gigantic single sperm, his own face still visible at the glistening tail; the Iron Orchid had become a monstrous newborn baby with a red and bawling face which still owed more to paint than to Nature; the Duke of Queens, true to character, was three-year-old Siamese twins (both the faces were his own, softened); even Lord Mongrove had deigned to become an egg.
“What ith it, Werther?” lisped My Lady Charlotina at his feet, her brown curls bobbing as she waved her lollipop in the general direction of the other guests. “Doeth it not pleathe you?”
“Ugh! This is agony! A parody of everything I hold most perfect!”
“But, Werther…”
“What is wrong, dear Werther?” begged Catherine. “It is only a masquerade.”
“Can you not see? It is you – what you and I mean – that they mock. No – it is best that you do not see. Come, Catherine. They are insane; they revile all that is sacred!” And he bore her bodily towards the wall, rushing through the nearest doorway and out into the darkened sky.
* * *
He left his typewriter behind, so great was his haste to be gone from that terrible scene. He fled with her willy-nilly through the air, through daylight, through pitchy night. He fled until he came to his own tower, flanked now by green lawns and rolling turf, surrounded by songbirds, swamped in sunshine. And he hated it: landscape, larks and light – all were hateful.
He flew through the window and found his room full of comforts – of cushions and carpets and heady perfume – and with a gesture he removed them. Their particles hung gleaming in the sun’s beams for a moment. But the sun, too, was hateful. He blacked it out and night swam into that bare chamber. And all the while, in amazement, Catherine Gratitude looked on, her lips forming the question, but never uttering it. At length, tentatively, she touched his arm.
“Werther?”
His hands flew to his head. He roared in his mindless pain.
“Oh, Werther!”
“Ah! They destroy me! They destroy my ideals!”
He was weeping when he turned to bury his face in her hair.
“Werther!” She kissed his cold cheek. She stroked his shaking back. And she led him from the ruins of his room and down the passage to her own apartment.
“Why should I strive to set up standards,” he sobbed, “when all about me they seek to pull them down. It would be better to be a villain!”
But he was quiescent; he allowed himself to be seated upon her bed; he felt suddenly drained. He sighed. “They hate innocence. They would see it gone forever from this globe.”
She gripped his hand. She stroked it. “No, Werther. They meant no harm. I saw no harm.”
“They would corrupt you. I must keep you safe.”
Her lips touched his and his body came alive again. Her fingers touched his skin. He gasped.
“I must keep you safe.”
In a dream, he took her in his arms. Her lips parted, their tongues met. Her young breasts pressed against him – and for perhaps the first time in his life Werther understood the meaning of physical joy. His blood began to dance to the rhythm of a sprightlier heart. And why should he not take what they would take in his position? He placed a hand upon a pulsing thigh. If cynicism called the tune, then he would show them he could pace as pretty a measure as any. His kisses became passionate, and passionately were they returned.