Выбрать главу

Yes, I was in Moscow for the coronation of the last Tsar, the last Emperor and Autocrat of All the Russias, Tsar of Moscow, Kiev, Vladimir, Novgorod, Kazan, Astrakhan, of Poland, Siberia, of Tauric Chersonese, of Georgia, Lord of Pskov, Grand Duke of Smolensk, of Lithuania, Volhynia, Podolia and Finland, Prince of Estonia, Livonia, Courland and Semigalia, Samogotia, Bialystok, Karelia, Tver, Yougouria, Perm, Viatka, Bulgaria, Lord and Grand Duke of Lower Novgorod, of Tchernigov, Riazan, Polotsk, Rostov, Yaroslav, Belozero, Oudoria, Obdoria, Condia, Vitebsk, Mstislav, and all the region of the North, Lord and Sovereign of the countries of Iveria, Cartalinia, Kabardinia, and the provinces of Armenia, Sovereign of the Circassian Princes and the Mountain Princes, Lord of Turkestan, Heir of Norway, Duke of Schleswig-Holstein, of Storman, of the Ditmars and of Oldenbourg.

It would have been easier to list what he was not emperor of.

Of course, I was not among the two thousand guests invited to the Cathedral of the Assumption for the actual coronation itself, nor was I on the guest list for any of the breakfasts or luncheons or dinners or military reviews or balls. No, I watched the processions with the common crowd and with them pressed toward the Grand Kremlin Palace to see the spectacle of lights that evening. Great projectors sent beams of flashing white into the sky and across the balcony that overlooked the left bank of the Moskva River where Niki and Alix stepped out, so illuminated, to greet the crowd. The mayor of the city presented a bouquet of flowers on a silver salver to the new empress and when she took the tray from him a hidden switch sent its message to the Moscow power station which in turn sent its current back again to light up all at once the little bulbs of red, green, blue, and purple that had been strung along the steeple of St. John the Great and all the cupolas and roofs and ledges of the churches and all the trees in the courtyards and all the tall buildings within the Kremlin. I whooped with the rest of them, but really, it was an old trick. At Easter, the priests at St. Isaac’s laid a long oiled string across the tops of the dormant votive candles that lined the cornices and encircled the dome of the cathedral, all far above the congregation. At midnight, the string was lit at one end and a flame coursed about the church, lighting the wick of every candle in turn, the lighting of them an echo of the miracle of the Resurrection. Why was it arranged for Alix to perform a similar miracle? Why, to make her seem divine to a people who wished to believe she was so, to make it seem that it was her will that made the city sparkle, that from her palm alone blew the magic dust that turned Moscow into a fairyland. And what did she think, this German princess, when she looked out on the lit-up ancient capital from which the first Rus princes ruled this part of the world? Did she believe herself then truly Russian? Because she never would be.

I could imagine how she felt, though, in that moment, being made such a fuss over. After all, such theater was my milieu and I had been the object of such fuss and the purveyor of such stagecraft myself. It is easy to forget when you stand there glittering that you are not the wizard who conjured up these spells, though you are made to look that way to your audience, which gasps, thunderstruck by you. Yes, like Alix, I, too, had enjoyed such moments. Just two months after the coronation I stood at Peterhof in a little grotto on Olga Island, named so for Nicholas I’s favorite daughter. A stage had been built out on the lake and the guests were rowed in small boats to their seats in stands constructed on the island. When the ballet began, I stepped from my little grotto onto a mirror, which floated on the lake, supported by pontoons, and the stagehands worked the pulleys that drew me to the stage proper. It was like the reika, a small platform on a long track constructed first for The Nutcracker, on which the Sugar Plum Fairy stands in arabesque, her hand in her prince’s, while the stagehands winch the wire to draw the reika across the stage, the fairy gliding upon it as if by magic. To the assembled, it looked as if I walked on the water and their oohs and aahs skipped toward me. I walked on water. Alix lit a city with her fingers. But her action impressed far many more than did mine.

The coronation weeks, though filled with miracles, were not without their casualties. Eighteen people died in the mayhem that ensued when heralds in their gold tunics and black-and-red-feathered hats distributed souvenir parchments announcing the date of the coronation—the carriage in which they rode was robbed by a sea of bodies and stripped of its imperial emblems, which became also, I suppose, souvenirs. That, though, was nothing compared to the two thousand peasants crushed to death on Khodynka Field outside of Moscow, where four days after the coronation, according to tradition, the peasantry were to be fed and barrels of beer were to be sprung, filling red, blue, and white enameled cups stamped with the tsar’s initials, the Cyrillic H II, with the image of the crown above it and the date 1896 below. Unbelievably, the tents and tables had been pitched on a field pocked with ditches and trenches where the Moscow garrison trained. How imbecilic was that? Tents and tables rocking on pitted ground. Even at Alexander III’s coronation a handful of peasants were trampled to death there, but this year five hundred thousand peasants were on that meadow, and when something—a rumor, a cry, a woman fainting—ignited a panic, the crowd began to push. Some were suffocated standing up, others fell into the ditches where they were trampled, mud pressed onto their cheeks and into their open eyes and mouths. The crushed bodies, arms like the arms of paper dolls flapping across their flattened trunks, lay like a tarp over the field, as if protecting the ditches and potholes that had killed them all. The chaos was filmed by the horrified Lumière brothers, there to record the banquet, but the police confiscated their film. They had time to think of that while they and the Cossacks laid the corpses on sheets and, when they had no more sheets, on the bare ground. And then they gave even that up and waited for the peasants’ carts filled with straw to arrive so they could clear the field before the ball given by the French ambassador that night at the Sheremetiev Palace in the city. The carriages of the partygoers would have to pass this field on their way to Moscow.

The dowager empress told Niki to cancel the evening’s ball, but Niki’s uncles insisted he and Alix attend while the corpses lay in piles in makeshift morgues—or lay where they had been stuffed, the ones that could not be carted away in time, beneath the field’s imperial viewing stand. Niki’s mother had a keen political nose—we had that in common, I would have gotten along with her well—but the uncles said their French hosts had trucked in tapestries and chandeliers and fountains and gold plates for the event and France was Russia’s most important ally and sentimentality was useless. At this point in his reign, with only seventeen months as tsar, Niki was still the obedient nephew who heeded the uncles who had been serving the empire for longer than he had been alive. His father might have considered them incompetent fools, but Niki felt there was no one less competent or more foolish than he. He was terrified of making a mistake. Every bureaucratic or ministerial appointment suggested to him by his father’s—and therefore his own—minister of the interior, Sergei Witte, was met with the same response—I shall ask my mother—which had M. Witte laughing up his sleeve at Niki. Still, to make up his own mind and make it up badly was the greater humiliation. He was so young, so young, we have to forgive him. Even at the ball itself, when Sergei Mikhailovich and his brothers took Niki aside and urged him to walk out with them, telling him it was not too late to cancel all the balls and performances and reviews and to hold instead a religious service, Niki, spying the steely faces of his uncles Vladimir, Paul, Alexei, and Sergei Alexandrovich, could not bring himself to do what his own conscience dictated. The hot-tempered Potato Club walked out, minus one, creating a stir Niki was afraid to be part of, the uncles hissing after the young men, Traitors. Sergei abandoned him to those uncles, whose conservative policies Niki would follow, to his detriment, for the next two decades. Better Sergei should have linked arms with Niki and reasoned with him in the soft way Sergei reasoned with me when I was wrongheaded. But, no, Sergei left him, and Niki stayed to dance for three hours that night in the foyer of the Sheremetiev Palace sweetened by one hundred thousand fresh roses from the South of France. Niki held a luncheon the next day at the Petrovsky Palace. He attended a state dinner that night at the Hall of the Order of St. Alexander Nevsky. He danced again at the governor-general’s ball. And then he led the military review of sixty thousand men from the cavalry, artillery, and infantry. The review was held on Khodynka Field.