She paused, rather out of breath. Nor did he speak. Her flow of talk had been too much for him. Also, sleeping drunkenly, with open mouth, had made him very thirsty. But, rather than lose one precious moment, he endured the torment of his scorching throat and mouth. He licked his dry lips and struggled for speech.
"What is your name?" he managed at last.
"Joan."
She looked her own question at him, and it was not necessary to voice it.
"Mine is Ross Shanklin," he volunteered, for the first time in forgotten years giving his real name.
"I suppose you've travelled a lot."
"I sure have, but not as much as I might have wanted to."
"Papa always wanted to travel, but he was too busy at the office. He never could get much time. He went to Europe once with mamma. That was before I was born. It takes money to travel."
Ross Shanklin did not know whether to agree with this statement or not.
"But it doesn't cost tramps much for expenses," she took the thought away from him. "Is that why you tramp?"
He nodded and licked his lips.
"Mamma says it's too bad that men must tramp to look for work. But there's lots of work now in the country. All the farmers in the valley are trying to get men. Have you been working?"
He shook his head, angry with himself that he should feel shame at the confession when his savage reasoning told him he was right in despising work. But this was followed by another thought. This beautiful little creature was some man's child. She was one of the rewards of work.
"I wish I had a little girl like you," he blurted out, stirred by a sudden consciousness of passion for paternity. "I'd work my hands off. I… I'd do anything."
She considered his case with fitting gravity.
"Then you aren't married?"
"Nobody would have me."
"Yes they would, if…"
She did not turn up her nose, but she favoured his dirt and rags with a look of disapprobation he could not mistake.
"Go on," he half-shouted. "Shoot it into me. If I was washed-if I wore good clothes-if I was respectable-if I had a job and worked regular-if I wasn't what I am."
To each statement she nodded.
"Well, I ain't that kind," he rushed on.
"I'm no good. I'm a tramp. I don't want to work, that's what. And I like dirt."
Her face was eloquent with reproach as she said, "Then you were only making believe when you wished you had a little girl like me?"
This left him speechless, for he knew, in all the deeps of his new-found passion, that that was just what he did want.
With ready tact, noting his discomfort, she sought to change the subject.
"What do you think of God?" she asked.
"I ain't never met him. What do you think about him?"
His reply was evidently angry, and she was frank in her disapproval.
"You are very strange," she said. "You get angry so easily. I never saw anybody before that got angry about God, or work, or being clean."
"He never done anything for me," he muttered resentfully. He cast back in quick review of the long years of toil in the convict camps and mines. "And work never done anything for me neither."
An embarrassing silence fell.
He looked at her, numb and hungry with the stir of the father-love, sorry for his ill temper, puzzling his brain for something to say. She was looking off and away at the clouds, and he devoured her with his eyes. He reached out stealthily and rested one grimy hand on the very edge of her little dress. It seemed to him that she was the most wonderful thing in the world. The quail still called from the coverts, and the harvest sounds seemed abruptly to become very loud. A great loneliness oppressed him.
"I'm… I'm no good," he murmured huskily and repentantly.
But, beyond a glance from her blue eyes, she took no notice. The silence was more embarrassing than ever. He felt that he could give the world just to touch with his lips that hem of her dress where his hand rested. But he was afraid of frightening her. He fought to find something to say, licking his parched lips and vainly attempting to articulate something, anything.
"This ain't Sonoma Valley," he declared finally. "This is fairy land, and you're a fairy. Mebbe I'm asleep and dreaming. I don't know. You and me don't know how to talk together, because, you see, you're a fairy and don't know nothing but good things, and I'm a man from the bad, wicked world."
Having achieved this much, he was left gasping for ideas like a stranded fish.
"And you're going to tell me about the bad, wicked world," she cried, clapping her hands. "I'm just dying to know."
He looked at her, startled, remembering the wreckage of womanhood he had encountered on the sunken ways of life. She was no fairy. She was flesh and blood, and the possibilities of wreckage were in her as they had been in him even when he lay at his mother's breast. And there was in her eagerness to know.
"Nope," he said lightly, "this man from the bad, wicked world ain't going to tell you nothing of the kind. He's going to tell you of the good things in that world. He's going to tell you how he loved hosses when he was a shaver, and about the first hoss he straddled, and the first hoss he owned. Hosses ain't like men. They're better. They're clean-clean all the way through and back again. And, little fairy, I want to tell you one thing-there sure ain't nothing in the world like when you're settin' a tired hoss at the end of a long day, and when you just speak, and that tired animal lifts under you willing and hustles along. Hosses! They're my long suit. I sure dote on hosses. Yep. I used to be a cowboy once."
She clapped her hands in the way that tore so delightfully to his heart, and her eyes were dancing, as she exclaimed:
"A Texas cowboy! I always wanted to see one! I heard papa say once that cowboys are bow-legged. Are you?"
"I sure was a Texas cowboy," he answered. "But it was a long time ago. And I'm sure bow-legged. You see, you can't ride much when you're young and soft without getting the legs bent some. Why, I was only a three-year-old when I begun. He was a three-year-old, too, fresh-broken. I led him up alongside the fence, clumb to the top rail, and dropped on. He was a pinto, and a real devil at bucking, but I could do anything with him. I reckon he knowed I was only a little shaver. Some hosses knows lots more 'n' you think."
For half an hour Ross Shanklin rambled on with his horse reminiscences, never unconscious for a moment of the supreme joy that was his through the touch of his hand on the hem of her dress. The sun dropped slowly into the cloud bank, the quail called more insistently, and empty wagon after empty wagon rumbled back across the bridge. Then came a woman's voice.
"Joan! Joan!" it called. "Where are you, dear?"
The little girl answered, and Ross Shanklin saw a woman, clad in a soft, clinging gown, come through the gate from the bungalow. She was a slender, graceful woman, and to his charmed eyes she seemed rather to float along than walk like ordinary flesh and blood.
"What have you been doing all afternoon?" the woman asked, as she came up.
"Talking, mamma," the little girl replied "I've had a very interesting time."
Ross Shanklin scrambled to his feet and stood watchfully and awkwardly. The little girl took the mother's hand, and she, in turn, looked at him frankly and pleasantly, with a recognition of his humanness that was a new thing to him. In his mind ran the thought: the woman who ain't afraid. Not a hint was there of the timidity he was accustomed to seeing in women's eyes. And he was quite aware, and never more so, of his bleary-eyed, forbidding appearance.
"How do you do?" she greeted him sweetly and naturally.
"How do you do, ma'am," he responded, unpleasantly conscious of the huskiness and rawness of his voice.
"And did you have an interesting time, too?" she smiled.
"Yes, ma'am. I sure did. I was just telling your little girl about hosses."