‘Peterkin does not know.’ The reply was low, throaty.
‘Yes you do. I’ll tell you and Mother Crauford a story. But first I do wonder where you have your secret place, Peterkin? Where do you hide the coins the Mummer’s Man gives you?’
‘What secret place?’ Mother Crauford demanded.
She pulled across a stool and studied Peterkin rather than Corbett, as if the clerk’s words had jolted a memory.
‘What I’ll do,’ Corbett declared, ‘is tell you my story, then I’ll threaten. I’ll bully you with all sorts of dire punishments, Peterkin, but, if you help me,’ he smiled, ‘it will be a silver coin for wise Peterkin. St Edmund’s parish in Melford,’ Corbett continued. ‘Well, it’s a strange place for a man like you, Peterkin. People are growing wealthy, travellers arrive, merchants, traders, pedlars and chapmen. Your world is changing, isn’t it, Mother Crauford? Forty years ago, who cared about Melford, when the plough ripped the earth and the peasants spent every hour wondering what the harvest would be like? Now it’s all different: broad meadows cut off by hedgerows where sheep graze and everyone becomes fat on the profits. Peterkin has to be careful. He has no family: people say he has no wits. He acts the part but Peterkin is quite cunning. He has to protect himself from the goodly, newly rich people. Peterkin is frightened of one thing: that he will be taken away and put in some Bethlehem house. No one knows this better than the Mummer’s Man. Where does he meet you, Peterkin? Does he come to this desolate lane? And has he taught you a poem?’
Mother Crauford was now staring at Corbett.
‘He did, didn’t he, over the years — take a message to this or that young woman? How a lover or admirer has left a gift, a token of their appreciation near Devil’s Oak, Brackham Mere or some place along Gully Lane. Peterkin takes the message. Everyone ignores you, running up and down, backwards and forwards across the marketplace.’
‘That’s true,’ Mother Crauford intervened. ‘But it’s only poor Peterkin. He often talks to young women yet he means no harm. No one takes offence.’
‘Of course they don’t,’ Corbett replied. ‘Look at him: innocent as a lamb. He wants to be accepted and chatters. Our killer recognised this. So, five years ago, young Peterkin is approached. He’s taught the doggerel, given the message-’
‘And why should he obey?’ Mother Crauford broke in.
‘Because the Mummer’s Man is frightening. He has a hideous mask. He threatens: if Peterkin doesn’t do what he says, the masters of the Bethlehem house will come with a cart and a whip. Poor Peterkin has seen that, haven’t you? When the parish gets rid of some beggar? Peterkin’s frightened.’
Corbett paused and glanced at Ranulf. In this dank cottage everything he had concentrated on the previous night now hung in the balance. He studied Peterkin’s sallow, unshaven face. The mouth hung slack but the eyes were not so frightened, more watchful.
‘Peterkin is also rewarded. Because the Mummer’s Man holds a rod in one hand but a coin in the other. All Peterkin has to do is go into Melford, seek out a certain young woman and deliver the message. Peterkin may have refused but, there again, why should you? Never, in all your woebegone days, have you earned a penny so quickly. You are given simple instructions. You are to approach the young woman when she is alone, never in a group. You are to tell her to keep quiet but, there again, she’s not going to tell anyone, is she?’
‘Oh my God!’ Mother Crauford groaned. ‘Oh, sweet Mary and all the saints!’ The old woman was now following Corbett’s logic.
‘A simple ruse,’ Corbett continued, pressing his point. ‘Peterkin delivers the message. A short while later that young woman’s corpse is found out in the countryside-’
‘Peterkin wouldn’t hurt a fly,’ Mother Crauford interrupted.
‘I didn’t say he did but Peterkin is now truly trapped. He must have remembered the victim was the same young woman to whom he delivered the message. But you can’t tell anyone, can you, Peterkin? The Mummer’s Man, the next time he approached you, reminded you of that. Ah well.’ Corbett sighed. ‘Peterkin is now very frightened. This dreadful Mummer’s Man truly has him by the neck. If he confesses what has happened, who will believe Peterkin? People will start pointing the finger. You wouldn’t be the first man, Peterkin, to be strung up like a rat on the town gibbet.’
Peterkin’s jaw was now trembling. He started to shake, one hand going out towards Mother Crauford.
‘He’s just a fool,’ the old woman repeated.
‘Not as dull as you think, Mother Crauford. And you know that! Haven’t you ever wondered why Peterkin is eating a pie or a sweetmeat? Or how he bought some gewgaw from the market stalls?’
‘People are kind,’ she retorted.
‘Oh, I am sure they are,’ Corbett declared. ‘But let’s go back five years. Sir Roger Chapeleys was accused of the murders. He died on the gibbet. The murder of the young women abruptly ended and so did the visits from the Mummer’s Man, or at least I think they did. But, late in the summer of this year, the Mummer’s Man reappears. Peterkin has no choice but to obey his instructions. Somehow or other you took the message to Elizabeth the wheelwright’s daughter, didn’t you?’
Mother Crauford seized Peterkin’s hand, rubbing it between hers.
‘You have no proof of this,’ she whispered to Corbett. Her hand went out and clutched Peterkin’s face.
Corbett wondered about the true relationship between these two. Some blood tie? Some kinship? Everybody in Melford acted their roles. Blidscote, the pompous master bailiff, Adela the bold-eyed tavern wench. Why not Mother Crauford and Peterkin? She, the old crone, but in reality her mind and memory were sharp and fresh as anyone’s, as Corbett’s study of the Book of the Dead had proved. And Peterkin? In truth, he led quite a comfortable life: dull in his wits but not the fool he pretended to be.
‘They could hang you.’ Ranulf spoke up, wondering how his master had discovered this information.
‘What do you mean?’ Mother Crauford snapped. ‘They couldn’t hang Peterkin!’
‘They would,’ Ranulf retorted. ‘And you beside him. Don’t you understand the word “accomplice”? Sir Hugh is correct. Some people might even allege Peterkin’s the murderer. You can tell from his face he is being confronted with the truth.’
‘You could hang.’ Corbett leant forward. ‘You must have known what the Mummer’s Man really intended. But, there again, you were frightened, weren’t you, whilst, after the first murder, you had no choice.’ He glanced at Mother Crauford. ‘And I wonder how much you knew? Did Peterkin ever tell, or begin to tell you, what had happened? Did you press your finger against his lips and so help the Mummer’s Man in his murderous games? Oh, you knew Peterkin wouldn’t hurt a fly. After all, such murders were taking place in Melford long before Peterkin was born. Yet, I tell you this,’ Corbett concluded briskly. ‘If Peterkin tells the truth he gets rewarded. Some coins and a letter, with the King’s Seal on it, proclaiming he is never to be troubled by anyone. And when the new priest arrives. .’ Corbett paused: he could have bitten his tongue off. ‘In future years, perhaps, even a small annuity for Peterkin and Mother Crauford from the parish chest?’
Peterkin stopped his gibbering, a calculating look in his eyes.
‘And, before Mother Crauford starts talking about the truth,’ Corbett added, ‘Peterkin must also be puzzled: sometimes he delivered the message but nothing happened because the young woman concerned didn’t go or went too soon or too late.’
‘Like whom?’ Mother Crauford demanded.
‘Adela the tavern wench.’
‘Oh no.’ Mother Crauford tightened her grip on Peterkin’s hand. ‘Not that bold-eyed, loud-mouthed hussy. It’s a wonder she wasn’t suspicious.’
‘Nothing happened to her,’ Corbett smiled. ‘So why should she be? And everyone knows Peterkin. Isn’t it true, Mother Crauford, some years ago, long before this spate of murders began, Peterkin was used by love swains to take messages to their sweethearts? That’s why the Mummer’s Man chose him in the first place. However, if I went back to the Golden Fleece and told Adela the true story. .’