Well (as the narrative style permits us to say infrequently), Pettit went to pieces. All those pains, those lover's doubts, those heart-burnings and tremors of which be had written so unconvincingly were his. Talk about Shylock's pound of flesh! Twenty-five pounds Cupid got from Pettit. Which is the usurer?
One night Pettit came to my room exalted. Pale and haggard but exalted. She had given him a jonquil.
"Old Hoss," said he, with a new smile flickering around his mouth, "I believe I could write that story to-night -the one, you know, that is to win out.
"I can feel it. I don't know whether it will come out or not, but I can feel it." I pushed him out of my door. "Go to your room and write it," I ordered. "Else I can see your finish. I told you this must come first. Write it tonight and put it under my door when it is done. Put it under my door to-night when it is finished -don't keep it until to-morrow."
I was reading my bully old pal Montaigne at two o'clock when I beard the sheets rustle under my door. I gathered them up and read the story.
The hissing of geese, the languishing cooing of doves, the braying of donkeys, the chatter of irresponsible sparrows - these were in my mind's ear as I read. "Suffering Sappho!" I exclaimed to myself. "Is this the divine fire that is supposed to ignite genius and make it practicable and wage-earning?"
The story was sentimental drivel, full of whimpering softheartedness and gushing egoism. All the art that Pettit had acquired was gone. A perusal of its buttery phrases would have made a cynic of a sighing chambermaid.
In the morning Pettit came to my room. I read him his doom mercilessly. He laughed idiotically.
"All right, Old Hoss," he said, cheerily, "make cigar-lighters of it. What's the difference? I'm going to take her to lunch at Claremont to-day."
There was about a month of it. And then Pettit came to me bearing an invisible mitten, with the fortitude of a dish-rag. He talked of the grave and South America and prussic acid; and I lost an afternoon getting him straight. I took him out and saw that large and curative doses of whiskey were administered to him. I warned you this was a true story -'ware your white ribbons if only follow this tale. For two weeks I fed him whiskey and Omar, and read to him regularly every evening the column in the evening paper that reveals the secrets of female beauty. I recommend the treatment.
After Pettit was cured be wrote more stories. He recovered his old-time facility and did work just short of good enough. Then the curtain rose on the third act.
A little, dark-eyed, silent girl from New Hampshire, who was studying applied design, fell deeply in love with him. She was the intense sort, but externally glace, such as New England sometimes fools us with. Pettit liked her mildly, and took her about a good deal. She worshipped him, and now and then ignored him.
There came a climax when she tried to jump out of a window, and he had to save her by some perfunctary, unmeant wooing. Even I was shaken by the depths of the absorbing affection she showed. Home, friends, traditions, creeds went up like thistle-down in the scale against her love. It was really discomposing.
One night again Pettit sauntered in, yawning. As he had told me before, he said he felt that he could do a great story, and as before I hunted him to his room and saw him open his inkstand. At one o'clock the sheets of paper slid under my door.
I read that story, and I jumped up, late as it was, with a whoop of joy. Old Pettit had done it. Just as though it lay there, red and bleeding, a woman's heart was written into the lines. You couldn't see the joining, but art, exquisite art, and pulsing nature had been combined into a love story that took you by the throat like the quinsy. I broke into Pettit's room and beat him on the back and called him name -names high up in the galaxy of the immortals that we admired. And Pettit yawned and begged to be allowed to sleep.
On the morrow, I dragged him to an editor. The great man read, and, rising, gave Pettit his hand. That was a decoration, a wreath of bay, and a guarantee of rent.
And then old Pettit smiled slowly. I call him Gentleman Pettit now to myself. It's a miserable name to give a man, but it sounds better than it looks in print.
"I see," said old Pettit, as he took up his story and began tearing it into small strips. "I see the game now. You can't write with ink, and you can't write with your own heart's blood, but you can write with the heart's blood of some one else. You have to be a cad before you can be an artist. Well, I am for old Alabam and the Major's store. Have you got a light, Old Hoss?"
I went with Pettit to the depot and died hard.
"Shakespeare's sonnets?" I blurted, making a last stand. "How about him?"
"A cad," said Pettit. "They give it to you, and you sell it -love, you know. I'd rather sell ploughs for father."
"But," I protested, " you are reversing the decision of the world's greatest -"
"Good-by, Old Hoss," said Pettit.
"Critics," I continued. " But -say -if the Major can use a fairly good salesman and bookkeeper down there in the store, let me know, will you?"
NEMESIS AND THE CANDY MAN
"We sail at eight in the morning on the Celtic," said Honoria, plucking a loose thread from her lace sleeve.
"I heard so," said young Ives, dropping his hat, and muffing it as he tried to catch it, "and I came around to wish you a pleasant voyage."
"Of course you heard it," said Honoria, coldly sweet, "since we have had no opportunity of informing you ourselves."
Ives looked at her pleadingly, but with little hope.
Outside in the street a high-pitched voice chanted, not unmusically, a commercial gamut of "Cand-de-ee-ee-s! Nice, fresh cand-ee-ee-ee-ees!d
"It's our old candy man," said Honoria, leaning out the window and beckoning. "I want some of his motto kisses. There's nothing in the Broadway shops half so good."
The candy man stopped his pushcart in front of the old Madison Avenue home. He had a holiday and festival air unusual to street peddlers. His tie was new and bright red, and a horseshoe pin, almost life-size, glittered speciously from its folds. His brown, thin face was crinkled into a semi-foolish smile. Striped cuffs with dog-head buttons covered the tan on his wrists.
"I do believe he's going to get married," said Honoria, pityingly. "I never saw him taken that way before. And to-day is the first time in months that he has cried his wares, I am sure."
Ives threw a coin to the sidewalk. The candy man knows his customers. He filled a paper bag, climbed the old-fashioned stoop and banded it in. "I remember -" said Ives.
"Wait," said Honoria.
She took a small portfolio from the drawer of a writing desk and from the portfolio a slip of flimsy paper one-quarter of an inch by two inches in size.
"This," said Honoria, inflexibly, "was wrapped about the first one we opened."
"It was a year ago," apologized Ives, as he held out his hand for it,
"As long as skies above are blue
To you, my love, I will be true."
This he read from the slip of flimsy paper.
"We were to have sailed a fortnight ago," said Honoria, gossipingly. "It has been such a warm summer. The town is quite deserted. There is nowhere to go. Yet I am told that one or two of the roof gardens are amusing. The, singing -and the dancing -on one or two seem to have met with approval."
Ives did not wince. When you are in the ring you are not surprised when your adversary taps you on the ribs.
"I followed the candy man that time," said Ives, irrelevantly, "and gave him five dollars at the corner of Broadway."
He reached for the paper bag in Honoria's lap, took out one of the square, wrapped confections and slowly unrolled it.
Sara Chillingworth's father," said Honoria, "has given her an automobile."
"Read that," said Ives, handing over the slip that had been wrapped around the square of candy.