What material should the flogger’s tails be made from? Of course, leather is classic, but there are many kinds of leather. Deerskin, elk, and lambskin are lightest and softest; oil-tanned leather and bullhide are heavier. Cowhide can range in weight from light to heavy depending on the thickness of the leather. Buffalo and bison are thick but not as dense and give the most thud.
There are also other materials available. Rubber is quite severe. The rubber grips the skin and pulls it away from the body. Bunny fur is light and fluffy. Horsehair is very scratchy (and it’s even more intense when wet). Vegans prefer floggers made from plastic or rope. Different people prefer different sensations. Most people prefer “sting” or “thud.”
Most floggers have about 18 to 26 tails, but they can range from as few as four up to 150 for a specialty “mop,” which is extremely thuddy. The tips of the tails can be rounded or cut diagonally to a point. Pointy tips offer more sting.
Cats have braided tails. They are lighter in weight and do not take as much power to use, but they give a real bang for the buck. The tighter they are braided, the more sting they impart. For greater severity, the ends can be knotted. Flat braids allow more contact with the edges of the tails and can be especially mean.
All these types of floggers feel different. Most people have a variety of floggers so that they can vary the sensation during a scene. They may begin with a deerskin flogger for warm-up, progress to cowhide, and escalate to something heavier. Ask your partner what she likes. An experienced bottom can tell you exactly what she prefers and may even own her own floggers. A novice may not know what he likes, and it is best to start with something light like a deerskin flogger. A deerskin flogger is also very good for a novice top, because you can’t do too much damage with it.
Janette Heartwood was one of the best flogger-making artisans in the country. She taught that a good flogging scene incorporated Accuracy, Intensity, and Connection.
Accuracy
Accuracy means that the flogger lands where you intend it to strike. Practice your swing without hitting your partner. Get a nice smooth consistent “throw.” Move an inch closer to your partner and keep throwing the flogger. Watch and estimate where it will land. Adjust your throw so that it will land in the right area. Continue to inch closer until the flogger strikes. At this point, you should be hitting with just the tips. As you move closer, you will connect with more of the “meat” of the tails.
Accuracy is important, not just because you want to control where you hit, but also because it allows your partner to relax and trust you. In order to enjoy the sensation, your partner needs to be confident that you know what you are doing. However, nobody is perfect. You will miss your mark at times. It is important to acknowledge these times. I might say, “Oh, that was a little high. I’m sorry,” and caress the area before continuing. This is critical, because if the bottom thinks you did not realize you made a mistake, she’ll worry that you will err again. You don’t want her to worry about your technique; you want her to relax and enjoy.
Even a very experienced player sometimes hits wrong. I used to really beat myself up about that. And then I played with a very experienced bottom who complimented me on my skill. I remarked that I had hit him high a couple of times. He told me that I had hit him hundreds of times and those two misses made me 99 percent accurate. I have since stopped criticizing myself for not being perfect.
Intensity
Strike gently at first using a short, soft flogger. You can gradually hit harder as you gain skill and confidence. Starting slow also gives the bottom a warm-up, a chance to acclimate to the blows. What feels painful in the beginning may be very pleasurable after the warm-up. Gradually ramp up using longer and either more thuddy or more stingy floggers. Ask your partner if he likes the sting or the thud. Experienced bottoms know what they like; novices will need to try different sensations to learn what they like. Vary your strikes: fast and slow, tips and meat of the tails. Experiment with different ways to throw the flogger. What feels good to you? And what feels good to your partner?
Your partner should be giving you feedback, telling you what feels good and what does not. Remember that much of this feedback will be nonverbal, in the form of body language. Often you can read this body language, but sometimes your partner may move in a way that you can’t interpret. It is okay to ask! A movement one bottom makes to process a sensation that feels good, like stamping his feet, could be the reaction of another bottom when it does not feel good. Everybody reacts differently.
Guy Baldwin speaks of a cycle that begins with the top striking. The bottom takes the strike and processes it. Then the bottom responds. Finally, the top reads the response and decides how and when to strike next. This cycle happens very quickly and those who may be watching are unable to see the communication that is occurring.
Connection
Flogging is like riding a bicycle. When you first get on a bike, you are worried about just staying upright. You are overwhelmed with steering, braking, and just getting it to go forward without crashing. After some practice, you begin to really ride—you hop on and stop thinking about how to maneuver the bike. You enjoy the wind in your hair and you’re able to take in the scenery. Likewise, once you get comfortable with the mechanics of flogging, you are free to enjoy a flogging scene in which the flogger is simply a tool that enables you and your partner to take an ecstatic ride together.
A powerful flogging is a way to explore strength. It can build confidence and self-esteem through the challenge of taking it, which can be very exciting and satisfying. It can be a means of catharsis, letting go and clearing the mind and the heart. The afterglow of a good flogging is both physical and emotional. Both the bottom and the top feed off this energy that they create together.
Impact play, whether spanking, caning, flogging, or any combination of these, can enhance your sex or just be fulfilling by itself. Try these activities and see how they work for you. It is different for everybody. And it can vary each time you do it.
Author’s Note: I learned all this from various people in the BDSM community, and I am still learning. I wish to acknowledge Jo Arnone, Guy Baldwin, Hilton Flax, Janette Heartwood, Conrad Hodson, Michael from Paddles, Constance Slater, and Sharrin Spector.
CHAPTER 3
HOW TO TRAIN YOUR SEX SLAVE
LAURA ANTONIOU
One of the greatest misconceptions in the world of sadomasochism and dominance and submission is the role of a sex slave or pleasure slave. Whenever I meet someone who says they’re a sex slave, I know they mean two things: 1) they don’t do housework, and 2) they have sex with their top.
Obviously, there’s a problem with this definition of sex slave, and that’s the absence of the whole “slave” part. Frankly, it’s rarely the fault of the would-be slave; they have been clear about their limits and preferences. I am not that fond of housework myself, and if all a top wants is sex, that is generally an easy thing to provide. But let’s face it—most adult sexual relationships involve people having sex with each other. A sex slave differs from the slave who polishes the silver in that the single most important task of a sex slave is to aid their top in the pursuit of orgasms. Making it kinky, different, and within the realm of dominance and submission is the trick. That’s where you—the responsible, clever, demanding, knowledgeable, sexy, and above all, dominant top—need to take on the awesome powers of your role. (And, coincidentally, get the best sex of your life, while pleasing your partner or partners at the same time. What a bargain, right?)