The West boy is useless to us now. Kill him.
I understood why Waterman had put me inside the Panic Room. The Homelanders had been following him. They’d breached some of his files. They might know about this bunker. They might even have the entry codes. But he must’ve felt the Panic Room was still secure. He must’ve felt he could keep me safe here while I was helpless under the influence of the drug.
I listened. Outside in the main bunker, there was a pause, silence. I could feel them out there, on the other side of that wall. I could sense them looking for me, listening for me. I felt that if I made even the slightest noise, they would hear it. They would find me. They would kill me. Waylon would finally kill me, as he’d wanted to do all this time.
Then, Waylon spoke. He was standing right next to me, directly on the other side of the wall. His voice seemed almost at my ear and, even through the thick wall, I heard every word he said with perfect clarity.
“All right. We’ll have a look around for him outside first. Then we blow this place to pieces. If he’s hiding here anywhere, he won’t survive.”
One of the others answered him: “But I thought we were supposed to question him about…”
“I know what we’re supposed to do!” Waylon shouted back. “But if he is here somewhere and we can’t find him-we can’t let him get away. Do what I tell you. Set the explosives! Make sure no one gets out of this hole alive!”
I heard them moving again, heard their wordless voices again, talking to one another, the sounds growing dimmer as they moved out of earshot, as they went to search for me in the ruins of the facility outside.
Then it was quiet.
I stepped back away from the wall again. I looked around. They were going to blow the bunker up. Just in case I was here. If they couldn’t find me, they were going to make sure they killed me.
And now the Panic Room-the place Waterman had intended to be my refuge-had become my trap-and would be my coffin.
Because there was no way out.
CHAPTER NINE
The Second Wave I stood where I was, turning this way and that, looking frantically around me as if I might discover some other exit.
But there was none. I knew there was none. The only entrance and exit was that secret door, and I didn’t know the code that opened it. That code-that series of passes Waterman had made with his hand to make the door slide open: I had tried to follow it, to memorize its straight lines and slashes, but it was way too complicated to fix in my mind. I had only the vaguest idea of the pattern.
I stepped up to the wall. I passed my hand over it. It was an act of pure desperation. I tried to imitate the straight lines and diagonals Waterman had made. But of course nothing happened. The door didn’t open. It was hopeless. I was stuck in here. Stuck while the Homelanders prepared to blow the place-and me-into oblivion.
I looked around again, hoping for another idea. I saw the chest. I moved to it quickly. I knelt down beside it. I took the tray off and placed it on the floor. Then I pushed up the lid of the chest. It opened easily.
There was a pile of blankets inside. I pulled them out quickly, tossing them onto the floor. There was nothing underneath. The chest was empty. I felt the bottom, some crazy idea forming in my head that maybe there was a trapdoor, a secret tunnel or something like that. No such luck.
I crouched back on my heels and tried to think. There had to be something I could do. There had to be something I could at least try.
An idea began to form in my mind-and as it did, a slight hope began to rise in me…
And then, suddenly, out of nowhere, the pain struck again-that writhing, fiery snake of pain that I’d felt when the crow-faced woman injected me. I cried out and twisted backward, as if I could escape it. But it gripped me from within, twisted me, made me thrash helplessly on the floor for an endless second, and then another, and then…
It all began again. I felt myself break free of my body, as if my soul were floating away. I could see myself there below, twisting on the floor, gripping my stomach, but I couldn’t feel the pain anymore. My body grew more and more distant. I reached out for it, trying to grab hold of myself, to get back into myself. I couldn’t leave my body now! This was no time to go flying into the past-not with the Homelanders getting ready to dynamite the bunker.
But there was nothing I could do. I couldn’t stop it. I drifted further and further away until even the urgency of my situation seemed part of another world, another life. A moment later, I had forgotten what the urgency was. I was entering an all-surrounding darkness, turning away from my lost body, turning toward a small point of light that I knew contained my memories…
In a flash, I was there, in the past. I was in the long black limousine. I was sitting in the backseat with Waterman. I wasn’t watching the scene this time. I was in it. I was part of it. I was living it again.
The black limousine was moving now. It had left the reservoir behind. The driver was guiding it into the darkness of the hills around my town. There was nothing on either side of us but looming forest and the night.
“What I’m about to tell you is a secret,” Waterman was telling me. “A secret of the United States government. If you tell anyone, you’ll be endangering people’s lives. I want to know if you’re ready to hear it and if you can promise me not to tell anyone, not even your parents, not even your closest friends, no one.”
I sat in the darkness, nervous. Was this guy really an intelligence agent for the United States government? What did they have to do with what happened to Alex? What did they have to do with me?
“Okay,” I said. “I promise not to tell. What’s the big secret?”
“We want to frame you for Alex’s murder.”
I sat staring at him as if I hadn’t heard him. I hadn’t really-at least I hadn’t been able to totally comprehend what he said. The meaning of it reached me slowly. And then I answered, “I… What?”
“We want to plant your DNA on the murder weapon, traces of Alex’s blood on your clothes. We want to rush the case to trial as quickly as we can and basically railroad you into prison for murder.”
I went on staring at him-or at his shadow in the dark. It seemed to take long, long minutes before each new sentence he spoke made sense to me. “You want to send me to prison?”
“Oh, don’t worry, we’re going to help you escape.”
“Oh.”
“But your family, your friends, your girl, everyone you know, is going to think you’re a murderer-and you won’t be able to tell them the truth.”
I didn’t answer. There was no answer I could think of. What could I say? I sat there, nodding. “Whoa,” I said finally. “You want to frame me for murder, put me in prison, and make everyone I know think I’m a criminal. That’s a really great offer. Is there a second choice? Like: you shoot me in the kneecap and leave me by the side of the road to die?”
Waterman gave a small snort of laughter in the dark. “Doesn’t sound like much fun, does it?”
“Any,” I said. “It doesn’t sound like any fun. But since you have the word intelligence in your agency, I’m guessing you have some reason for wanting me to do all this.”
“We do,” said Waterman. I heard him take a deep breath, as if he needed strength before he tried to explain this to me. “Your friend Alex was murdered by one of your teachers at school.”
“What?” I blurted out. Immediately, my mind went through a roster of my teachers. I couldn’t think of any one of them who would murder somebody. Okay, maybe Mrs. Truxell, the girl’s PE instructor… but no, not really, not even her. “Who?” I asked. “Who killed Alex?”
“Mr. Sherman. Your history teacher.”
“No! Come on!”
Waterman shrugged in the shadows.
“That’s ridiculous,” I said. “Sherman’s an idiot, but he’s not a killer.”
“Actually, I’m afraid you’ve got that backward, Charlie. He’s a killer, but he’s no idiot.”
I brought my hands to my face, confused. For a moment I felt that I was forgetting something important…