Mrs. Armiger, the latest embodiment of Dresham’s instinct for the remarkable, was an innocent beauty who for years had distilled dulness among a set of people now self-condemned by their inability to appreciate her. Under Dresham’s tutelage she had developed into a “thoughtful woman,” who read his leaders in the Radiator and bought the books he recommended. When a new novel appeared, people wanted to know what Mrs. Armiger thought of it; and a young gentleman who had made a trip in Touraine had recently inscribed to her the wide-margined result of his explorations.
Glennard, leaning back with his head against the rail and a slit of fugitive blue between his half-closed lids, vaguely wished she wouldn’t spoil the afternoon by making people talk; though he reduced his annoyance to the minimum by not listening to what was said, there remained a latent irritation against the general futility of words.
His wife’s gift of silence seemed to him the most vivid commentary on the clumsiness of speech as a means of intercourse, and his eyes had turned to her in renewed appreciation of this finer faculty when Mrs. Armiger’s voice abruptly brought home to him the underrated potentialities of language.
“You’ve read them, of course, Mrs. Glennard?” he heard her ask; and, in reply to Alexa’s vague interrogation—“Why, the ‘Aubyn Letters’—it’s the only book people are talking of this week.”
Mrs. Dresham immediately saw her advantage. “You HAVEN’T read them? How very extraordinary! As Mrs. Armiger says, the book’s in the air; one breathes it in like the influenza.”
Glennard sat motionless, watching his wife.
“Perhaps it hasn’t reached the suburbs yet,” she said, with her unruffled smile.
“Oh, DO let me come to you, then!” Mrs. Touchett cried; “anything for a change of air! I’m positively sick of the book and I can’t put it down. Can’t you sail us beyond its reach, Mr. Flamel?”
Flamel shook his head. “Not even with this breeze. Literature travels faster than steam nowadays. And the worst of it is that we can’t any of us give up reading; it’s as insidious as a vice and as tiresome as a virtue.”
“I believe it IS a vice, almost, to read such a book as the ‘Letters,’” said Mrs. Touchett. “It’s the woman’s soul, absolutely torn up by the roots—her whole self laid bare; and to a man who evidently didn’t care; who couldn’t have cared. I don’t mean to read another line; it’s too much like listening at a keyhole.”
“But if she wanted it published?”
“Wanted it? How do we know she did?”
“Why, I heard she’d left the letters to the man—whoever he is—with directions that they should be published after his death—”
“I don’t believe it,” Mrs. Touchett declared.
“He’s dead then, is he?” one of the men asked.
“Why, you don’t suppose if he were alive he could ever hold up his head again, with these letters being read by everybody?” Mrs. Touchett protested. “It must have been horrible enough to know they’d been written to him; but to publish them! No man could have done it and no woman could have told him to—”
“Oh, come, come,” Dresham judicially interposed; “after all, they’re not love-letters.”
“No—that’s the worst of it; they’re unloved letters,” Mrs. Touchett retorted.
“Then, obviously, she needn’t have written them; whereas the man, poor devil, could hardly help receiving them.”
“Perhaps he counted on the public to save him the trouble of reading them,” said young Hartly, who was in the cynical stage.
Mrs. Armiger turned her reproachful loveliness to Dresham. “From the way you defend him, I believe you know who he is.”
Everyone looked at Dresham, and his wife smiled with the superior air of the woman who is in her husband’s professional secrets. Dresham shrugged his shoulders.
“What have I said to defend him?”
“You called him a poor devil—you pitied him.”
“A man who could let Margaret Aubyn write to him in that way? Of course I pity him.”
“Then you MUST know who he is,” cried Mrs. Armiger, with a triumphant air of penetration.
Hartly and Flamel laughed and Dresham shook his head. “No one knows; not even the publishers; so they tell me at least.”
“So they tell you to tell us,” Hartly astutely amended; and Mrs. Armiger added, with the appearance of carrying the argument a point farther, “But even if HE’S dead and SHE’S dead, somebody must have given the letters to the publishers.”
“A little bird, probably,” said Dresham, smiling indulgently on her deduction.
“A little bird of prey then—a vulture, I should say—” another man interpolated.
“Oh, I’m not with you there,” said Dresham, easily. “Those letters belonged to the public.”
“How can any letters belong to the public that weren’t written to the public?” Mrs. Touchett interposed.
“Well, these were, in a sense. A personality as big as Margaret Aubyn’s belongs to the world. Such a mind is part of the general fund of thought. It’s the penalty of greatness—one becomes a monument historique. Posterity pays the cost of keeping one up, but on condition that one is always open to the public.”
“I don’t see that that exonerates the man who gives up the keys of the sanctuary, as it were.”
“Who WAS he?” another voice inquired.
“Who was he? Oh, nobody, I fancy—the letter-box, the slit in the wall through which the letters passed to posterity….”
“But she never meant them for posterity!”
“A woman shouldn’t write such letters if she doesn’t mean them to be published….”
“She shouldn’t write them to such a man!” Mrs. Touchett scornfully corrected.
“I never keep letters,” said Mrs. Armiger, under the obvious impression that she was contributing a valuable point to the discussion.
There was a general laugh, and Flamel, who had not spoken, said, lazily, “You women are too incurably subjective. I venture to say that most men would see in those letters merely their immense literary value, their significance as documents. The personal side doesn’t count where there’s so much else.”
“Oh, we all know you haven’t any principles,” Mrs. Armiger declared; and Alexa Glennard, lifting an indolent smile, said: “I shall never write you a love-letter, Mr. Flamel.”
Glennard moved away impatiently. Such talk was as tedious as the buzzing of gnats. He wondered why his wife had wanted to drag him on such a senseless expedition…. He hated Flamel’s crowd—and what business had Flamel himself to interfere in that way, standing up for the publication of the letters as though Glennard needed his defence?…
Glennard turned his head and saw that Flamel had drawn a seat to Alexa’s elbow and was speaking to her in a low tone. The other groups had scattered, straying in twos along the deck. It came over Glennard that he should never again be able to see Flamel speaking to his wife without the sense of sick mistrust that now loosened his joints….
Alexa, the next morning, over their early breakfast, surprised her husband by an unexpected request.
“Will you bring me those letters from town?” she asked.
“What letters?” he said, putting down his cup. He felt himself as helplessly vulnerable as a man who is lunged at in the dark.
“Mrs. Aubyn’s. The book they were all talking about yesterday.”
Glennard, carefully measuring his second cup of tea, said, with deliberation, “I didn’t know you cared about that sort of thing.”
She was, in fact, not a great reader, and a new book seldom reached her till it was, so to speak, on the home stretch; but she replied, with a gentle tenacity, “I think it would interest me because I read her life last year.”