‘He’ll feel my rigour first, Nick.’
‘You do not look as if you’ve any to spare, Lawrence,’ said Elias, putting an arm around him. ‘Leave him to us.’
‘But he was the one who ordered my kidnap.’
‘Sebastian did not carry it out himself,’ observed Nicholas. ‘He’d not soil his Roman Catholic hands with that kind of crime. He instructed someone else to abduct you. Is that not true, Sebastian?’ He tightened his grip on Frant. ‘Who was the man and where is he now?’ Frant’s lower lip began to tremble. ‘I thought so. The villain is aboard.’
As soon as they were hailed from the deck of the Mercury, he knew that they were in severe difficulties. A ship would not be dispatched from Dover to overhaul them unless there was a good cause. Flight was impossible. The only hope for Robert Armiger was to mingle with the crew of the Mermaid to pass himself off as one of them. Arrests would be made, the ship would be impounded and the captain would certainly be punished for his smuggling activities. Lowly members of the crew, however, might not suffer undue hardship. Armiger felt confident that Frant would not give him away and there was nobody else to identify him as a killer. Accordingly, he stood close to John Strood under the watchful eyes of the armed sailors who had come aboard from the Mercury.
His dream of escape was soon shattered. Nicholas Bracewell came bursting out of the hold with vengeance burning inside him. He looked around the deck.
‘Which one of you is Robert Armiger?’ he called out.
There was no reply. Crew members exchanged nervous glances but said nothing.
‘Where is that killer?’ demanded Nicholas. ‘Anyone who hides him is guilty of his crimes. I ask again — which one of you is Robert Armiger?’
‘He is,’ said Strood, pointing to his companion.
It was a dangerous admission. The words were hardly out of his mouth when Strood felt a dagger being thrust between his ribs by Armiger. Letting out a groan, he fell to the deck. Armiger fled from the spot, pushing his way roughly through the other members of the crew. Nicholas ran quickly to Strood to kneel beside him, cradling his head in one arm and trying to stem the bleeding. It was too late. Armiger’s thrust had been fatal. With a last smile of apology to his old shipmate, Strood finally escaped the shame of making his living as a smuggler on the Mermaid. Nicholas swallowed hard and offered up a silent prayer for his friend. Then he looked for Armiger once more. The man was up on the quarter deck, holding three people at bay with the bloodstained dagger that had just cut down Strood.
‘Leave him to me!’ ordered Nicholas, running to the steps.
Everyone backed away from Armiger. Having killed once, he was clearly ready to do so again and would not be taken without a fight. What amazed all those who watched was that Nicholas had no weapon of his own. He stood within six feet of Armiger.
‘John Strood was a friend of mine,’ he said.
‘Then I’ll send you after him,’ retorted Armiger, waving the dagger.
‘You’ve murdered enough people already.’
‘One more would give me great pleasure.’
‘Your case is hopeless,’ said Nicholas. ‘We can have you shot down with muskets or run through with swords. Put up your dagger while you may.’
‘Then step a little closer,’ urged the other man, ‘and you shall have it.’
Nicholas did not hesitate. During his years at sea, he had learnt to handle himself in a brawl on deck and had disarmed more than one adversary. Armiger was a skilled assassin but he preferred to stab his victims from behind when they were unguarded. Circumstances had changed. They were on the quarter deck of a merchant ship that was bobbing violently on the water. Nicholas was no unprotected victim. He was strong, alert and brave enough to take on an armed man. It put a tiny doubt in Armiger’s mind. As Nicholas came forward, he lunged at him with the dagger then made several sweeps to keep him away. Nicholas eluded the weapon with deft footwork then circled his man as he waited for his moment. It soon came. Armiger lunged again, missed, stabbed the air once more as Nicholas leapt back then hurled the dagger with vicious force. Nicholas ducked and the weapon went harmlessly over his head and into the sea.
Armiger gave a yell of exasperation and flung himself at Nicholas, grabbing him by the throat and forcing him back against the bulwark. They grappled, twisted and turned, then fell to the floor. Nicholas was momentarily dazed as his head struck the stout oak boards but Armiger did not pursue his advantage. Instead, refusing to end his days at the end of a rope, he decided to take his own life and clambered over the bulwark. Before he could jump, he felt Nicholas’s arm around his neck. There was another ferocious struggle as the two of them grappled and punched. Armiger would not be denied. With a last burst of energy, he jumped from the bulwark and pulled Nicholas after him. There was a loud splash as the two bodies hit the water. The moment they surfaced, they went for each other’s throats again.
Everyone on board rushed to the bulwark to watch the fight. Firethorn and Elias were among them, urging Nicholas on and wishing that they could help him in some way. Intent on drowning, Armiger was determined to take Nicholas with him and they threshed about wildly. A boat was lowered but it could never reach them in time to separate them. Armiger got a grip around Nicholas’s neck and forced him below the surface. The two bodies vanished for well over a minute with only a patch of white foam to show where the fight was still continuing. Firethorn and Elias began to fear for their friend but their anxiety was premature. Nicholas’s head eventually appeared. After gasping in air, he hauled the spluttering Armiger to the surface.
‘He’s still alive!’ he shouted. ‘I saved him for the hangman.’
Lifted by the safe return of their actor-manager, Westfield’s Men entered Dover Castle with brimming confidence. They felt that they could conquer with their art a fortress that could not be taken by force. The first surprise that greeted them was the amount of livestock in the grassy courtyard. Over a hundred sheep and a dozen cows were grazing peacefully within the confines of the castle so that fresh milk and tender mutton were readily available. The Great Hall was larger than anywhere else where they had performed in Kent and the number of chairs and benches already set out indicated that a full audience was expected. Nicholas Bracewell had visited the place earlier to take note of its dimensions and to work out where best to erect their stage. All that the actors had to do was to polish a well-tried play. The morning rehearsal went well though Firethorn, still feeling the effects of his ordeal, was careful to pace himself. Refreshment was then served before the company readied itself for the afternoon performance.
William Brooke, tenth Baron Cobham, presided over the occasion. As Constable of the Castle, he held an important post but, as Lord Warden of the Cinque Ports, he also had a ready source of wealth. Governor of the ports of Hastings, Romney, Hythe, Dover and Sandwich, to which Winchelsea and Rye had been added, he was allowed to deduct five hundred pounds from any parliamentary taxation levied on the towns. Several members of his family were in attendance, including his son, Henry, and, significantly, his son-in-law, Sir Robert Cecil. Lord Westfield had brought his own entourage and guests from a wide area came in to swell the numbers. It was a more distinguished and exclusive audience than the troupe had met before in the county. No standees were allowed and no sailors were permitted to wander in from the local taverns.
In view of recent events, The Loyal Subject was the obvious choice even though it had been staged earlier at the Guildhall. It dealt with themes that had great relevance for Westfield’s Men and gave Firethorn the opportunity to exhibit the full range of his skills. Though set nominally in Italy, everyone recognised that the play was about the dangers that threatened the English throne. The Duchess of Milan was a cipher for Queen Elizabeth and some of her leading courtiers could also be identified with their real counterparts by more perceptive spectators. It gave the piece a sharpness and immediacy that added to its appeal. Richard Honeydew was a beautiful but peremptory Duchess with the other apprentices as his ladies-in-waiting. Having whitened his beard to assume old age, Owen Elias was a Chief Minister who bore much more than a vague resemblance to Lord Burleigh, whose son, Sir Robert Cecil, was in the audience. Edmund Hoode once again took the small but telling role of the judge while Rowland Carr, James Ingram and Frank Quilter all had individual chances to shine as conspirators. Barnaby Gill, a decrepit retainer, was liberated from his wheelbarrow and carried on stage in a chair. Deaf, scatterbrained and querulous, he provided some wonderful humour, his broken leg concealed beneath a long robe and his comic song a special moment in the performance.