Morse jumped in quickly. 'Sorry! I really am. It's just that as Li get older I can't really think of killing things. Few years ago have trodden on a spider without a thought, but these days -I don't know why - I almost feel guilty about swatting a daddy-long-legs.' 'You wouldn't find me killing a daddy-long-legs!' said Michaels’ his eyes still hard as they stared unblinkingly back at Morse's. Blue versus blue; and for a few seconds Morse wondered what exactly Michaels would kill . . . and would be killing now.
CHAPTER TWENTY-FIVE
For wheresoever the carcase is, there will the eagles be gathered together (St Matthew, ch. 24, v. 28)
REGIS'S (Morse's) cracking of the Swedish Maiden verses had sparked off a whole series of letters about the Great Wood at Wytham. But only one of these letters was to be published by The Times that week -the latest in a correspondence which was grip-Ding the interest of that daily's readers:
From Stephen Wallhead, RA Sir, It was with interest that I read what must surely be the final analysts of the Swedish Maiden affair. I had not myself, of course, come within a mile of the extraordinarily subtle interpretation (Letters, July 13) in which Wytham Woods are suggested -surely more than suggested -as the likeliest resting-place of that unfortunate girl. My letter can make only one small addendum; but I trust an interesting one, since the injunction 'Find the Woodman's daughter' (1. 6 of the verses) may now possibly be of some vital significance.
An oil-on-canvas painting, The Woodman's Daughter, was worked on by John Everett Millais in 1850-1. It depicts the young son of a squire offering a handful of strawberries to the young daughter of a woodman. Millais (as always) was meticulous about his work, and the whole picture is minutely accurate in its research: for example, we know from the artist Arthur Hughes that the strawberries in the boy's hands were bought at Covent Garden in March 1851!
The background to this picture shows a woodland area with a clear perspective and a distinctive alignment of trees, and in my view it is at least a possibility that even allowing for decades of cutting-down and replantation the original site could be established. But here is the point, sir! From the diary of one of the artist's friends, Mrs Joanna Matthews, RA, we learn as follows: 'Millais is hard at work painting the background of his picture from nature in Wytt,am Wood' (my italics). Could not such a background point the place where the body is to be found? And may we not further infer that our murderer has not only an intimate knowledge of the woods themselves but also of the Pre-Raphaelite painters?
Yours faithfully, STEPHEN WALLHEAD, Wymondham Cottage, Helpston,
Lines.
Early on the morning of Friday, 17 July, this letter had seen by Strange, Morse, Lewis, and most of the personnel on at Thames Valley HQ. But not by everyone.
'Just tell me exactly what the 'ell we're supposed to be looking for!' Constable Jimmy Watt complained to his colleague, Constable Sid Berridge, as the two of them halted for a while, side by side in the riding between Marley Wood on their right and Pasticks -their left.
Seventeen of them, there were, working reasonably scientifically through this particular stretch. Watt had been seconded only that day, taken (quite willingly) off traffic duties, while Berridge had already spent the earlier part of his week in Blenheim. And in truth, their present duties were unwelcome to neither of them, for the temperature was already warm that morning, the sky an almost cloudless Cambridge blue.
'We're looking for a condom, Jimmy - preferably one with ahandful of fingerprints on it-'
'Wha'? Bloody year ago?'
'-so's Morse'll be able to discover which 'and he pulled it with.'
'We used to call 'em "french letters" in my day,' said with a hint of nostalgia in his voice.
'Yeah. Things change, though.'
'Yeah! Some of us missed out a bit, don't you reckon? The way some of these young 'uns ...'
'Yeah.'
'Who'd you wanna go in there with, though?' Watt pointed it his left, to the dense patch of forestation nearby.
Berridge rose to the challenge: 'Brigitte Bardot? Liz Taylor Joan Collins? Madonna? Me next-door neighbour's wife-'
'In there, though?'
Berridge decided to scale down his previous decision: 'Perhaps not. . . Perhaps only the woman next-door.'
It had been an hour earlier, at 8.30 a.m., that a member of the Wytham Trust had addressed their party, and explained why Pasticks could be a reasonably safe each-way bet for a site where a body may have lain undisturbed for a longish time. Why? Well, most people would think that the cutting-down of trees and the selling of the wood to wholesale dealers was invariably going to a profitable undertaking. Not so! The expense of hiring men to saw down trees, to trim the fallen timber, then to transport and treat it, and finally to sell it to furniture dealers, or fencing designers or the rest - such expense would always be considerable. And the Trust had long since agreed that it could do little better than see the whole business of thinning the woods, etc., as, well, as tit-for-tat: they would pay nothing for the cutting-back of the various copses and spinneys; and in turn the wood-cutters and carters would receive the proceeds from the tens of thousands of assorted trunks that were annually removed from Wytham Woods. But occasionally there was a bit of a hiccup in the system -when, for example, a few of the areas of reforestation were not quite ready for such biennial decimation; when the thinning of a particular area ought, for whatever reason, to be delayed for a couple of years.
Such a situation had in fact arisen the year before in the very latest plantation (1958-62) a mixed hardwood affair of Norwegian spruce, oak, beech, red cedar -in the area called Pasticks. And that wouldn't be a bad place to leave a body! The trees there allowed in very little light; and in the middle of it all were three four old spinneys that had existed even before the Enclosure Dense places. Double-dense.
For Berridge and Watt the task certainly looked uninviting. From any point some two or three yards within the wood it seemed almost as if a curtain had been drawn in front of them, cutting them off from any further investigation, with the leafless horizontal and perpendicular branches of the trees there forming a sort of blurring criss-cross mesh of brown across their vision.
It was a good many hours later, at 3.55 p.m., that the deeply and progressively more pessimistic pair of constables heard a shout of triumph from somewhere to their left. A body had been found; and very soon each wing of the search-party had enfolded the scene like the wings of a mother-bird protecting her young.
The foxes had already been there -often enough by the look of -;-.d the badgers, and the birds of the air ... for the bones of what appeared to be a single human being had been dragged apart there -in some cases seemingly removed -from their familiar configuration. Yet not so far removed as to render the pristine pattern unrecognizable. A femur still lay in its approximately normal relationship to its pelvis; a few ribs still in roughly parallel formation above it; a shoulder bone in a vaguely formal relationship with the vertebrae; and the vertebrae themselves about two or three feet separated from a comparatively small and bad savaged skull; not far from which was a faded, tasselled neck-scarf still boasting its original colours -the twin proud colours of the Swedish national flag.
CHAPTER TWENTY-SIX
Science is spectrum analysis: art is photosynthesis (Karl Kraus, Half Truths One and a Half Truths)
WORD quickly spread and the verdict in all quarters was the same: here he was -only a couple of days into the investigation, only day into the search, and eureka! Clever bugger, Morse! A bit lucky, perhaps. Could have been another week before they'd found her if they'd started at the other, the western, side of the woods.
‘Touch nothing!', 'Keep your distance!' had been the orders of the day and it had been around an unmolested, untrodden area of four or five square yards of woodland, carpeted with a thick, darkish-brown pile, that a rather irregular cordon had been drawn.
Morse had arrived on the scene within twenty minutes, and now stood there silently, not venturing beyond the waist-high red and e tape, his eyes recording the evidence before him. He saw the dislocated pattern of the bones; the scattered, residual clothes; and especially he saw the tasselled scarf beside the horridly damaged head. It reminded him of something from a DIY manual, in which various arrows point from the outer-lying parts towards a putative centre giving instruction for the assemblage of the purchase: 'Bring this part into there; attach this part to that; connect here; it will fit, all of it, if only you take your time, read the instructions carefully, know that you are going wrong if more than gentle force is required for the final assembly.' Occasionally Morse moved his weight slightly on the packed twigs and spindles beneath his feet, but still he said nothing. And the others standing there were silent too, like awkward mourners at a funeral.
Lewis, busily negotiating that afternoon with the University authorities, would not be with him. But neither of them, neither Morse nor Lewis, would be of much use at this stage. It was Max who was going to be the important personage, and Max had already been informed, was already on his way; Max who ten minutes later made his lumbering progress across the crackling bracken, and stood wheezing heavily beside Morse.
Silently, just as Morse had done earlier, the hump-backed surgeon surveyed the sorry sight which lay at the foot of an evergreen of some sort, the lower branches leafless, brittle, dead. If an attempt had been made to conceal the body, it was not now apparent; and disturbingly (as others had already noticed) a few of the major bones, including the whole of the lower left arm, had been carried away somewhere -to some den or earth or sett. From the look of it the clothes were slightly better preserved than the body: several strips of stained white, and substantial remnants of what looked like blue jeans, perhaps; and some yellowish, straw coloured hair still gruesomely attached to the skull.
But Morse hadn't kept his eyes long on the skull . . .
'This what you've been looking for, Morse?'
'Yes. I think that's her.'
'Her?'
'I'm certain it's a "her",' said Morse with finality.
'Do you know the last words my old mother said? She'd been baking earlier in the day - the day she died. Then she was taken to her bed, but she still wanted to see how the fruit cake was doing. And it was flat. The bloody thing forgot to rise, Morse! And she said, "You know, life's
full of uncertainties". Then she closed her eyes - and died.'
'It's the girl,' repeated Morse simply.
Max made no further comment, staring guardedly on as Morse nodded to the scenes-of-crime officer and the police photograph both of whom had been standing waiting for some while. If there was anything of any import there that Morse should have seen, he was not aware of it; but he still felt nervous about the patch of ground and instructed both to keep as far as possible from the grisly finds.
After a few minutes of photographic flashing, Max stepped rather gingerly into the area, hooked a pair of ancient spectacles around his large ears, looked down at the scattered skeleton, and picked up a bone.
'Femur, Morse. Femur, femoris, neuter. The thigh bone.' 'So?' Max placed the bone down carefully and turned to Morse 'Look, old friend, I don't very often
ask you for any forensic guidedance, but just for once give me a little advice, will you? What the hell am I supposed to do with this bloody lot?'
Morse shook his head. 'I'm not sure.' But suddenly his eyes glowed as if some inner current had been activated. 'I knew she'd be here, Max’ he said slowly. 'Somehow I knew it! And I'm going find out who murdered our Swedish Maiden. And I want you to help me, Max! Help me paint a picture of what went on in this place.’
The almost Messianic fierceness with which Morse had enunciated these words would have affected most people. But not Max.
‘You're the artist, dear boy: I'm just a humble scientist.'
‘How long will you be?'
‘Looking at the bones, you mean?'
‘And the clothes . . . and the underclothes.'
‘Ah, yes! I remember. You've always had an interest in underclothes' He consulted his watch. 'Opening time at six? I'll see you the upstairs bar at the White Hart-'
‘No. I've got a meeting back at HQ at half-past six.'
‘Really? I thought you were in charge of this case, Morse.'
There were the four of them again: the ACC, Strange, Johnson, Morse; and for the latter, naturally, congratulations were generous. For Johnson, however, there were very mixed feelings: Morse had come up with the girl's body in a couple of days, whilst had come up with nothing in a twelve-month. That was the simple truth of the matter. It was good for the case, of course; but much good for his own morale or his rating amongst his colleagues, or for his wife ... or indeed for his newly acquired mother-in-law. But when, an hour later, the meeting broke up, he shook Morse's hand and wished him well, and almost meant it.
After the ACC and Johnson had left, Strange in turn wished Morse continued success, observing that now Morse had come up with a body, all that remained for him was to come up with a murderer, so that he, Strange, would be able to get a nice little report and send it to the DPP. No problems! Then they'd kick the smart-alec defence lawyers up the arse, and stick the bugger who did it in the nick for the rest of his natural. Put a rope round his bloody neck, too, if Strange had his way.
‘Just as well we didn't hang the Birmingham Six,' said Morse quietly.
CHAPTER TWENTY-SEVEN