“There was worse—there was worse,” she shuddered.
“Worse?”
“The blame was laid on me—the responsibility. Your love for me, my power over you, were accused. The people hate me—they hate you for loving me! Oh, I have destroyed you!” she cried.
Odo felt a slow cold strength pouring into all his veins. It was as though his enemies, in thinking to mix a mortal poison, had rendered him invulnerable. He bent over her with great gentleness.
“Fulvia, this is madness,” he said. “A moment’s thought must show you what passions are here at work. Can you not rise above such fears? No one can judge between us but ourselves.”
“Ah, but you do not know—you will not understand. Your life may be in danger!” she cried.
“I have been told that before,” he said contemptuously. “It is a common trick of the political game.”
“This is no trick,” she exclaimed. “I was made to see—to understand—and I swear to you that the danger is real.”
“And what if it were? Is the Church to have all the martyrs?” said he gaily. “Come, Fulvia, shake off such fancies. My life is as safe as yours. At worst there may be a little hissing to be faced. That is easy enough compared to facing one’s own doubts. And I have no doubts now—that is all past, thank heaven! I see the road straight before me—as straight as when you showed it to me once before, years ago, in the inn-parlour at Peschiera. You pointed the way to it then; surely you would not hold me back from it now?”
He took her in his arms and kissed her lips to silence.
“When we meet tomorrow,” he said, releasing her, “It will be as teacher and pupil, you in your doctor’s gown and I a learner at your feet. Put your old faith in me into your argument, and we shall have all Pianura converted.”
He hastened away through the dim gardens, carrying a boy’s heart in his breast.
4.10.
The University of Pianura was lodged in the ancient Signoria or Town Hall of the free city; and here, on the afternoon of the Duke’s birthday, the civic dignitaries and the leading men of the learned professions had assembled to see the doctorate conferred on the Signorina Fulvia Vivaldi and on several less conspicuous candidates of the other sex.
The city was again in gala dress. Early that morning the new constitution had been proclaimed, with much firing of cannon and display of official fireworks; but even these great news, and their attendant manifestations, had failed to enliven the populace, who, instead of filling the streets with their usual stir, hung massed at certain points, as though curiously waiting on events. There are few sights more ominous than that of a crowd thus observing itself, watching in inconscient suspense for the unknown crisis which its own passions have engendered.
It was known that his Highness, after the public banquet at the palace, was to proceed in state to the University; and the throng was thick about the palace gates and in the streets betwixt it and the Signoria.
Here the square was close-packed, and every window choked with gazers, as the Duke’s coach came in sight, escorted meagrely by his equerries and the half-dozen light-horse that preceded him. The small escort, and the marked absence of military display, perhaps disappointed the splendour-loving crowd; and from this cause or another, scarce a cheer was heard as his Highness descended from his coach, and walked up the steps to the porch of ancient carved stone where the faculty awaited him.
The hall was already filled with students and graduates, and with the guests of the University. Through this grave assemblage the Duke passed up to the row of armchairs beneath the dais at the farther end of the room. Trescorre, who was to have attended his Highness, had excused himself on the plea of indisposition, and only a few gentlemen-in-waiting accompanied the Duke; but in the brown half-light of the old Gothic hall their glittering uniforms contrasted brilliantly with the black gowns of the students, and the sober broadcloth of the learned professions. A discreet murmur of enthusiasm rose at their approach, mounting almost to a cheer as the Duke bowed before taking his seat; for the audience represented the class most in sympathy with his policy and most confident of its success.
The meetings of the faculty were held in the great council-chamber where the Rectors of the old free city had assembled; and such a setting was regarded as peculiarly appropriate to the present occasion. The fact was alluded to, with much wealth of historical and mythological analogy, by the President, who opened the ceremonies with a polysyllabic Latin oration, in which the Duke was compared to Apollo, Hercules and Jason, as well as to the flower of sublunary heroes.
This feat of rhetoric over, the candidates were called on to advance and receive their degrees. The men came first, profiting by the momentary advantage of sex, but clearly aware of its inability to confer even momentary importance in the eyes of the impatient audience. A pause followed, and then Fulvia appeared. Against the red-robed faculty at the back of the dais, she stood tall and slender in her black cap and gown.
The high windows of painted glass shed a paleness on her face, but her carriage was light and assured as she advanced to the President and knelt to receive her degree. The parchment was placed in her hand, the furred hood laid on her shoulders; then, after another flourish of rhetoric, she was led to the lectern from which her discourse was to be delivered. Odo sat just below her, and as she took her place their eyes met for an instant. He was caught up in the serene exaltation of her look, as though she soared with him above wind and cloud to a region of unshadowed calm; then her eyes fell and she began to speak.
She had a pretty mastery of Latin, and though she had never before spoken in public, her poetical recitations, and the early habit of intercourse with her father’s friends, had given her a fair measure of fluency and self-possession. These qualities were raised to eloquence by the sweetness of her voice, and by the grave beauty which made the academic gown seem her natural wear, rather than a travesty of learning.
Odo at first had some difficulty in fixing his attention on what she said; and when he controlled his thoughts she was in the height of her panegyric of constitutional liberty. She had begun slowly, almost coldly; but now her theme possessed her. One by one she evoked the familiar formulas with which his mind had once reverberated. They woke no echo in him now; but he saw that she could still set them ringing through the sensibilities of her hearers. As she stood there, a slight impassioned figure, warming to her high argument, his sense of irony was touched by the incongruity of her background. The wall behind her was covered by an ancient fresco, fast fading under its touches of renewed gilding, and representing the patron scholars of the mediaeval world: the theologians, law-givers and logicians under whose protection the free city had placed its budding liberties. There they sat, rigid and sumptuous on their Gothic thrones: Origen, Zeno, David, Lycurgus, Aristotle; listening in a kind of cataleptic helplessness to a confession of faith that scattered their doctrines to the winds. As he looked and listened, a weary sense of the reiterance of things came over him. For what were these ancient manipulators of ideas, prestidigitators of a vanished world of thought, but the forbears of the long line of theorists of whom Fulvia was the last inconscient mouthpiece? The new game was still played with the old counters, the new jugglers repeated the old tricks; and the very words now poured out in defence of the new cause were but mercenaries scarred in the service of its enemies. For generations, for centuries, man had fought on; crying for liberty, dreaming it was won, waking to find himself the slave of the new forces he had generated, burning and being burnt for the same beliefs under different guises, calling his instinct ideas and his ideas revelations; destroying, rebuilding, falling, rising, mending broken weapons, championing extinct illusions, mistaking his failures for achievements and planting his flag on the ramparts as they fell. And as the vision of this inveterate conflict rose before him, Odo saw that the beauty, the power, the immortality, dwelt not in the idea but in the struggle for it.