“We have twelve other B and E’s to deal with tonight. It’s a Friday and a full moon. The whole city is going nuts. We looked upstairs and down. Nothing is missing. Your guy—your client— didn’t even lose anything valuable.”
“Only his home, and birds he loves,” Frank interjected, and Officer McDade turned to him.
“I meant no disrespect to your grandfather, Mr. Lucia, but I just came from an apartment on Moore, near Fifth. That guy’s home is a wreck and they took everything he owned.” Officer McDade touched the patent bill of his cap, a modern-day doffing. “We’re doing our best. You’ll hear from us as soon as we know something.”
Judy couldn’t let it go. “So you’ll pick up John Coluzzi?”
“Pick up? I didn’t say that. I said we’d talk to him and we will.”
“Can’t you question him at the Roundhouse? Isn’t he a suspect?”
“Not legally.” Officer McDade frowned. “We have no evidence, only your suspicion. We’ll question him, like I said, but we don’t have probable cause for arrest. Not on these facts.”
“If you talk to the neighbors—”
“We did that already. Nobody saw anything.”
“They’re just afraid.”
“Possibly, but we can’t manufacture witnesses, Ms. Carrier. Between us, me and my partner”—at this he nodded in the direction of his now-absent colleague—“have forty-something years of experience in talking to witnesses. We know how to handle this.”
Judy fished in her purse, dug for her wallet, and found a business card. She handed it to the cop. “I’ll let you know if any of them call me. Will you do the same?”
“Sure, that’s standard procedure.” The cop stuck her card in his back pocket with his white pad, reminding Judy uncomfortably of a booklet of traffic tickets.
“Thanks,” she said anyway, her hopes sinking. Officer McDade shook her hand and Frank’s and nodded to Pigeon Tony, who gripped his Peroni box. The cops had been gone only a minute when Judy answered Frank’s unsaid argument, “It’s a process, Frank. It takes time.”
“I understand. I really didn’t expect more.” Frank didn’t look angry to Judy, or even frightened. His brown eyes were concerned, and the stubble on his chin had grown darker. He turned to his grandfather. “Pop, I can’t get you to go, so I’m staying.”
“You? Inna house? No. No!” Pigeon Tony scowled, his brow creasing with concern, but Frank put up his hand like a crossing guard.
“Yes, and no more fighting. That’s it. I’m sleeping on the couch, Pop.”
Pigeon Tony nodded only reluctantly, though the Peroni box cooed in happy response.
Home in her apartment, Judy tried to sleep but couldn’t. She flopped back and forth in bed because her Patagonia surfer T-shirt, the same blue one she’d worn to bed for the past three nights, had become suddenly bunchy. She yanked it off over her head, then tossed it at the foot of the bed and slid nude under the coverlet, feeling suddenly cold. She refused to put the T-shirt back on, which would involve not only getting out of bed but also admitting defeat, so she leaned over and switched on the electric blanket, at which point she became suddenly hot. Even a pillow cave didn’t help. She had a lot on her mind.
Pigeon Tony was across town in his ruined house, in danger. Frank was with him, protecting them both with only a portable copier. The police were changing shifts and proving her faith in them misplaced. She had a murder case to defend and the guy actually did it. Plus she liked the murderer and was developing a crush on his grandson. The thought made her smile, almost, but it faded when she focused on the predicament they were in, then the visions of the smashed house. The slaughtered birds. The pain on Pigeon Tony’s face.
She fluffed up her pillow and snuggled deeper into bed, which was queen-size but seemed small. The room was large and messy, with two IKEA bureaus on the far wall, their drawers open and overstuffed, and between them an old rocking chair with sweat clothes piled on it. Her bicycle, a yellow Cannondale, leaned against the wall; her boxing gear sat piled in the corner. She could clean up but that wouldn’t improve her mood. She could work the case but she was too distracted. She turned over, facing the opposite wall.
Moonlight streamed through the window, a tall one with mullioned panes, typical of the architecture in this part of town. Judy had moved to Society Hill, the oldest section of the city, as part of her never-ending quest for The Perfect Apartment. The possibilities had narrowed since she got Penny, now a healthy nine-month-old golden retriever, who snored happily at the foot of the bed. No rentals wanted pets and even the largest security deposit didn’t help. She’d ended up in this place, her nicest so far and the fanciest, only because she bartered free legal services to the landlord for a year. He had a tricky boiler in one of his other buildings, but like her other clients, he’d have to wait. She had forgotten to call the GC at Huartzer during business hours and left a message only when she’d finally gotten home. And her antitrust article awaited her at the office. The deadline loomed on Tuesday. Her boss loomed constantly.
Judy sat up in bed. She couldn’t relax. If she did drugs she’d do them now, but she stayed away from that stuff. She was already addicted to M&M’s, a monkey on her back. She could drink a nice chilled glass of pink Zinfandel but that would make her want to dance, not sleep. She had nothing good to read, though the stack of hardcovers on the bedside table threatened to topple. She resolved instantly to buy only books she wanted to read, not books that she should read, and felt suddenly free. Free! She switched on the ginger-jar lamp next to the books and jumped out of bed. Waking, the puppy lifted her head from her oversize paws and put it back down again, knowing where Judy was going and deciding it wasn’t worth the trouble to follow.
She padded out of her bedroom and headed for her studio in the adjoining room, where she flicked on the lights. Like her bedroom, it was large and empty, painted white, but there the similarity ended. It contained no furniture but was filled with multi-layered wooden trays of acrylic paints in tubes, jars of sable paintbrushes in all sizes, and large-format canvases, most of which were finished, propped against the walls.
Bright, bold paintings of natural landscapes dominated her work, painted from memories and photographs of places she had lived. There were mountains she had hiked in Big Sur from when her father was commissioned at Stanford, and rocks she had climbed in Virginia, near the basic-training facility at Quantico; and green, tropical trails through which she had mountain-biked, outside of Pensacola, where they had moved so he could teach initial flight training. The painting resting on the easel showed a secret stream she had discovered curling through the marsh on the way to the Everglades. She surveyed the verdant greens, dense cobalt blues, and hot orange of the painting without the usual satisfaction. What was wrong with it? Judy confronted her art with new eyes in the still apartment. The dark window across the room reflected the naked form of a tall, athletic woman with tousled blond hair.
The reflection caught her eye. She considered pulling the shade, but there was none to pull, and in any event the city was asleep. The full moon was the only thing peeking into her window, shining off the granulated tar roof of the rowhouse across the street and illuminating the aluminum of the gutter like an outline of light. Beyond the rooftop twinkled the lights of the city and the office buildings uptown. For the first time Judy noticed its gritty beauty, in hues of midnight black, cool silver, and bright white. She remembered the colors of the brick on the way to South Philly, from the cab window. She watched the city shimmer before her, then in her mind’s eye, with her own naked form ghosted in the foreground. In time she strode to the easel, picked up the unfinished canvas, and set it aside.