Would to Heaven I had quietly left the place before allowing that light to rest again on the vacant chair. As it turned out, I did not leave quietly; but with a muffled shriek which must have disturbed, though it did not quite awake, the sleeping sentinel across the hall. That shriek, and Noyes's still-unbroken snore, are the last sounds I ever heard in that morbidity-choked farmhouse beneath the black-wooded crest of haunted mountain – that focus of transcosmic horror amidst the lonely green hills and curse-muttering brooks of a spectral rustic land.
It is a wonder that I did not drop flashlight, valise, and revolver in my wild scramble, but somehow I failed to lose any of these. I actually managed to get out of that room and that house without making any further noise, to drag myself and my belongings safely into the old Ford in the shed, and to set that archaic vehicle in motion toward some unknown point of safety in the black, moonless night. The ride that followed was a piece of delirium out of Poe or Rimbaud or the drawings of Dore, but finally I reached Townshend. That is all. If my sanity is still unshaken, I am lucky. Sometimes I fear what the years will bring, especially since that new planet Pluto has been so curiously discovered.
As I have implied, I let my flashlight return to the vacant easy-chair after its circuit of the room; then noticing for the first time the presence of certain objects in the seat, made inconspicuous by the adjacent loose folds of the empty dressing-gown. These are the objects, three in number, which the investigators did not find when they came later on. As I said at the outset, there was nothing of actual visual horror about them. The trouble was in what they led one to infer. Even now I have my moments of half-doubt – moments in which I half-accept the scepticism of those who attribute my whole experience to dream and nerves and delusion.
The three things were damnably clever constructions of their kind, and were furnished with ingenious metallic clamps to attach them to organic developments of which I dare not form any conjecture. I hope – devoutly hope-that they were the waxen products of a master artist, despite what my inmost fears tell me. Great God! That whisperer in darkness with its morbid odour and vibrations! Sorcerer, emissary, changeling, outsider.. . that hideous repressed buzzing. . . and all the time in that fresh, shiny cylinder on the shelf. . . poor devil . . . "Prodigious surgical, biological, chemical, and mechanical skill. . ."
For the things in the chair, perfect to the last, subtle detail of microscopic resemblance – or identity – were the face and hands of Henry Wentworth Akeley.