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Death is everywhere; and inevitable; and inescapable.

Or so it had always seemed to Master Ek.

But now, in a passion of hope, he imagined himself uncovering an ‘organic rectifier’, whatever that might be, and using that to make himself immortal.

From the above, it will be seen that Master Ek had seriously misled young Rat. Ek had no need of any mysterious manuscript to tell him who the traitors were; he had already drawn up a comprehensive schedule of tortures and executions which would commence as soon as the Thrug was overthrown. What interested him, what excited him to the point of frenzy, was the question of immortality.

And here the historian must once again call the reader’s attention to the proposition which introduced this chapter: namely, that there did not exist a clear-cut division between ‘Justina Thrug and her allies’ and ‘Justina’s enemies’. In the case of Nadalastabstala Banraithanchumun Ek, we have a man divided even within his own mind. On the one hand, he wished to destroy the Thrug because he hated her, and because Aldarch the Third would look favourably on such destruction. On the other hand, the temptations of immortality were such that, if this ‘organic rectifier’ came into his hands, he might wish to keep it from being confiscated by Aldarch the Third. And it was possible, just possible, that such defiance of the Mutilator of Yestron might ultimately force Master Ek into an alliance with the Empress Justina.

CHAPTER SEVEN

What lures the trade fleet to Untunchilamon? What calls the ships across the waters of Moana? What makes them dare the dangers of the Kraken Deep and the coral teeth of Untunchilamon’s lagoons? What draws mariners to this sweating hell of rapturous mosquitoes, rabid vampire rats and magnanimous sharks?

Why, in fact, would anyone come to such a place?

Let us look at some people and their motives.

The red-skinned Chegory Guy, lover of Olivia Qasaba and confidant of the Crab, came to Untunchilamon because he wished to escape from his mother’s womb, and this necessitated a head-first dive from the clutching humidity of the uterus into the deliriums of a heatwave in Injiltaprajura. In other words, he was born there, and had no choice about the matter.

Olivia Qasaba, she of the intimate giggle, the fearless thighs, came to Untunchilamon because her father brought her there from Ashmolea; and she was too young at the time to protest.

The Crab came there But we will hear later how the Crab reached Untunchilamon, and with the price of fooskin being what it is, your historian cannot afford to tell the story twice.

The corpse-master Uckermark, he of the many scars and the intricate tattoos, came to the island with a pirate band which tried to loot Injiltaprajura’s treasury, and achieved but partial success. His friend Log Jaris arrived for identical reasons, and chose not to leave after being unfortunately transmogrified into a bullman.

The conjuror Odolo, dexterous prestigitator and public entertainer, came to Untunchilamon (according to his bank manager) so he could be the bane of honest citizens. Or, to go by his own account But enough of this!

We have established what needed to be established; which is, that nobody came to Untunchilamon for the sake of pleasure. Rather, needs, greeds, fears and lusts of all descriptions drove them to that place.

As for the ships of the trade fleet, why, they chiefly came to purchase dikle (a thixotropic fluid widely used as a lubricant) and shlug (a grey grease most excellent for preserving metals). Both dikle and shlug flow (intermittently) from the mysterious wealth fountains of a small island in the harbour of Injiltaprajura, Untunchilamon’s capital. Fountains elsewhere located provide Injiltaprajura with the bounteous supply of fresh water which allows the city’s market gardens to be irrigated to such excellent effect.

The journey the trade fleet makes is arduous and hazardous in the extreme. Hence Master Ek was not the only one staring mortality in the face, for Manthandros Trasilika and Jean Froissart had their own worries on that score. The sea voyage from Yestron to Untunchilamon had its fair share of lethal dangers, including storms, those rare but hideously powerful monsters known as krakens, and the coral shadows of the lagoon passage from the north of Untunchilamon to Injiltaprajura itself. But what perturbed Trasilika and Froissart was not so much the voyage (the dangers of which have greatly been exaggerated by most travellers) as the reception they would receive on arrival.

They were not worried about the drumming cult, for news of this novelty had yet to escape Untunchilamon. Instead, they worried about the reception they might receive from the island’s politicians.

Manthandros Trasilika was coming to Injiltaprajura to take over Untunchilamon in the name of Aldarch the Third, and feared the task might prove difficult. Justina Thrug? She was only a woman, so Trasilika had left her out of his calculations. Rather, he worried about the many enemies of Aldarch Three who had fled to Untunchilamon during the years of Talonsklavara. He feared such opponents of the Mutilator might choose to dabble in assassination; as he loved to eat, he particularly feared poison. Furthermore, while Trasilika’s documentation was in good order, there was always a chance that some diehard Janjuladoola bureaucrats on Untunchilamon would not accept him as their new governor.

Indeed, Trasilika was a most unlikely choice for such an important and sensitive post. When one considers his appointment, the first question which arises is this: why would a xenophobe like Aldarch Three grant a man like Trasilika the wazirship of Untunchilamon? Trasilika was not of the Janjuladoola people. Instead, he was of the same racial group as the children of Wen Endex; that is to say, his skin was naturally possessed of a pink-tending-towards-pallor which tanned to brown (or broiled to red) on exposure to the tropic sun.

Furthermore, Manthandros Trasilika was not a citizen of the Izdimir Empire. Generations previously, the children of Wen Endex had established a colony on the shores of the northern continent of Tameran. This was Port Domax, a free port which in time became notorious for the rapacity and rascality of its merchants. Here Trasilika had been born; here he had been raised; here he had lived until his thirtieth year.

So how did Trasilika come to be, at the age of forty-five, a wazir of the Izdimir Empire, with ornate documents to prove it? Here a mystery, a mystery compounded by the fact that Trasilika was fat. While the Janjuladoola people are given to private debauch, their culture frowns upon outwardly visible signs of dissipation, and in particular upon any overburden of flesh. While excess weight does not technically disqualify one from holding high office in the Izdimir Empire, it does act as an impediment to promotion.

Not only was Trasilika fat, he was also verbose: a strutting, posturing man who was wildly over-fond of his own loud and windy voice. This was a trait sure to serve him ill when he had dealings with the Janjuladoola; for the people of that culture place a high value upon silences, the Janjuladoola version of a skilled orator being the man who can ‘say without saying, command without speech’.

As Manthandros Trasilika was (though admittedly to a strictly limited extent) conscious of his personal limitations, he experienced some unquiet when he contemplated the dangers which lay ahead.

As for Jean Froissart, he was in better shape than he had been on departure from Bolfrigalaskaptiko, for he had experienced a complete remission of the symptoms which had then afflicted him. No longer did he suffer stabbing chest pains or twinges of lacerating agony in his arms and shoulders; furthermore, his intermittent breathing problems had disappeared entirely. He was inclined to think that his doctor had been right: his symptoms had been consequent upon anxiety.