"Oh, no, no, I do so delight in Mayflower, pretty creature!" said Marian, patting her neck. "I like to feel that the creature I ride is alive--not an old slug, like that animal which you are upon, Edmund."
"That is decidedly ungrateful of you, Marian, when you learnt to ride upon this identical slug, and owe the safety of your neck to its quiet propensities. Now take care down this stony hill; hold her up well--that is right."
Care was certainly needed as they descended the steep hill side; the road, or rather pathway, cut out between high, steep, limestone rocks, and here and there even bare of earth. Any one but a native would have trembled at such a descent but though the cousins paid attention to their progress, they had no doubts or alarms. At the bottom a clear sparkling stream traversed the road, where, for the convenience of foot passengers, a huge flat stone had been thrown across from one high bank to the other, so as to form a romantic bridge. Marian, however, did not avail herself of it, but rode gallantly through the shallow water, only looking back at it to observe to Edmund, "We must make a sketch of that some day or other."
"I am afraid we cannot get far enough off," said Edmund, "to make a good drawing of it. Too many things go to the making of the picturesque."
"Yes, I know, but that is what I never can understand. I see by woeful experience that what is pretty in itself will not make a pretty drawing, and everyone says so; but I never could find out why."
"Perhaps because we cannot represent it adequately."
"Yes, but there is another puzzle; you sometimes see an exact representation, which is not really a picture at all. Don't you know that thing that the man who came to the door did of our house,--the trees all green, and the sky all blue, and the moors all purple?"
"As like as it can stare; yes, I know."
"Well, why does that not satisfy us? why is it not a picture?"
"Because it stares, I suppose. Why does not that picture of my aunt at Mrs. Week's cottage satisfy you as well as the chalk sketch in the dining-room?"
"Because it has none of herself--her spirit."
"Well, I should say that nature has a self and a spirit which must be caught, or else the Chinese would be the greatest artists on the face of the earth."
"Yes, but why does an archway, or two trees standing up so as to enclose the landscape, or--or any of those things that do to put in the foreground, why do they enable you to make a picture, to catch this self and spirit."
"Make the phial to enclose the genie," said Edmund. "Abstruse questions, Marian; but perhaps it is because they contract the space, so as to bring it more to the level of our capacity, make it less grand, and more what we can get into keeping. To be sure, he would be a presumptuous man who tried to make an exact likeness of that," he added, as they reached the top of the hill, and found themselves on an open common, with here and there a mass of rock peeping up, but for the most part covered with purple heath and short furze, through which Ranger coursed, barking joyously. The view was splendid, on one side the moors rising one behind the other, till they faded in grey distance, each crowned with a fantastic pile of rocks, one in the form of a castle, another of a cathedral, another of a huge crouching lion, all known to the two cousins by name, and owned as familiar friends. On the other side, between two hills, each surmounted by its own rocky crest, lay nestled in woods the grey Church tower and cottages of the village of Fern Torr; and far away stretched the rich landscape of field, wood, and pasture, ending at length in the blue line of horizon, where sky and sea seemed to join.
"Beautiful! how clear!" was all Marian's exclamation, though she drew up her horse and gazed with eager eyes, and a deep feeling of the loveliness of the scene, but with scarcely a remark. There was something in the sight which made her heart too full for words.
After a time of delighted contemplation, Ranger was summoned from a close investigation of a rabbit-hole, and turning into a cart track, the cousins rode down the side of the hill, where presently appeared an orchard full of gnarled old apple trees, covered with fruit of all shades of red, yellow, and green. A little further on were the large stone barns, and picturesque looking house, which enclosed a farm-yard strewn with heaps of straw, in which pigs, poultry, and red cows were enjoying themselves. The gate was opened by a wild-looking cow-boy, who very respectfully touched his cap; and at the house door appeared a nice elderly looking old fashioned farmer's wife, who came forward to meet them with bright looks of cordiality, and kindly greetings to Master Edmund and Miss Marian.
"Thank you, thank you, Mrs. Cornthwayte," said Edmund, as he held Marian's pony; "we are come to ask if you will give our ponies stable room for a couple of hours, while we go fishing up the river."
"O yes, certainly, sir, but won't you come in a little while and rest? it is a long walk for Miss Marian."
They did comply with her invitation so far as to enter the large clean kitchen; the kitchen for show, that is to say, with the sanded floor, the bunch of evergreens in the covered kitchen-range, the dark old fashioned clock, the bright range of crockery, and well polished oaken table; and there, while Marian laid aside her riding-skirt, the good woman commenced her anxious inquiries for Sir Edmund.
"Pretty much the same as usual, thank you," said Edmund.
"No better, then, sir? Ah! I was afraid how it was; it is so long since I have seen him at church, and he used to come sometimes last summer: and my husband said when he saw him last week about the rent, he was so fallen away that he would hardly have known him."
"It has been a very long illness," said Edmund.
"Yes, sir; I do wish we could see him about among us again, speaking as cheerful as he used."
"Why he is very cheerful now, Mrs. Cornthwayte," said Edmund. "No one who only heard him talk would guess how much he has to suffer."
Mrs. Cornthwayte shook her head with a sort of gesture of compassionate admiration, and presently added,
"But do you think he gets better on the whole, Master Edmund? Do the doctors say there is much likelihood of his being well again, and coming among us?"
Edmund looked down and did not reply very readily. "I am afraid we must not hope for that; we must be satisfied as long as he does not lose ground, and I certainly think he has had less pain of late."
A little more conversation passed between Edmund and the good wife, and a few words from Marian; after which they set off across one or two fields towards the place of their destination, Marian carrying her little sketching-basket in silence for some distance, until she suddenly exclaimed, "Edmund, is papa really getting worse?"
"Why should you think so, Marian?"
"I don't know, only from what you say when people inquire after him; and sometimes when I come to think about it, I believe he can do less than last year. He gets up later, and does not go out so often, and now you say he will never get quite well, and I always thought he would."
"No, I am afraid there is no likelihood of that, Marian: the doctors say he may be much better, but never quite well."
"But do you think he is better?"
"He has had less suffering of late, certainly, and so far we must be thankful; but, as you say, Marian, I am afraid he is weaker than last time I was at home, and I thought him much altered when I came. Still I do not think him materially worse, and I believe I might have thought him improved, if I had been here all the winter."