names of those souls, now perhaps known only to God, who passed their terrestrial lives in His faith and fear. One of these headstones, a moss-greened, limestone slab (standing the furthest away but three from the present thoroughfare) bears an epitaph which may still be traced by the practised eye of the patient epigraphist – though make haste if you are to decipher that disintegrating lettering!
Beyond this poignant (if unusually lengthy) epitaph there lies a tale of unbridled lust and drunken lechery; a tale of a hapless and a helpless young woman who found herself at the mercy of coarse and most brutally uninhibited boatmen, during an horrendous journey made nearly one hundred and twenty years ago -a journey whose details are the subject-matter of our present narrative.
Joanna Franks hailed originally from Derby. Her father, Daniel Carrick, had been accredited as an agent to the Nottinghamshire and Midlands Friendly Society; and for a good deal of his married life he appears to have maintained a position as a reasonably prosperous and well-respected figure in his home community. Later, however – and certainly in the few years prior to the tragic death of his only daughter (there was a younger brother, Daniel) – he encountered a period of hard times.
Joanna's first husband was F. T. Donavan, whose family sprang from County Meath. He is described by one of his contemporaries as "an Irishman of many parts", and being a man of large physique we learn that he was familiarly (and predictably) known by the nickname of Hefty' Donavan. He was a conjurer by profession (or byone of them!) and appeared in many theatres and music-halls, both in London and in the provinces. In order to attract some badly needed publicity, he had at some unspecified date assumed the splendidly grandiloquent title of 'Emperor of all the Illusionists'; and the following theatre handbill was printed at his own expense to herald his appearance at the City of Nottingham Music Hall in early September 1856:
'Mr DONAVAN, citizen of the World and of Ireland, most humbly and respectfully informs all members of the upper and the lower nobilities, folk of the landed gentry, and the citizens of the historic district of Nottingham, that in view of his superior and unrivalled excellencies in MAGIC and DECEPTION, he has had conferred upon him, by the supreme conclave of the Assembly of Superior Magicians, this last year, the unchallenged title of EMPEROR of all the Illusionists, and this particularly by virtue of the amazing trick of cutting off a cockerel's head and then restoring the bird to its pristine animation. It was this same DONAVAN, the greatest man in the World, who last week diverted his great audience in Croydon by immersing his whole body, tightly secured and chained, in a tank of the most corrosive acid for eleven minutes and forty-five seconds, as accurately measured by scientific chronometer.'
Three years earlier Donavan had written (and found a publisher for) his only legacy to us, a work entitled The Comprehensive Manual of the Conjuring Arts. But the great man's career was beginning to prove progressively unsuccessful, and no stage appearances whatsoever are traceable to 1858. In that year, he died, a childless and embittered man, whilst on holiday with a friend in Ireland, where his grave now rests in a burial-plot overlooking Bertnaghboy Bay. Some time afterwards his widow, Joanna, met and fell deeply in love with one Charles Franks, an ostler from Liverpool. Like her first, Joanna's second marriage appears to have been a happy one, in spite of the fact that times were still hard and money still scarce. The new Mrs Franks was to find employment, as a dressmaker and designers' model, with a Mrs Russell of 34 Runcorn Terrace, Liverpool. But Franks himself was less successful in his quest for regular employment, and finally decided to try his luck in London. Here his great expectations were soon realized for he was almost immediately engaged as an ostler at the busy George & Dragon Inn on the Edgware Road, where we find him duly lodged in the spring of 1859. In late May of that same year he sent his wife a guinea (all he could afford) and begged her to join him in London as soon as possible.
On the morning of Saturday, June 11th, 1859, Joanna Franks, carrying two small trunks, bade her farewell to Mrs Russell in Runcorn Terrace, and made her way by barge from Liverpool to Preston Brook, the northern terminus of the Trent and Mersey Canal, which had been opened some eighty years earlier. Here she joined one of Pickford & Co.'s express (or 'fly') boats [1] which was departing for Stoke-on-Trent and Fradley Junction, and thence, via the Coventry and Oxford Canals, through to London on the main Thames waterway. The fare of sixteen shillings and eleven pence was considerably cheaper than the fare on the Liverpool-London railway line which had been opened some twenty years earlier.
Joanna was an extremely petite and attractive figure, wearing an Oxford-blue dress, with a white kerchief around her neck, and a figured silk bonnet with a bright pink ribbon. The clothes may not have been new; but they were not inexpensive, and they gave to Joanna a very tidy appearance indeed. A very tempting appearance, too, as we shall soon discover.
The captain of the narrow-boat Barbara Bray was a certain Jack 'Rory' Oldfield from Coventry. According to later testimony of fellow boat-people and other acquaintances, he was basically a good-natured sort of fellow, of a blunt, blustery type of address. He was married, though childless, and was aged 42 years. The fellow-members of his crew were: the 30-year-old Alfred Musson, alias Alfred Brotherton, a tall, rather gaunt figure, married with two young children; Walter Towns, alias Walter Thorold, the 26-year-old illiterate son of a farm-labourer, who had left his home town of Banbury in Oxfordshire some ten years earlier; and a teenaged lad, Thomas Wootton, about whom no certain facts have come down to us beyond the probability that his parents came from Ilkeston in Derbyshire.
The Barbara Bray left Preston Brook at 7.30 p.m. on Saturday, 11th June. At Fradley Junction, at the southern end of the Mersey Canal, she successfully negotiated her passage through the locks; and at 10 p.m. on Sunday, 19th June, she slipped quietly into the northern reaches of the Coventry Canal, and settled to a course, almost due south, that would lead down to Oxford. Progress had been surprisingly good, and there had been little or no forewarning of the tragic events which lay ahead for the Barbara Bray, and for her solitary paying passenger – the small and slimly attractive person of Joanna Franks, for whom such a little span of life remained.
Chapter Eight
Style is the hallmark of a temperament stamped upon the material at hand
(Andre Maurois, The Art of Writing)
After reading these few pages, Morse found himself making some mental queries about a few minor items, and harbouring some vague unease about one or two major ones. Being reluctant to disfigure the printed text with a series of marginalia, he wrote a few notes on the back of a daily hospital menu which had been left (mistakenly) on locker.
The Colonel's style was somewhat on the pretentious – a bit too high-flown for Morse's taste; and yet the writing was a good deal above the average of its kind -a pleasing peroration, calculated to ensure in most listeners some semi-compulsive page-turning to Part Two. One of the most noticeable characteristics of the writing was the influence of Gray's 'Elegy Written in a Country churchyard' – a poem doubtless stuck down the author's throat as a lad in some minor public school, and one leaving him with a rather lugubrious view of the human lot. One or two very nice touches, though, and Morse was prepared to a couple of ticks to that epithet 'supra-corporal'. He wished, though, he had beside him that most faithful of jail his literary companions, Chambers English Dictionary, for although he had frequently met 'ostler' in crossword puzzles, he wasn't sure exactly what an ostler did; and 'figured' bonnet wasn't all that obvious, was it?