"The prosecution alleges that Caelius once again attempted to commit murder by bribing someone else's slaves-this time, Clodia's slaves, to do in their mistress. And this, after having failed to pull off the same kind of plot with Lucceius's slaves! What kind of man puts his whole fate into the hands of another person's slaves, not once but twice? At least credit my client with having a brain!
"And just what sort of slaves are we talking about? In the case of Clodia's household, this is an important point. As Caelius must have known if he ever visited her house, the relationship between Clodia and her slaves can scarcely be described as normal. In a household like that, headed by a woman who behaves like a prostitute, where abnormal lusts and unheard-of vices are practiced on a daily basis, where slaves are invited to share an inordinate amount of intimacy with their superiors- well, those slaves are slaves no longer. They share everything with their mistress, including her secrets. They become her companions in loose living. In a household like that, the people on the bottom are sometimes quite literally on top."
I caught sight of Clodia, who seemed to physically shrink from the gales of laughter that roared through the Forum. Cicero held up his hand to quiet the crowd. "Keeping slaves in that fashion has one virtue, at least: such corrupted, pampered slaves must be almost impossible to bribe. Caelius must have known that, if he was as intimate with Clodia as we've been led to believe. Ifhe knew the situation, surely he would have known better than to try to insinuate himself between such a woman and her slaves-a tight spot for any man to wriggle into! If he didn't realize the situation, then how could he have been so intimate with the slaves that he would consider bribing them? The allegation contradicts itself.
"Now, about the alleged poison-where it came from, how it was to be handed over, and so on. The prosecutors tell us that Caelius had it in his house. He wanted to test it, so he bought a slave for just that purpose. The poison was effective. The slave died very quickly. The poison… "
Cicero's voice was suddenly choked by a sob. He clenched his fists and rolled his eyes upward. "Oh, immortal gods! When a mortal commits a terrible crime, why do you close your eyes to it? Why do you allow the villain to go unpunished?" He gasped and shivered, as if struggling to hold back tears. The rollicking speech came to an abrupt halt. The crowd was jolted into uneasy silence.
Cicero stood absolutely still, like a man paralyzed by emotion and fighting to regain controclass="underline" "Forgive me," he finally said, in a hoarse, trembling voice. "But the very mention of poison…
"Let me explain myself, judges. It was the bitterest day of life, that day when I saw my friend Quintus die before my eyes. Quintus Metellus Celer, I mean, the man whose death made that woman a widow and freed her to do as she pleased. Such a fine man he was, dedicated to serving Rome and full of the strength to do it! I remember the last time I saw him here in the Forum, going about his business, in excellent health and high spirits, full of plans for the future. Two days later I was, called to his deathbed, where I found him racked with pain, barely able to breathe. His mind had begun to fail, but at the very end he became lucid again. His last thoughts were not of himself, but of Rome. He fixed his gaze on me as I wept, and in broken words he tried to warn me of the storm that hung over my head, the tempest that was brewing for the whole state. 'Cicero, Cicero, how will you hold out against them without me to hold them in check?' He wept then, not for himself, but for the future of the city he loved, and for the friends who would no longer have his protection. I often wonder how differently things might have turned out had he lived. Would his cousin Clodius have succeeded with a tenth of his mad schemes if Quintus Metellus Celer had been alive to oppose him? Would his wife Clodia have fallen into the downward spiral of disrepute that has ultimately brought us here today?
"And now that woman has the audacity to speak of fast-acting poisons! How much does she know about the subject? Enough, apparently! If she goes ahead with her testimony, perhaps she will tell us exactly how much she knows about poison, and how she came to know it. When I think that she still lives in the house where Celer died, when I think of what she has since turned that house into, I wonder that the walls themselves had not rebelled in disgust and come toppling down around her!"
Cicero bowed his head for a long moment, seemingly overcome with emotion. As for Clodia, one would never have known what a famous beauty she was, from the way she looked at that moment. The bones of her face seemed ready to break through the skin. Her eyes smoldered like coals. Her mouth was a hard, straight line showing a glint of teeth between bloodless lips.
"Excuse me, judges," said Cicero, recovering himself. "My memories of a noble and valiant friend have greatly upset me, I fear. And some of you, too, as I can see. But let us persevere with this distasteful, petty business, and be done with it.
"Very welclass="underline" the story goes that after testing the poison on a hapless slave, Caelius handed it over to a friend of his, Publius Licinius. You see him here today, sitting proudly among Caelius's supporters, not the least bit ashamed to show his face despite the slander against him. Licinius, they say, was to give the poison to some of Clodia's slaves at the Senian baths, in a little pyxis. Ah, but the slaves had betrayed the plot to their mistress, so she sent some friends to lurk on the premises and seize Licinius in the act of handing over the poison. So goes the story, anyway.
"I am eagerly waiting to discover the identities of the upstanding witnesses who are supposed to have seen, with their own eyes, the poison in Licinius's hands. So far, their names have not been mentioned, but they must be very reputable fellows indeed. In the first place, they are intimates of such a lady. In the second, they agreed to lurk about the baths in the middle of the day, a job suitable only to the most respectable of men."
I felt the skin prickle on the back of my neck. Cicero was talking about me, among others. Even without hearing my name mentioned, I felt cut by his scorn, exposed and flustered. What then was Clodia feeling at this moment?
"But don't take my word for the worthiness of these witnesses, these midday bathhouse skulkers," Cicero continued. "Their actions speak for them. We are told, 'They hid out of sight and watched everything.' I'm sure they did. That type loves to watch! 'They bolted out of hiding accidentally.' Oh dear, premature ejaculators-what a deplorable lack of manly self-control! The story goes that Licinius made his entrance and was just about to hand over the incriminating pyxis but had not quite done so, when these superb, anonymous witnesses burst forth-where-upon Licinius drew back the pyxis and took to his heels in flight!"
Cicero shook his head and made a face of disgust. "Sometimes, no matter how badly a tale is told, a shred of truth shines through. Take this shabby little drama, for instance, authored by a lady with so many other tawdry tales to her credit. How devoid of plot, how sorely lacking for an ending! How could all these fellows have let Licinius slip from their grasp, when they were posted and ready, and he suspected nothing? What was the point of capturing him as he handed over the poison, anyway? Once it passed out of his hands he could claim he had never seen it before. Why not seize him the moment he entered the baths, hold him down and force a confession from him with all those bystanders for witnesses? Instead, off Licinius goes, with the lady's gang in hot pursuit, bumbling and tripping all over each other. In the end, we are left with no pyxis, no poison, not a single shred of evidence. Really, what we have here is the finale of a mime show, not a proper play but the sort of silly farce that sputters to an unsatisfying end-no climax, just a bunch of clowns bumbling off the stage.