Tod Sanders found a space for the limousine amid the herd of big cars that browsed in Hackman’s crescent driveway. Villiers said, “Stay put and stay awake,” and walked up to the porticoed entrance, the slight pinching of his lips the only sign of his displeasure. He could hear the noise of a jammed crowd through the door. When he rang the bell it swung open immediately, and Ginger Hackman greeted him with a cry: “Mace, darling, why is it we never see you?” And added in a lower voice, “I’m so glad to see you, Mace.”
There was a lot of noise and restive motion in the smoky room behind her, but she stood blocking the entrance for a moment, smiling at him, an attractive, sad-faced young woman with sulky and sensuous eyes. She was sewed into a low-cut cocktail dress, so tight it revealed her buttocks and pubic bulge and the seam lines of her panties. She licked crumbs from her fingertips and thumb, casual and unselfconscious, frankly staring at him. Finally she sighed. “Well, come on in and face it.”
When he squeezed past her through the door, she turned to present her cheek for a ritual kiss of greeting; when he didn’t make the appropriate response, she said, “Oh, Mace,” and stepped back to shut the door behind him.
The room roared with a thick crowd. Villiers surveyed it with his piercing gray eyes and an unsmiling expression. Ginger came along behind him and took his arm with a proprietary air. “You ought to give lessons in how to do a dramatic pause,” she told him.
He made no answer. She took him around to make introductions; Villiers went with her, moving with languid grace and his unflappable ability of ignoring any obligation to acknowledge the existence of the people to whom he was introduced. The room was jammed full of women in Pucci prints, men of all ages talking about earnings ratios and defensive market positions, and the titular guest of honor, a red-headed Irish actress, oft-married, a photogenic female who had enjoyed a brief flurry of Hollywood popularity in swashbucklers and Westerns, the results of her pneumatic talent for taking very deep breaths. She smiled at everything she said and everything that was said to her; she seemed to have been programmed to smile incessantly. Ginger brought Villiers along to meet her, and they found Ginger’s husband staring at the lardy cleavage revealed by the actress’s scooped neckline, while a woman was saying to the actress with completely false affection, “Oh, my dear, how divine! That dress is you.”
George Hackman looked up, recognized Villiers, and swarmed all over him in his enthusiasm. Villiers pushed him away gently, and Ginger said, “Don’t be gauche, darling,” calling her husband “darling” with steely emphasis and absenting the r from the word. She stared angrily at him, but Hackman was grinning obliviously; Ginger gripped his sleeve, turned him around, handed him her empty glass, and said, “Darling, why don’t you reach deep down in your heart and get me some ice cubes?” She smiled sweetly.
Hackman shifted his glance from Villiers to his wife and halved his smile. “Imagine you needing ice cubes.” Then, with elephantine cheek, he turned deliberately to stare at the actress’s breasts before he looked up again and said to Villiers, “Come on, let’s get you a drink.”
En route through the crowd, he said, “She says she’s got nothing to wear, and it takes her three Goddamned hours to put it on. Damn glad to see you, Mace. Glad you came.” He elbowed a path to the built-in bar. It was racked with cheap liquor, without apology. Hackman went around behind it and started filling glasses, roaring in his bumptious voice, “Now, this is what you call an income-tax cocktail-two drinks, and you withhold nothing.” He guffawed.
A man by Villier’s elbow said, “Anybody can make a fortune in the market, George, but it takes a genius to mix a good Manhattan.”
“You bet your ass,” Hackman said. “The secret is, you don’t pour the vermouth, you just pretend to pour it.” He emitted another bark of laughter, turned to Villiers, and said in a low, confidential growl, “Why the hell can’t I convince Ginger a pretty secretary can be just as efficient as an ugly one, hey?” He winked elaborately.
Villiers eased back to the end of the bar and stood isolated by his aloofness. For a moment he looked speculatively across the room at the red-haired actress. She was swivel-hipped and large-breasted and impregnated with sensuality; but her hair was bottled, the thick mouth was outlined with a great smear of red like a gunnery target, and her eye makeup seemed to be compounded of shoe polish and reinforced concrete. Villiers lost interest and looked away. A man beside him said in his ear, “Christ, the heat.” Villiers didn’t even look at him.
He caught snatches of talk: “The servant class is dying off a lot faster than the upper class.” “… went up seven points in fourteen days!” “… can’t get the Goddamned car fixed at all, not a single competent mechanic left in Westchester County.”
Hackman handed him a drink. “Wrap yourself around this, old buddy.” He looked up and saw his wife approaching and said, “Cheese it, the fuzz,” and disappeared into the crowd; Villiers had a last glimpse of him resting a casual, proprietary hand on a girl’s rump.
Ginger came up to Villiers and let her shoulders slump. “Christ, Mace.”
He gestured with the drink Hackman had handed him. “How high the moon, Ginger?”
“About four Scotches,” she said. “Forgive me, I’m a little drunker than usual tonight. I’ve got a summer cold, which I’ve been curing with Scotch. God, look at this mess. All these Yo-Yos lying to each other, talking all the time about how much they hate parties. They’re all trying to sell something. What ever happened to the gay old times? What ever happened to the real laughs, Mace?”
“If you don’t like it, you can divorce him.”
“And go back to the chorus line and the runway at Macy’s? Thanks a lot.”
“You’ll suit yourself, I suppose,” he said, and put the drink down on the bar, untouched. “I expected to see Colonel Butler here.”
“He’s here-that little bald character over there talking to the Winslows. Shall I introduce you to him?”
“No. Where’s the guest bedroom?”
She gestured with her drink. “Down that hall, the last door on your right.”
“Tell Butler I’m there. Don’t let anybody else hear you.”
She lifted her eyebrows. Villiers moved off toward the hallway. He glanced back once and saw that Ginger was standing very still, looking at him, unblinking. Her lips parted; she followed him with her eyes when he turned away.
He found the guest room and went in, switching on a table lamp and choosing his spot. When knuckles rapped on the door, he had just finished moving the two chairs to new positions in the room. He opened up and said without smiling, “Come on in.”
“You’re Villiers. I’ve seen your picture in the Times. I’m Lew Butler.” The colonel offered his hand, and Villiers, out of politics, took it; the colonel made a childish contest of strength of it, and Villiers matched him grip for grip until the colonel smiled slightly and relaxed his hold. Villiers indicated a chair and crossed the room to sit down. He had so positioned the chairs that most of the light in the room fell on Colonel Butler’s face when he sat down. If Butler was aware of the deliberate placement of furniture, he made no sign of it. He was a trim, short-bodied man with a well-taken-care-of body that bespoke gym workouts and rubdowns; his suit was well cut, conservative, Brooks Brothers; his voice had that curious combination of command abruptness and Southern twang which seemed to be the standard patois of the armed services.