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And the girl, with curious brooding eyes, looked from brother to brother as they so differently voiced themselves and life.

"Ay, he was some man, father was," Tom murmured.

There was a drowsy note in his speech that drew a quick glance of anxiety from her. The machine had turned into the cemetery, and now halted before a substantial vault on the crest of the hill.

"I thought you'd like to see it," Frederick was saying. "I built that mausoleum myself, most of it with my own hands. Mother wanted it. The estate was dreadfully encumbered. The best bid I could get out of the contractors was eleven thousand. I did it myself for a little over eight."

"Must have worked nights," Tom murmured admiringly and more sleepily than before.

"I did, Tom, I did. Many a night by lantern-light. I was so busy. I was reconstructing the water works then-the artesian wells had failed-and mother's eyes were troubling her. You remember-cataract-I wrote you. She was too weak to travel, and I brought the specialists up from San Francisco. Oh, my hands were full. I was just winding up the disastrous affairs of the steamer line father had established to San Francisco, and I was keeping up the interest on mortgages to the tune of one hundred and eighty thousand dollars."

A soft stertorous breathing interrupted him. Tom, chin on chest, was asleep. Polly, with a significant look, caught her uncle's eye. Then her father, after an uneasy restless movement, lifted drowsy lids.

"Deuced warm day," he said with a bright apologetic laugh. "I've been actually asleep. Aren't we near home?"

Frederick nodded to the chauffeur, and the car rolled on.

III

The house that Frederick Travers had built when his prosperity came, was large and costly, sober and comfortable, and with no more pretence than was naturally attendant on the finest country home in the county. Its atmosphere was just the sort that he and his daughter would create. But in the days that followed his brother's home-coming, all this was changed. Gone was the subdued and ordered repose. Frederick was neither comfortable nor happy. There was an unwonted flurry of life and violation of sanctions and traditions. Meals were irregular and protracted, and there were midnight chafing-dish suppers and bursts of laughter at the most inappropriate hours.

Frederick was abstemious. A glass of wine at dinner was his wildest excess. Three cigars a day he permitted himself, and these he smoked either on the broad veranda or in the smoking room. What else was a smoking room for? Cigarettes he detested. Yet his brother was ever rolling thin, brown-paper cigarettes and smoking them wherever he might happen to be. A litter of tobacco crumbs was always to be found in the big easy chair he frequented and among the cushions of the window-seats. Then there were the cocktails. Brought up under the stern tutelage of Isaac and Eliza Travers, Frederick looked upon liquor in the house as an abomination. Ancient cities had been smitten by God's wrath for just such practices. Before lunch and dinner, Tom, aided and abetted by Polly, mixed an endless variety of drinks, she being particularly adept with strange swivel-stick concoctions learned at the ends of the earth. To Frederick, at such times, it seemed that his butler's pantry and dining room had been turned into bar-rooms. When he suggested this, under a facetious show, Tom proclaimed that when he made his pile he would build a liquor cabinet in every living room of his house.

And there were more young men at the house than formerly, and they helped in disposing of the cocktails. Frederick would have liked to account in that manner for their presence, but he knew better. His brother and his brother's daughter did what he and Mary had failed to do. They were the magnets. Youth and joy and laughter drew to them. The house was lively with young life. Ever, day and night, the motor cars honked up and down the gravelled drives. There were picnics and expeditions in the summer weather, moonlight sails on the bay, starts before dawn or home-comings at midnight, and often, of nights, the many bedrooms were filled as they had never been before. Tom must cover all his boyhood ramblings, catch trout again on Bull Creek, shoot quail over Walcott's Prairie, get a deer on Round Mountain. That deer was a cause of pain and shame to Frederick. What if it was closed season? Tom had triumphantly brought home the buck and gleefully called it sidehill-salmon when it was served and eaten at Frederick 's own table.

They had clambakes at the head of the bay and musselbakes down by the roaring surf; and Tom told shamelessly of the Halcyon, and of the run of contraband, and asked Frederick before them all how he had managed to smuggle the horse back to the fishermen without discovery. All the young men were in the conspiracy with Polly to pamper Tom to his heart's desire. And Frederick heard the true inwardness of the killing of the deer; of its purchase from the overstocked Golden Gate Park; of its crated carriage by train, horse-team and mule-back to the fastnesses of Round Mountain; of Tom falling asleep beside the deer-run the first time it was driven by; of the pursuit by the young men, the jaded saddle horses, the scrambles and the falls, and the roping of it at Burnt Ranch Clearing; and, finally, of the triumphant culmination, when it was driven past a second time and Tom had dropped it at fifty yards. To Frederick there was a vague hurt in it all. When had such consideration been shown him?

There were days when Tom could not go out, postponements of outdoor frolics, when, still the centre, he sat and drowsed in the big chair, waking, at times, in that unexpected queer, bright way of his, to roll a cigarette and call for his ukulele-a sort of miniature guitar of Portuguese invention. Then, with strumming and tumtuming, the live cigarette laid aside to the imminent peril of polished wood, his full baritone would roll out in South Sea hulas and sprightly French and Spanish songs.

One, in particular, had pleased Frederick at first. The favourite song of a Tahitian king, Tom explained-the last of the Pomares, who had himself composed it and was wont to lie on his mats by the hour singing it. It consisted of the repetition of a few syllables. "E meu ru ru a vau," it ran, and that was all of it, sung in a stately, endless, ever-varying chant, accompanied by solemn chords from the ukelele. Polly took great joy in teaching it to her uncle, but when, himself questing for some of this genial flood of life that bathed about his brother, Frederick essayed the song, he noted suppressed glee on the part of his listeners, which increased, through giggles and snickers, to a great outburst of laughter. To his disgust and dismay, he learned that the simple phrase he had repeated and repeated was nothing else than "I am so drunk." He had been made a fool of. Over and over, solemnly and gloriously, he, Frederick Travers, had announced how drunk he was. After that, he slipped quietly out of the room whenever it was sung. Nor could Polly's later explanation that the last word was "happy," and not "drunk," reconcile him; for she had been compelled to admit that the old king was a toper, and that he was always in his cups when he struck up the chant.

Frederick was constantly oppressed by the feeling of being out of it all. He was a social being, and he liked fun, even if it were of a more wholesome and dignified brand than that to which his brother was addicted. He could not understand why in the past the young people had voted his house a bore and come no more, save on state and formal occasions, until now, when they flocked to it and to his brother, but not to him. Nor could he like the way the young women petted his brother, and called him Tom, while it was intolerable to see them twist and pull his buccaneer moustache in mock punishment when his sometimes too-jolly banter sank home to them.