"You're not my friend. I don't have any friends. Not one."
"Chooch, if you're selling drugs to kids at school, we've got a big problem. They could go to the LAPD. They could file criminal charges against you."
Chooch leaned back in the seat, not sure what to do.
"I'm not gonna bust you," Shane continued, "but I've gotta know what the deal is if I'm going to help."
"Not gonna bust me, huh? Where'd I hear that before?"
"Tell me. Were you selling drugs?"
"No. I didn't sell nothin'." He leaned back and closed his eyes. "Once or twice, maybe… I loaned some Rasta weed to somebody. And then maybe once or twice I found some cash in my locker that I don't know where it came from…"
"Shit," Shane said, not sure how extreme his response to this should be. "You're in deep shit if they can prove it. Is anybody there gonna talk?"
"You mean, will my dickhead clients roll over and give me up?" Chooch asked. "In a fuckin' heartbeat. You want my opinion? They're not gonna go to the cops. That school doesn't want some newspaper story about drugs on campus. Since I'm Mexican, they're also probably scared shitless somebody will charge 'em with race discrimination. They're just gonna demand I go quietly, something I'm real prepared to do."
Shane looked hard at the teenager, still sitting with his head back on the seat, his eyes closed.
"It isn't your problem anyway," Chooch said. "You're just this month's paid jerkoff."
"Right. That's me." Shane put the car in gear and headed back up onto the freeway. They didn't speak all the way back to Venice.
Finally, Shane pulled into his house at 143 East Channel Road. He parked in the garage and got out. Chooch grabbed his book bag and slouched along after him as they opened the back door. The two of them walked into the kitchen, and Chooch slung his book bag angrily onto the counter.
"Take that into your room and start doing your homework."
"Homework? Ain't that a little off the point?"
"Do it anyway," Shane said. Then he moved out of the house into his small backyard, which looked out onto one of the narrow channels of Venice. What had been a cold April morning was now turning into a surprisingly pleasant California afternoon.
From Shane's small backyard on Venice's East Channel, he could see all the way down the intersecting Howland Canal.
Venice, California, had been the brainchild of Abbot Kinney in 1904. Kinney had wanted to create a luxury community in the style of Venice, Italy. He supervised the design of channels to carry water in from the ocean two blocks away. He designed his development around four long canals, intersected by a series of concrete, arched Venice-like driving bridges that spanned each canal. He added small walking bridges and brought some scaled-down gondolas over from Italy. It had been quite a place in the early 1900s but had seen hard times ever since. The canals still had a sort of rustic charm, but the once-grand houses of the thirties had been knocked down or subdivided and in their place were smaller, cheaper structures. The architectural style ranged from antebellum to trailer-park modern. The people who now lived on the canals were an even more interesting mix. Young doctors who smoked dope lived next door to disapproving retirees. New Age musicians and mimes competed for hat tips on the boardwalk, while four blocks inland, on Fifteenth Street, gangbangers and unaware tourists fought and died over wallets and watches. Jammed in with all of this confusion, next to a longhaired surfboard shaper, was LAPD Sergeant Shane Scully. There was something about the canal blocks of Venice, California, that suited him; something offbeat and sad. Venice seemed as misplaced as her residents.
Less than half a mile to the south were the yuppified environs of Marina del Rey, where young ad executives and airline flight attendants took sexual aim at one another in the crowded waterside bars and fish houses. A mile to the north was Santa Monica, with its population of trendy superagents, junk bond salesmen, and Hollywood power brokers. Halfway in between, sitting on its silly three-foot-deep canals, trying to be something it could never duplicate, was the other Venice, sinking into the mud of social indifference as surely as Venice, Italy, was sinking into the sea.
But Shane Scully was at home there, like no place else on earth. Venice, California, defined him.
As he watched a hummingbird hang energetically over the still East Channel, he opened his cell phone and dialed Sandy.
She answered after the tenth ring and seemed out of breath. "Yes," she said. "Hello." She also sounded angry and impatient.
"Catch you at a bad time?" he asked sarcastically.
"Shane, I can't talk now. I was already out the door. I'm late."
"Then let me make it quick. I think they're going to throw Chooch out of Harvard Westlake for dealing grass. Some guy named Thackery wants a teacher's meeting with you. I told him I'd let you know. That's the whole message. Nice talking to you."
"Wait a minute. He's dealing what?"
"Grass… Mary Jane, Aunt Hazel, African bush, bambalacha. You pick the cool name. He's selling shit to his classmates, and Mr. Thackery ain't one little bit amused about it."
"Well, what am I supposed to do? I can't… I mean, can't we…?"
"Unfortunately, I don't think there's much we can do. But you've gotta call and set something up. As Thackery says, 'It's for everybody's good.' Ad mumble bubble gum. And before you ask, lemme say that as this month's paid jerkoff, I'm not up for the teacher's conference."
"Come on, Shane, it can't be that bad."
"Sandy, I'm in some very big trouble myself right now. Big enough that I could end up getting fired or, worse still, even prosecuted by the DA."
"But "
"No. Listen. I can't handle this problem. I didn't know what I was getting into with Chooch."
"He sounds worse than he is. He's not that bad. You just have to be patient with him."
"You're sure about that? 'Cause I think he's one very confused, very angry kid. I think he's in the diamond lane to Juvenile Hall, and not that you care, Sandy, but I think you need to pay more attention to him. This kid is being passed around like a hot rock. Nobody's giving him what he needs."
"Including you?" she said darkly. "I thought you told me you were up for it, that you wanted to make a one-on-one investment in something with lasting dividends."
"What the fuck were we drinking, anyway?"
"Shane, look, I hear you. Unfortunately, I'm working for the DEA right now. I'm up to my ass in a dangerous sting that is days from going down. You know from the jobs we've pulled together that my biggest jeopardy is right before I drop the dime. If I get made now, I could end up the captain of a fifty-gallon oil drum at the bottom of the Catalina Channel. I can't take Chooch. I can't take a chance he'll get hurt, and I can't divert my energies or my concentration at this point in the sting. You said you'd take him. You promised. Otherwise, I wouldn't have left him there."
"Okay, Sandy. I'll do the best I can. But you wanna know something…?"
"Not if it's gonna be a lecture."
"It's an opinion, baby. This boy is hurting bad. He's on fire. He's so self-destructive, I'm heartsick for him. But I'm up to my ass in department bullshit. I shot my ex-partner."
"That was you? It was on the news." Shane didn't answer. "Well, good," Sandy finished. "Ray was a son of a bitch. He deserved to die."
"No, he didn't. But if this goes like it's been going, I'm not going to be available for Chooch, either. So start figuring what you're gonna do and call this prick Thackery and get him off my ass.
"Okay, okay, sugar. I'll call him. Gotta run. Bye." And she was gone.
He slumped down in his rusting metal lawn chair, and then someone cleared his throat. Shane turned and realized that Chooch had come out the side door and had been sitting in one of the other metal chairs at the side of the house.