The basement was as crowded as the upstairs, only there was no sporting equipment down here. The walls and floors were covered with every one-man weapon imaginable. There were switchblades, clubs, swords, brass knuckles, and a full array of firearms from derringers to bazookas.
Abe went over to a cardboard box and rummaged through it.
“You want a slapper or the braided kind.”
“Braided.”
Abe tossed him something in a Zip-lok bag. Jack removed it and hefted it in his hand. The sap, sometimes called a blackjack, was made of thin strips of leather woven around a lead weight; the weave tightened and tapered down to a firm handle that ended in a looped thong for the wrist. Jack fitted it on and tried a few short swings. The flexibility allowed him to get his wrist into the motion, a feature that might come in handy at close quarters.
He stood looking at the sap.
This was the sort of thing that had frightened Gia off. He swung it once more, harder, striking the edge of a wooden shipping crate. There was a loud crack; splinters flew.
“This’ll do fine. How much?”
“Ten.”
Jack reached into his pocket. “Used to be eight.”
“That was years ago. One of these should last you a lifetime.”
“I lose things.” He handed over a ten-dollar bill and put the sap into his pocket.
“Need anything else while we’re down here?”
Jack ran a mental inventory of his weapons and ammunition. “No. I’m pretty well set.”
“Good. Then let’s go upstairs and we’ll have some cake and talk. You look like you need some talk.”
“Thanks, Abe,” Jack said, leading the way upstairs, “but I’ve got some errands to run before dark, so I’ll take a rain-check.”
“You hold things in too much. I’ve told you that before. We’re supposed to be friends. So talk it out. You don’t trust me anymore?”
“I trust you like crazy. It’s just…”
“What?”
“I’ll see you, Abe.”
15
It was after six when Jack got back to the apartment. With all the shades pulled, the front room was dark. It matched his mood.
He had checked in with his office; there had been no calls of any importance waiting for him. The answerphone here had no messages waiting.
He had a two-wheel, wire shopping cart with him, and in it a paper bag full of old clothing—woman’s clothing. He leaned the cart in a corner, then went to his bedroom. His wallet, loose cash, and the new sap went on top of his dresser, then he stripped down and got into a T-shirt and shorts. Time for his work-out. He didn’t want to—he felt emotionally and physically spent—but this was the only thing in his daily routine he had promised himself he would never let slide. His life depended on it.
He locked his apartment and jogged up the stairs.
The sun had done its worst and was on its way down the sky, but the roof remained an inferno. Its black surface would hold the day’s heat long into the night. Jack looked west into the haze that was reddening the lowering sun. On a clear day you could see New Jersey over there. If you wanted to. Someone had once told him that if you died in sin your soul went to New Jersey.
The roof was crowded. Not with people, with things. There was Appleton’s tomato patch in the southeast corner; he had carried the topsoil up bag by fifty-pound bag. Harry Bok had a huge CB antenna in the northeast corner. Centrally located was the diesel generator everybody had pitched in to buy after the July ’77 blackout; clustered against its north side like suckling piglets against their mama were a dozen two-gallon cans of number-one oil. And above it all, waving proudly from its slim two-inch pole, was Neil the Anarchist’s black flag.
Jack went over to the small wooden platform he had built for himself and did some stretching exercises, then went into his routine. He did his push-ups, sit-ups, jumped rope, practiced his tai kwon do kicks and chops, always moving, never stopping, until his body was slick with sweat and his hair hung in limp wet strands about his face and neck.
He spun at footsteps behind him.
“Hey, Jack.”
“Oh, Neil. Hi. Must be about that time.”
“Right you are.”
Neil went over to the pole and reverently lowered his black flag. He folded it neatly, tucked it under his arm, and headed for the steps, waving as he went. Jack leaned against the generator and shook his head. Odd for a man who despised all rules to be so punctual, yet you could set your watch by the comings and goings of Neil the Anarchist.
Back in the apartment, Jack stuck six frozen egg rolls in the microwave and programmed it to heat them while he took a quick shower. With his hair still wet, he opened a jar of duck sauce and a can of Shasta diet cola, and sat down in the kitchen.
The apartment felt empty. It hadn’t seemed that way this morning, but it was too quiet now. He moved his dinner into the tv room. The big screen lit up in the middle of a comfy domestic scene with a husband, a wife, two kids, and a dog. It reminded him of Sunday afternoons when Gia would bring Vicky over and he would hook up the Atari and teach the little girl how to zap asteroids and space invaders. He remembered watching Gia putter about the apartment; he had liked the way she moved, so efficient and bustling. She moved like a person who got things done. He found that immensely appealing.
He couldn’t say the same about the homey show that filled the screen now. He quickly flipped around the dial and across the cable. There was everything from news to reruns to a bunch of couples two-stepping around hip-to-hip like a parade of Changs and Engs dancing to a country fiddler.
Definitely Betamax time. Time for part two of Repairman Jack’s Unofficial James Whale Festival. The triumph of Whale’s directorial career was ready to run: The Bride of Frankenstein.
16
“You think I’m mad. Perhaps I am. But listen, Henry Frankenstein. While you were digging in your graves, piecing together dead tiss-yoos, I, my dear pupil, went for my material to the source of life…”
Earnest Thesiger as Dr. Praetorius—the greatest performance of his career—was lecturing his former student. The movie was only half over, but it was time to go. He’d pick up where he left off before bedtime. Too bad. He loved this movie. Especially the score—Franz Waxman’s best ever. Who’d have thought that later on in his career, the creator of such a majestic, stirring piece would wind up doing the incidental music for turkeys like Return to Peyton Place. Some people never get the recognition they deserve.
He pulled on a T-shirt with “The Byrds” written on the front; next came the shoulder holster with the little Semmerling under his left arm; a loose short-sleeved shirt went over that, followed by a pair of cut-off jeans, and sneakers—no socks. By the time he had everything loaded in his mini-shopping cart and was ready to go, darkness had settled on the city.
He walked down Amsterdam Avenue to where Bahkti’s grandmother had been attacked last night, found a deserted alley, and slipped into the shadows. He hadn’t wanted to leave his apartment house in drag—his neighbors already considered him more than a little odd—and this was as good a dressing room as any place else.
First he took off his outer shirt. Then he reached into the bag and pulled out the dress—good quality but out of fashion and in need of ironing. That went over the T-shirt and shoulder holster, followed by a gray wig, then black shoes with no heels. He didn’t want to look like a shopping-bag lady; a derelict had nothing to attract the man Jack was after. He wanted a look of faded dignity. New Yorkers see women like this all the time, in their late fifties on up toward eighty. They’re all the same. They trudge along, humped over not so much from a softening of the vertebrae as from the weight of life itself, their center of gravity thrust way forward, usually looking down, or if the head is raised, never looking anyone in the eye. The key word with them is alone. They make irresistible targets.