"A dead visitor? V/hat happened?"
"No one knows. It was just found dead. Stuffy Grant found it.
You remember Stuffy. I introduced you to him."
"Yeah, I remember him. Tell me, how would Stuffy know if it was dead or not?"
"It was cold," she said. "No longer warm, but cold. And it wasn't floating. It was resting on the ground."
"And now they're going to rush in and dissect it to find how it works."
"I suppose that's the idea," Kathy said. "It has a gruesome sound to me."
"To me, too, but it's logical."
"When will you be back?"
"I don't know. A day or two, I think. I will see you then."
"I was counting on seeing you tonight."
"So was I. Jerry, I'm awfully sorry. And so disappointed."
"Oh, well, you have a job to do. So have I—the thesis. I'll get some work done on it."
"And, Jerry, something else. Old 101 has been found."
"Yes, don't you remember? I told you. How one of the men from Washington painted a green 101 on that first visitor to land."
"Yes, you did tell me. So it has been found. Where is it?"
"On a farm near a little place in Iowa. Davis Corners. The farmer thinks it planted something in the field and now is guarding it. When he approaches the field, it runs him off."
"V/hat could it have planted?"
"Maybe nothing. That's only what the farmer thinks. Johnny was going to send me down there, then this Lone Pine business came up.
"Why should he have sent you down there? V/hat could you have done?"
"It was just one of Johnny's hunches. He operates by hunch, runs the city desk by hunch. Some of the hunches are good, some of them pay off. Some people might call it a newspaperman's intuition. Actually, it's hunch. Now I have to go. The plane is waiting and Chet is standing here, first on one foot and then the other."
"I'll miss you, Kathy."
"So will I miss you. Get lots of work done while I'm gone."
"I'll try. Thanks for calling, Kathy."
lie hung up the phone and sat idly at the desk. The room Closed in on him again. He saw the grimy windows and the streaks upon the wall.
Old 101, he thought. Somewhere down in Iowa, guarding a field. And why should it be in Iowa? There were no trees in Iowa, or at the best, few trees. Nothing like the trees in Minnesota. The farmer thought it had planted or sowed his field. And what could it have planted? He shook his head, puzzled. The farmer, he told himself, must be mistaken.
He got up from the desk and walked up and down the room, remembering again, with a sharpness that terrified him, those few hours (or few minutes?) he had spent inside the thing that was 101. He saw the luminous discs again, the pale blueness of the light, the strange flickerings. There had been something there, he thought, that he should have understood, some fact or facts that, had he stayed a little longer, he might have been able to perceive.
If he could have stayed a little longer, if he could talk with it again—and stopped himself, damning himself for a fool. For he had never talked with it, never really talked with it. From it he had done no more than gain impressions, the sense of home and the sense of trees. And those impressions, he told himself, bitterly, might not have come from 101 at all. They might have come from some unexpected aberrations in his mind.
He went back to his desk and sat down again, pulling the papers in front of him, picking up his pen. But he could not work. The writing that he'd done no longer was writing, but strange, alien squiggles. He stared at the squiggles, trying to make them out, startled by his not being able to make them out, angry and confused, his mind churning.
Maybe, he told himself, the answer might be there, down on that farm in Iowa. And that, he thought, was sheer insanity. He could go to Iowa, out to the farm, and 101 would chase him off, even as it had chased the farmer. He was dealing in a fantasy and knew it, but knowing it did no good. The fantasy still hung on. The impulse became a certainty—he had to go to Iowa. Although what he'd do once he got there, he had no idea.
He rose from the desk and paced up and down the room, fighting it out with himself. One idea hammered at him, zeroing in on him. He needed an answer and this was the only way that he could think of that might provide an answer. It might turn out to be nothing, but he couldn't pass it up. He had to take a chance. He had to play his hunch. Johnny Garrison was a hunch player, Kathy had said, and at times, his hunches did pay off.
He fought it out half the afternoon and it would not go away. He had to go to Iowa. He had to go to Iowa and he didn't even have a car. But Charlie would let him use his car. If he asked, Charlie would loan the car to him.
Limp and sweating, he lifted the phone and dialed Charlie's number.
34. LONE PINE
Looking through binoculars, Kathy could see, across the river, the knot of men who were at work on the dead visitor. There was no way she could make out what they were doing. The only thing she could determine was that in some manner (using saws, she wondered?), they had cut sections out of the dead body, probably securing samples to be taken back to Washington, or perhaps elsewhere, for closer examination. They were busy with a number of pieces of equipment, but the distance was too great to make certain what they were doing. There had been no chance to talk with anyone who might answer her questions. Security was tight. The bridge the army engineers had thrown across the river was closed by National guardsmen and other guardsmen patrolled the river bank to stop anyone who might try to cross.
The other visitors paid no attention to what was going on around the dead body of their fellow. They continued cutting timber and spewing out the bales of cellulose. Some of them were budding and a dozen or so of their young were scurrying about~ chomping at the bales of cellulose.
Kathy lowered the glasses, laid them in her lap.
"Anything to see over there?" asked Norton.
"Nothing I can make out," said Kathy. She handed the glasses to him. "You want to have a try?"
"Even if I saw something, I'd probably not recognize it," said Norton. "I thought maybe they would try to move the dead visitor somewhere. To the university down at Minneapolis, maybe. But I guess it's just too large. That thing must weigh tons."
"Maybe they will later on," said Kathy, "but as I understand it, it was important to get some tissue samples as soon as possible, if what they are getting can be called tissue."
Norton lifted the glasses to his face, stared through them for a long time, then took them down, handing them to Kathy.
"I've never seen such tight security," said Kathy. "Nor set up so fast. Chet and I got here only a few hours after you phoned us, but by that time, they had it buttoned up. Ordinarily, there would be some sort of public relations setup to give you some idea of what might be going on. But here there's nothing. Not even someone around to tell you there'll be no information. We're just locked out."
"Washington probably figures this is important. Top secret."
"Sure they do," said Kathy. "And more than that, they were caught flat-footed and had to move fast. Who would have expected that one of the visitors would die and they'd have a shot at it. When we write about how tight the security is, the government will complain. Claiming we are overemphasizing."
"In a little while," said Norton, "Lone Pine will be swarming with newsmen. Like it was before. Maybe then someone will be able to jar something loose."
"I tried," said Kathy, "but there's no one to jar. Just those silly, flat-faced guardsmen who won't let you through. Most of them won't even talk to you. Not even the officers. Usually officers will talk, at least a little, to show you how important they are, if for no other reason. I tell you, Frank, I don't even know why I'm here. I could just as well have stayed back in the newsroom. Here I'm not doing any good. I don't know what the hell I'll tell Johnny when I phone him. Maybe someone else could have done better. Maybe Jay.