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I saw an immediate look of relief extend over Maynard’s face as he left his work. He didn’t look my way as he and my father left the room. We were, Maynard and I, at a distance at that time in our lives. We spoke only in banalities, with no acknowledgment of what we were to each other.

Mr. Fields spoke with an accent, one I had never heard before, and I immediately imagined it might hail from the Natchez my elders spoke so much of.

“The other day,” he said, “that was some trick.” I nodded silently, still not sure of his intentions. There were penalties for the Tasked who’d learned to read, and it now occurred to me that my “trick” might bring some sort of wrath. But my trick didn’t hinge on reading, because I could not read. I had simply filed away what I had heard of Maynard’s own fumblings and matched them with the cards left scattered on the table. But Mr. Fields knew nothing of that technique, and I was not quite sure how, or whether, I should explain.

He regarded me for a moment and then pulled out a set of regular playing cards and handed them to me.

“Examine them.”

I pulled cards from the deck one after the other, taking time to examine each one, and furrowing my brow more for effect than out of any sense of labor. When I was done, Mr. Fields said, “Now place each of them face-down on the table.”

This I did in four neat rows of thirteen. Then Mr. Fields took one card at a time from the table so that only he could see the face, and asked that I confirm its suit. This I did with each one. Mr. Fields’s face did not alight.

Now he reached into his bag and produced a box. When he opened it, I saw that it was a collection of rounds, small ivory discs, with a carved face or animal or symbol on each. He laid these rounds on the table face-up, asked me to look at them for a minute, and then he turned the rounds over so their blank bottoms showed. And when he asked me to find the round with a portrait of the old man with a long nose or the pretty girl with long locks or the one with the bird perched on the branch, it was as though he’d never turned them over, and they were right there facing me.

Finally, Mr. Fields pulled a sheet of paper from his satchel, and then he pulled out a book filled with drawings. He turned to a drawing of a bridge and he told me to look at it, to concentrate on it, and after a minute, he closed the book, handed me a pen, and told me to draw the bridge myself. I had never done anything quite like this, and unsure of Mr. Fields’s intentions, and knowing, even then, that the Quality resented the pride of the Tasked, unless that pride could be fitted to their profit, I gave him a puzzled look, and pretended that I did not quite understand. He repeated himself, and then watched as I took the pen, gingerly at first, and began my sketch. For effect, I would glance up, as though straining to recall the picture in my mind. But there really was no need to recall, for it felt to me that the bridge was right there, on the blank paper, and all I need do was trace the lines to reveal it. So I traced the stony arch, the small opening at the right end, the arch over-top, the rocky outcropping in the back, and the tree-filled ravine over which the bridge spanned. And now, seeing this, Mr. Fields’s eyes grew wide. He stood and adjusted his jacket. Then he took the sheet, told me to wait, and walked out.

Mr. Fields returned with my father, who’d pulled from his assortment of smiles one which spoke of his own self-satisfaction.

“Hiram,” my father said. “Would you like to work with Mr. Fields on some regular basis?” I looked to the ground, and pretended to turn the question over in my head. I had to, because what I then felt was the avenue opening before me, light streaming through. I did not wish to be found too eager. Lockless was still Virginia—the epitome even. I could not yet acknowledge all that this moment portended.

“Should I, sir?” I asked.

“Yes, Hiram,” my father said. “I think you should.”

“Then yes, sir,” I said. “I will.”

So the lessons began—reading, arithmetic, some oratory—and my world bloomed with them, my ravenous memory filling with images and, now, words, which were so much more than I had before believed, words with their own shape, rhythm, and color, words that were pictures themselves. We would meet three times a week for an hour, my time always following Maynard’s, and though I know that he tried his best not to show it, I could always see the relief in Mr. Fields’s eyes when Maynard departed and I entered. This moment became a source not just of pride but of quiet derision—I was better than Maynard, given so much less yet made of so much more.

He was clumsy. He squinted constantly, as if always searching for the next foothold. He was negligent and rude. My father would have guests over for tea and Maynard would think nothing of bursting in and speaking whatever thought then possessed him. He loved to jest, and that was the best part of him—but even that quality betrayed him into telling crass jokes to the young daughters of Quality. At supper he reached across the table for rolls, and spoke with a mouth full of food.

I was certain my father saw things as I did, and I wondered how wrong it must have felt to see the best of you emerge in this way, in the place you didn’t expect, indeed in the place your whole world depends on it never appearing.

I tried to remember the Street and Thena’s admonition, They ain’t your family. But seeing the estate as I now did—rolling green hills in summer, woods blooming in red and gold in fall, and then in winter a snow dappling everything, and seeing, though living below, the main house of Lockless, the great columns of the portico, the setting sun casting itself through the fanlight, seeing the winding corridors, and seeing the grand portraits of my grandfather and grandmother, my eyes in theirs, I began, in my quiet moments, to imagine myself in their ranks. And there was my father, who would pull me aside and tell me of our lineage stretching back through his father, John Walker, back through the progenitor, Archibald Walker, who walked here with a mule, two horses, his wife, Judith, two young boys, and ten tasking men. Would tell me these stories as if granting in these asides a teasing share of my inheritance. And I never forgot.

There were evenings, the Task complete, when I would wander to the far eastern edge of the property, past the sprawl of timothy grass and clover, and stand reverent before the stone monument that marked the spot where the first plots that became Lockless were cleared. And when my father told me the stories, passed from his grandfather, of chasing off catamounts, of hunting bear with a Bowie knife, of felling great trees, hauling up stones, and diverting creeks, and by his own hand bringing forth the estate I then beheld, how could I not want to claim this, the courage and wit and all the glory it built with its strong arms, as my inheritance?

But too, with all of that imagining, the facts of Lockless began to make themselves manifest. There were of course the tales of Pete and Ella, their invocations of Natchez and Baton Rouge. There was the tragedy of Big John, of my mother. And to all of this, I now began to add my own stray readings, when left in my father’s office, of De Bow’s Review, which harped constantly on the falling price of tobacco, and then finally the conversation of the Quality themselves. It was tobacco that made for the largess of Lockless, indeed the largess of Elm County. And every year the tobacco yields shrank, the entail of those high families of Virginia shrank with them. The days of tobacco leaves large as elephant ears were no more, not in Elm County at least, where crop after crop had exhausted the land. But out west, past the valley and mountains, on the Mississippi banks, down Natchez-way, there was land in need of improvement, in need of masters to superintend, and men to harvest and hoe, men such as those in the diminishing fields of Lockless.