Oh, damn. This again. Mary's autonomic nervous system sent up a huge hot blush. Homer Kelly looked baleful and mumbled something. Then he asked her if she had read any of the works of Mr. Flotsam A. Jetsom lately. Rowena laughed dazzlingly, distributing bushel baskets, and Mary couldn't think of anything to say.
"Oh, Homer," said Rowena, "I forgot to introduce my sister Edith." Edith seemed accustomed to being forgotten. Mary thought once more how extraordinary it was that two sisters so similar in feature could be so different in total effect. Edith had Rowena's broad high forehead, her strong Goss eyebrows and narrow nose. But Rowena's strong brows were a charming accent, while Edith's were heavy and ugly. Rowena's narrow nose was aristocratic, Edith's was skimpy and queer. Rowena's red hair was Titian, Edith's was carrot. Both were as tall as their brothers, but Rowena's carriage was statuesque (present-bosom!), Edith's was stoop-shouldered and flat-chested. Already an old maid, Edith liked cats and romantic novels. Everyone was sorry for Edith, including Edith. It was hard to be fond of her. She was cloddish, tactless and dull.
Apologetic for thinking so, Mary sat down beside her with her martini. But Ernest Goss was not one for letting corner conversations get started. He had a new toy. "I thought you'd all want to see the new addition to my collection," he said. Mary winced. It wasn't those letters again? No, no, it was his gun collection he was talking about this time. Thank goodness. He might be in the dark about Margaret Fuller, but he seemed to know what he was talking about when it came to Indian artifacts and antique firearms. He flourished a little gun.
"Here you are, girls. Something to carry around with you on a dark night. A lady's pistol, 1750. Isn't it a cutie?" He passed it around. "See? It has a box lock. The barrel unscrews for loading. You use this special little wrench to undo it."
Homer Kelly professed interest. Ernest Goss was flattered. Nothing would do but Homer should be shown the entire collection. It was kept in a highboy built by Joseph Hosmer, one of Concord's original Minutemen. Ernest pulled open drawer after drawer. "Here's a pocket pistol of around the same time. See that pineapple design underneath? That means it's English. This flintlock here is a duelling pistol, one of a pair. Oh, HELLO THERE, MRS. BEWLEY. HOW ABOUT BRINGING SOME MORE MARTINIS? Now, Homer, I know what you want to see, you don't need to tell me. You want to see the gun the Minutemen used at the North Bridge. Well, I've got one. They don't grow on trees, but I've got one. Had this cupboard built into the wall specially. Nothing too good for my prize piece. You should see what Philip can do with this to a tin can at 50 yards." Homer took the long gun in his hands with awe. "It's a musket. Five feet two inches long, that one. The farmers around here had 'em for getting small game, grouse, waterfowl, and so on. So it's called a fowling piece. See, it's English, too. There's the pineapple finial on the trigger guard. Here's the flint, with the little piece of leather around it to hold it in. Say, Philip, let's show Homer how it works. Make me up five or six balls."
"Where's Charley?" said Howard Swan. "He's the sharpshooter, if I remember correctly."
Ernie paid no attention. Philip got to work, while his father lectured. "That's the ticket. The bar lead goes in the dipper, and the dipper goes over the fire. Doesn't take long to melt. There. Now, here's the bullet mold that goes with this gun. Makes a one-ounce ball. See, it's like scissors, with a ball-shaped mold on the end. You just close the scissors, pour the lead in through the hole, wait a second, open 'em up, and then, presto, see there? You've got a musket ball. You go on and make me some more, Philip, while I load up. Well, well, look who's here..."
It was Teddy Staples, looking ill at ease. "Crashing the party, are you?" said Ernest Goss. "Well, come on in and have a drink. What's up, Teddy? You look fit to be tied."
Teddy looked around nervously. "Ernie, I've got to talk to you. I've been thinking about those 1-1-1-1-letters, and the more I think..."
"Not the time or place, Teddy. Sit down, here, make yourself at home. Take a look at these guns. Pass 'em along there, Homer." Ernest went out to yell at Mrs. Bewley for more drinks, while Teddy fingered the pistols and the fowling piece, frowning at them, hardly seeming to see them. When Ernie came back, Teddy made another appeal. "Five minutes, Ernie. Just f-f-five minutes. Your guests will excuse you, I'll bet."
Howard Swan spoke up then. "Of course we'll excuse him. Go right ahead, Ernie. Take all the time you want."
Ernest Goss turned red in the face. He ignored Howard and glared at Teddy. "All right, Staples, if you can't join the party, why don't you just leave. Go on. Get out." Teddy stood up, looking uncertain. Then he rammed on his hat and faltered out the door.
No one knew what to say. But then Elizabeth Goss brought out her veils and began covering up. Rowena helped out by trying to pick up the musket (oooo, it was so heavy), and her father took down the big powder horn from over the mantel and got on with the business of loading. He unplugged the end and tipped it to pour out powder. Nothing came out. "Where in the Sam Hill is all the powder? That Charley..."
Philip stared at the powder horn, then hit his forehead. "Oh, I'm sorry, Father, I forgot. I used up all of it. I meant to fill the powder horn again, but I didn't get around to it."
"Is that so?" His father sounded suddenly mild. "Well, we've got a canful right here, so never mind." He poured a small amount of powder down the muzzle of the gun. "Now, in goes the ramrod to push in patch and ball—and what about a few buckshot for good measure?"
Mrs. Goss was tittering gently. "Of course, Ernest, you know perfectly well that Charley is sure to confess to using up the powder, too. You know these boys of ours." She leaned over to Gwen. "Double confessions, ever since they were children. You know how little children always deny everything they're accused of? Well, Charley and Philip always did just the opposite. Both of them always confessed to everything. They still do."
"Well, this sort of unreliability is more like Charley," grumbled Ernest Goss.
"Father," said Philip patiently, "I said it was I who used up the last of the black powder. Not Charley."
It sounded like an old argument. "Let's see how she fires," said Homer Kelly.
Ernest Goss turned to Mary. There was a glitter in his eye. She was elected. Sportingly she agreed. It turned out that Ernest had to help her a good bit, the wag, with one arm around here, the other one there. She was aiming out the window at a tree across the lawn, the heavy gun wobbling against her shoulder. Ernest peered past her into the dark. Then suddenly he whipped the gun out of her hands and gave it to Philip. "Here, Philip, quick, show her how. See the elm down the road. Right now, go ahead. Fire!"
Philip aimed and fired. The noise was terrible in the room. Rowena shrieked. But out of doors there was another kind of shout.
"Jesus God," said Philip. He dropped the gun and scrambled through the window. "I've killed him. Oh, God, I've killed him."
*9*
Our whole life is startlingly moral. There is never an instant's truce between virtue and vice. —Henry Thoreau
It was Charley. He had been outside, walking up the drive, beyond the elm tree. One of the buckshot had hit him in the leg. Mary looked at Ernest Goss. She couldn't believe it. He had seen Charley out there. Of course he had seen Charley. The man must be mad. She caught the look on his face (ain't I a naughty boy?) before he made an effort to wipe it off and look concerned.
Charley came hobbling in, supported by his brother. Philip was nearly in tears. He looked at his father accusingly. "I might have killed him," he said.