Yet things were going very well on the whole - going very much as Morse had predicted. And for the rest of the afternoon the case developed quietly: no surprises; no set-backs. At 5.45 p.m. Morse called it a day and drove down to his flat in North Oxford.
For about two hours that afternoon, as on every weekday afternoon, the grossly overweight wife of Luigi Bertolese sat at the receipt of custom in the Prince William Hotel, whilst her husband conducted his daily dealings with Mr Ladbroke, Turf Accountant. The early edition of the Evening Standard lay beside her, and she fixed her pair of half-lenses on to her small nose as she began reading through. At such times she might have reminded some of her paying guests of an owl seated quietly on a branch after a substantial meal -half dopey as the eyelids slowly descended, and then more than commonly wise as they rose ... as they rose again now when number 8 came in, after his lunch. And after his drink - by the smell of him.
The photograph was on the front page, bottom left: just a smallish photograph and taken when he'd had a beard, the beard he'd shaved off the day after his arrival at the hotel. Although Maria Bertolese's English was fairly poor, she could easily follow the copy beneath: 'The police are anxious to interview this man, Alasdair McBryde . . .'
She gave him the room-key, handed over two twenty-pound notes, and nodded briefly to the newspaper.
'I doan wanna no trouble for Luigi. His heart is not good - is bad.'
The man nodded, put one of the twenties in his wallet, and gave her back the other: 'For the breakfast girl, please.'
When Luigi Bertolese returned from the betting shop at four o'clock, number 8, cum luggage, had disappeared.
* At the ticket office in the mainline Paddington terminus, McBryde asked for a single to Oxford. The 16.20, calling at Reading, Didcot Parkway, and Oxford, was already standing at Platform 9; but there was ten minutes to spare, and from a British Telecom booth just outside the Menzies bookshop there he rang a number (direct line) in Lonsdale College, Oxford.
Dr Alan Hardinge put the phone down slowly. A fluke he'd been in his rooms really. But he supposed McBryde would have caught up with him somewhere, sometime; there would have been a morning or an afternoon or an evening when there had to come a rendering of accounts, a payment of the bill, eine Rechnung, as the Germans said. He'd agreed to meet the man of course. What option had he? And he would see him; and they would have a distanced drink together, and talk of many things: of what was to be done, and what was not to be done.
And then?
Oh God! What then?
He put his head in his hands and jerked despairingly at the roots of his thick hair. It was the cumulative nature of all these bloody things that was so terrible. Several times over the last few days he'd thought of ending it all. But, strangely perhaps, it had not been any fear concerning death itself that had deterred him; rather his own inability to cope with the practical aspects of any suicide. He was one of those people against whom all machinery, all gadgetry, would ever wage perpetual war, and never in his life had he managed to come to terms with wires and switches and fuses and screws. There was that way of ending things in the garage, for example -with closed doors and exhaust fumes; but Hardinge suspected he'd cock that up completely. Yet he'd have to do something, for life was becoming intolerable: the failure of his marriage; his rejection by the only woman he'd really grown to love; the futility of academic preferment; his pathetic addiction to pornography; the death of his daughter; and now, just a few minutes ago, the reminder of perhaps the most terrible thing of all ...
* The second performance of The Mikado, as Morse recalled, was scheduled, like the first, for 7.30 p.m. Still plenty of time to get ready and go, really. But that evening too he decided against it.
The first night had been all right, yes - but all a bit nervy, a bit 'collywobbly", as the other girls had said. They'd be in really good form that second night, though. David had said she'd been fine the first night -fine] But she'd be better now; she'd show him!
With five minutes to go, she peeped round the curtain again and scanned the packed audience. David's ticket for each of the three nights had been on the back row, and she could see one empty seat there now, next to the narrow gangway. But she could see no David. He must, she thought, be standing just outside the hall, talking to somebody before the show began. But seat K5 was destined to remain unoccupied that evening until, during the last forty minutes, one of the programme-sellers decided she might as well give her aching feet a welcome rest.
CHAPTER FIFTY-ONE
He that is down needs fear no fall, He that is low, no pride (John Bunyan, The Pilgrim's Progress)
WHETHER Morse had been expecting something of the kind, Lewis wasn't at all sure. But certain it was that the Chief Inspector appeared less than surprised when the telephone call came through from Dr Alan Hardinge the following morning. Could he see Morse, please? It wasn't desperately urgent -but well, yes it was desperately urgent really, at least for him.
Morse was apparently perfectly content for Lewis to interject one or two obvious questions, just to keep things flowing - the meanwhile himself listening carefully, though with a hint of cynicism around his lips. Perhaps, as Lewis saw things, it had been the preliminary niceties that had soured his chief a little:
MORSE: I was very sorry to learn of your daughter's accident, Dr Hardinge. Must have been a -a terrible
HARDINGE: How would you know? You've no children of your own.
MORSE: How did you know that?
HARDINGE: I thought we had a mutual friend, Inspector.
No, it hadn't been a very happy start, though it had finished far more amicably. Hardinge had readily agreed to have his statement recorded on tape; and the admirably qualified WPC Wright was later to make a very crisp and clean transcription, pleasingly free from the multi-Tipp-Exed alterations that usually characterized Lewis's struggles with the typewriter:
On Sunday, 7 July 1991,1 joined four other men in Seckham Villa, Park Town, Oxford. I am more embarrassed than ashamed about the shared Interest that brought us together. Those present were: Alasdair McBryde, George Daley, David Michaels, James Myton, and myself. McBryde informed us that we might be in for an Interesting afternoon since a young Swedish student would be coming to sit for what was euphemistically termed a photographic session. We learned she was a beautiful girl, and desperately in need of money. If we wished to watch, that would be an extra £50: £100 in totol. I agreed. So did Daley. So did Michaels. I myself had arrived first. Daley and Michaels arrived together a little later, and I had the impression that the one had probably picked the other up. I knew next to nothing about these two men except that they were both in the same line of business -forestry, that sort of thing. I had met each of them two or three times before, I had never met them together before.
The fifth man was Myton, whom I'd known earlier, I'm ashamed to say, as the editor of a series of sex magazines whose particular slants ranged from bestiality to paedophilia. He was a smallish, slimly built man, with a weasel-like look about him -sharp nose and fierce little eyes. He often boasted about his time with the ITV Zodiac Production team; and however he may have exaggerated, one thing was perfectly clear: whatever he filmed for videotapes, whatever he photographed for 'stills', Myton had the magical touch of the born artist.
The first part of the afternoon I can remember only vaguely. The room in which we were seated, the basement room, had a largish, erectile screen, and we were there (all except Myton) watching some imported hard-porn Danish videos when we were aware that the eagerly awaited Swedish star had arrived. The doorbell had been rung; McBryde had left us; and soon we were to hear voices just above us, in the garden outside -the voices of Myton and the young woman I now know to have been Karin Eriksson. I remember at that point feeling very excited. But things didn't work out. It soon transpired that the girl had misunderstood the nature of her engagement; that she was happy enough to do a series of nude stills - but only behind a closed door, with a camera, and with one cameraman. No argument.