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Joke: “I can see where you’d think that’s funny, Yoke. Not everyone would. But that’s why we love you. It sounds like Randy could run amok, a gunjy dook like that. You’re going to push him too far. Not everybody appreciates your sense of humor. Though Corey’s loving it. I’m telling him some of the stuff while it’s coming in.” Joke’s view showed a greenish-skinned man with square vertical goatee and the sides of his head shaved, grinning and leaning forward as if hungering for information. “No, Corey, you can’t uvvy in. This is totally diffusion-encrypted. Emul customized some cryp code just for this call. Yes, Corey, you heard me right, a giant snail with his mother’s face wanted to crawl on him. Back off-ski! Okay, Yoke, while you were telling about Randy just now, Berenice did an anonymous search of the moldie chat-lines and found out a few things. The aliens’ sacrificial clone trick went over; the moldies really think they killed them all. But they’re suspicious about Squanto and Sue flying to the Moon. The dummy is halfway here and nobody wants to bother chasing it down, but they’re doubting it’s real. They’ve posted the Sue Miller information all over the place, along with one of the Cappy Jane images of you. But it isn’t you. Look.”

Joke flashed the Sue Miller ID sheet with the photo image of a short­haired hollow-cheeked girl with black hair. In addition, there was a holo­graphic still image of Yoke and Cobb floating in the Vava’u bay, with the giant cube of imipolex just behind them. But Yoke’s face was replaced by Sue Miller’s, and Cobb looked like a plastic American Indian. “The moldies didn’t notice you searching, did they, Berenice?” Joke asked. She paused, looking into her head, which was partly inhabited by the wetware-coded personalities of two old-time boppers called Berenice and Emul. Quickly receiving her answer, Joke continued talking. “No, you’re safe for now, Yoke, but you better believe the shit’s going to hit the fan one way or another. You didn’t say where Randy went on his motorcycle. And what about Babs?”

Yoke: “Well, yesterday was pretty calm, and we were nice to Randy and made things together, so don’t worry too much about him going amok. He made the motorcycle this morning. A really tough machine, all big and black and loud, though of course it’s electric. Like I say, he’s out riding it now, but I don’t know where. Babs was so impressed with Randy’s motor­cycle that she made herself a car, look, you can see it out in front of the warehouse.” Yoke peered out the warehouse’s big square door at an incred­ibly decorated dune-buggy outside. It was covered all over with drawings of girls, done in a casual sketchbook kind of style, and its fenders were curled up in funny squiggles. It looked like a live cartoon, bright in the afternoon sun. Standing by the buggy was Babs herself, talking to a burr-cut man with little round glasses. “That’s Babs’s new friend Theodore. He slept here last night. Believe it or not, Randy’s jealous of him. As if he had a right. I think that’s why he took off on his big bad motorsickle this morning. And then Babs made herself the car just to show she’s still on top. She thought about it for a couple of hours and when she was ready she alla-made it real fast when nobody was looking. She transmuted some heavy garbage instead of just air, so that there wasn’t this like big thunderclap. Theodore and our neighbors don’t know about the allas yet, thank God. If the word gets out, it’s going to be a zoo. I’ll go ahead and step all the way outside so you can see down the street. Hi, Babs, I’m talking to my sister Joke on the Moon. See Cobb lying in the street next to the car sunning himself, Joke? It’s the third sunny day in a row. Say hi to Joke, Cobb, you lazy old slug.” Cobb stuck a head and arm out of his puddled form and waved. “And see the giant, charred snail shell across the street by the water, Joke? Isn’t that too much?”

Joke: “Keep looking, I want to sketch the shell for Corey. He wants to make a Silly Putter pet Tucker Snail. And then look down the street so I can see the Anubis, Yoke. I’m getting really nice image quality. And also I want to talk about how soon you’re coming home. I don’t want to lose you. You should leave before the heavy kilp starts happening.”

Yoke stared at the shell and the Anubis for a minute, then wandered back into the warehouse. It was two in the afternoon. “Phil’s the big issue to me, Joke, and of course Ma too. I’m sorry, but I don’t want a clone with a Happy Cloak for my mother. According to the aliens, Phil and Darla and the others are off in the powerball hyperspace bubble, maybe not so far away. In the fourth dimension. I told Phil I’d wait for him here. If I hang here just a little more, maybe he’ll come back. Oh, and look, I didn’t show you yet what Randy, Babs, and I made yesterday.” Yoke gazed at a chest-high aquarium filled with delicately shaded plastic jellyfish. “These are imipolex, like Babs’s worms. It’s very easy to program an artificial jelly­fish, at least it was with Randy helping. See how we put a different mandala onto the surface of each one? The kind of realistic ones are Babs’s and the more abstract ones are by me. I think Babs is right that moving art is better than art that just sits there. Next I want to make some simulated polyps that build a coral reef. I wish I knew more limpware engineering. Randy’s good at it, believe it or not. Of course, playing with real life would be more exciting, but the aliens say it’s going to be impossible for us to use the alla to really program biological life until we completely figure out all of the wetware engineering for ourselves, and who knows when that’ll be. They don’t want to tell us too much, because they don’t want it to be easy for us or the moldies to actualize a billion instances of ourselves and instantly over-populate the planet. They think we’re that dumb.”