From then on Cora selected one patron per hour to evil-eye. A young clerk ducking out from his desk in the Griffin, a man of enterprise; a harried matron corralling an unruly clutch of children; one of the sour youths who liked to batter the glass and startle the types. Sometimes this one, sometimes that one. She picked the weak links out from the crowd, the ones who broke under her gaze. The weak link — she liked the ring of it. To seek the imperfection in the chain that keeps you in bondage. Taken individually, the link was not much. But in concert with its fellows, a mighty iron that subjugated millions despite its weakness. The people she chose, young and old, from the rich part of town or the more modest streets, did not individually persecute Cora. As a community, they were shackles. If she kept at it, chipping away at weak links wherever she found them, it might add up to something.
She got good at her evil eye. Looking up from the slave wheel or the hut’s glass fire to pin a person in place like one of the beetles or mites in the insect exhibits. They always broke, the people, not expecting this weird attack, staggering back or looking at the floor or forcing their companions to pull them away. It was a fine lesson, Cora thought, to learn that the slave, the African in your midst, is looking at you, too.
The day Isis felt under the weather, during Cora’s second rotation on the ship, she looked past the glass and saw pigtailed Maisie, wearing one of the dresses Cora used to wash and hang on the line. It was a school trip. Cora recognized the boys and girls who accompanied her, even if the children did not remember her as the Andersons’ old girl. Maisie didn’t place her at first. Then Cora fixed her with the evil eye and the girl knew. The teacher elaborated on the meaning of the display, the other children pointed and jeered at Skipper John’s garish smile — and Maisie’s face twitched in fear. From the outside, no one could tell what passed between them, just like when she and Blake faced each other the day of the doghouse. Cora thought, I’ll break you, too, Maisie, and she did, the little girl scampering out of the frame. She didn’t know why she did it, and was abashed until she took off her costume and returned to the dormitory.
—
SHE called upon Miss Lucy that evening. Cora had been figuring on Sam’s news all day, holding it up to the light like a hideous bauble, tilting it so. The proctor had aided Cora many times. Now her suggestions and advice resembled maneuvers, the way a farmer tricks a donkey into moving in line with his intentions.
The white woman was gathering a stack of her blue papers when Cora poked her head into the office. Was her name written down there, and what were the notes beside it? No, she corrected: Bessie’s name, not hers.
“I only have a moment,” the proctor said.
“I saw people moving back into number 40,” Cora said. “But no one who used to live there. Are they still in the hospital for their treatment?”
Miss Lucy looked at her papers and stiffened. “They were moved to another town,” she said. “We need room for all the new arrivals, so women like Gertrude, the ones who need help, are being sent to where they can get more suitable attention.”
“They’re not coming back?”
“They are not.” Miss Lucy appraised her visitor. “It troubles you, I know. You’re a smart girl, Bessie. I still hope you’ll take on the mantle of leadership with the other girls, even if you don’t think the operation is what you need right now. You could be a true credit to your race if you put your mind to it.”
“I can decide for myself,” Cora said. “Why can’t they? On the plantation, master decided everything for us. I thought we were done with that here.”
Miss Lucy recoiled from the comparison. “If you can’t see the difference between good, upstanding people and the mentally disturbed, with criminals and imbeciles, you’re not the person I thought you were.”
I’m not the person you thought I was.
One of the proctors interrupted them, an older woman named Roberta who often coordinated with the Placement Office. She had placed Cora with the Andersons, those months ago. “Lucy? They’re waiting on you.”
Miss Lucy grumbled. “I have them all right here,” Miss Lucy told her colleague. “But the records in the Griffin are the same. The Fugitive Slave Law says we have to hand over runaways and not impede their capture — not drop everything we’re doing just because some slave catcher thinks he’s onto his bounty. We don’t harbor murderers.” She rose, holding the stack of papers to her chest. “Bessie, we’ll take this up tomorrow. Please think about our discussion.”
Cora retreated to the bunkhouse stairs. She sat on the third step. They could be looking for anyone. The dormitories were full of runaways who’d taken refuge here, in the wake of a recent escape from their chains or after years of making a life for themselves elsewhere. They could be looking for anyone.
They hunted murderers.
Cora went to Caesar’s dormitory first. She knew his schedule but in her fright could not remember his shifts. Outside, she didn’t see any white men, the rough sort she imagined slave catchers to look like. She sprinted across the green. The older man at the dormitory leered at her — there was always a licentious implication when a girl visited the men’s housing — and informed her that Caesar was still at the factory. “You want to wait with me?” he asked.
It was getting dark. She debated whether or not to risk Main Street. The town records had her name as Bessie. The sketches on the fliers Terrance had printed after their escape were crudely drawn but resembled them enough that any savvy hunter would look at her twice. There was no way she would rest until she conferred with Caesar and Sam. She took Elm Street, parallel to Main, until she reached the Drift’s block. Each time she turned a corner, she expected a posse on horses, with torches and muskets and mean smiles. The Drift was full with early-evening carousers, men she recognized and those she did not. She had to pass by the saloon’s window twice before the station agent saw her and motioned for her to come around back.
The men in the saloon laughed. She slipped through the light cast in the alley from inside. The outhouse door was ajar: empty. Sam stood in the shadows, his foot on a crate as he laced his boots. “I was trying to figure out how to get word,” he said. “The slave catcher’s name is Ridgeway. He’s talking to the constable now, about you and Caesar. I’ve been serving two of his men whiskey.”
He handed her a flier. It was one of the bulletins Fletcher had described in his cottage, with one change. Now that she knew her letters, the word murder hooked her heart.
There was a ruckus from inside the bar and Cora stepped farther into the shadows. Sam couldn’t leave for another hour, he said. He’d gather as much information as he could and try to intercept Caesar at the factory. It was best if Cora went ahead to his house and waited.
She ran as she had not in a long time, sticking to the side of the road and darting into the woods at the sound of a traveler. She entered Sam’s cottage through the back door and lit a candle in the kitchen. After pacing, unable to sit, Cora did the only thing that calmed her. She had cleaned all the dishware when Sam returned home.
“It’s bad,” the station agent said. “One of the bounty hunters came in right after we spoke. Had a ring of ears around his neck like a red Indian, a real tough character. He told the others that they knew where you were. They left to meet their man in front, Ridgeway.” He panted from the run over. “I don’t know how, but they know who you are.”
Cora had grabbed Caesar’s bowl. She turned it over in her hands.
“They got a posse together,” Sam said. “I couldn’t get to Caesar. He knows to come here or the saloon — we had a plan. He may already be on his way.” Sam intended to return to the Drift to wait for him.