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Everything had gone according to the plan Kanshin had worked out for his life—when the unexpected happened. Kanshin had wealth, power, a certain amount of fame, and needed only to work when he chose. But one day not long ago, Noyoki had brought the madman now in Kanshin’s guest chamber to Kanshin’s home and bade him care for the pale-skinned creature.

Hadanelith was the madman’s name, a man with the white skin of a leper, the pale-blue eyes of a lemur, and hair like bleached straw. Kanshin would have thought that this “Hadanelith” was some kind of misbegotten sport, created from a normal man by the mad magic, if he had not once seen the Emperor’s kestra’chern, The Silver Veil, with his own eyes. She had skin as pale, eyes as washed-out, and hair of an even stranger silver color. So the madman was not a misbegotten thing, but only a man from another land.

I do not understand this creature. Hadanelith found humor in things not even Kanshin found amusing; he made slaves of the slaves, manipulating their minds in such a way that Kanshin could remove their chains at any time and never fear their escaping. Of course, once Hadanelith had done with them, they were useless to anyone but him. Kanshin was just glad he had not given the man access to more than three, of which only two were female. Hadanelith had no use for males. Kanshin refused to allow himself to be intimidated by the man, but his strange behavior unnerved him.

On the other hand, he is frighteningly intelligent. He had learned their language so quickly that Kanshin wondered now and again if the man had plucked it from their minds. But no—he had only learned by listening, and when he finally spoke, it was with no real accent. He might giggle like an hysterical girl with pleasure in the work he had done for them, but it was competent work, and within the limits he and Noyoki set, Hadanelith worked well.

One of the slaves—one that Hadanelith had not spoiled—came to the door of Kanshin’s work room, a chamber filled with the tools of his trade and the instruments he used to keep his body as supple as that of the young thief he had once been. “Master,” said the man, his head lowered submissively, “Noyoki awaits your pleasure in the reception chamber.”

“Good.” Kanshin placed the coin back in the holder beside the ball, and rose from his chair. “Tell him I will be with him shortly.”

With a faint clinking of chain, the slave bowed and shuffled out. Kanshin smiled at his back.

Then he surveyed himself in the full-length mirror to be certain there was nothing lacking in his appearance. He suspected Noyoki to be of extraordinarily high birth, and he had tried, since the beginning, to look as outwardly respectable as someone of high caste could. Noyoki himself cultivated a rapscallion appearance, wearing untidy robes of odd cut, his hair woven into braids like a working man, but that did not mean he was not influenced without his realizing it by the appearance of respectability. Every trick that came to hand was necessary when dealing with Noyoki.

There was nothing to mark Kanshin as a person of anything less than the caste of bankers and professionals.

He smoothed his robes with a proprietary hand and went in search of his partner.

Noyoki sprawled casually on one of the couches in the reception chamber, his hair beaded as well as braided, his bright cotton robe made of patchwork material, like that of a mountebank or street-entertainer. He was examining a piece of carving that Hadanelith had left on one of the tables, looking it over with intense scrutiny, a frown of concentration on his handsome, chiseled features.

“What do you make of this?” he asked as Kanshin entered, followed by the slave with a tray of fruit ices for their refreshment. He held it up; there was no mistaking what it was meant for, but the shape was odd. It was carved to resemble a rabbit, with long ears pressed tightly together, and a misshapen, bulbous body. The expression on the rabbit’s stupid face was that of sheer terror. Not the sort of expression one would expect to find on a toy of that nature. It was not unheard of for these toys to be shaped like animals, but the animals always looked as if they were cheerfully enjoying themselves.

“It is one of your friend’s toys,” Kanshin replied easily. “And I suspect it would give us a great deal of insight into his way of thinking if we knew why he had carved it that way. He presented me with it this afternoon. There was blood on it.”

“Charming.” Noyoki did not put it down immediately, as Kanshin had thought he might. Then again, given that he had turned to blood-magic, perhaps the thing held some arcane significance for him. “He performed well this afternoon.”

“You would be the one to know, not I, by the results of your working.” Kanshin raised his eyebrows in inquiry; Noyoki only smiled, and ran his fingers along the smooth wood of the carving, caressing the toy with his touch.

“If that is a question, yes, the blood-power came through strong and clear. It more than tripled the reserves I expended to put him in place and take him out again.” Noyoki had told Kanshin that only the power that came through pain and spilled blood was strong enough to allow him to work magics in the old way, before magery had run wild. What he was doing, Kanshin did not ask. He really did not want to know. The less I know of his doings, the safer I am. He knew very well that Noyoki would not hesitate to be rid of him if the mage thought he knew too much.

Whatever magics the man worked now, it was something to put Noyoki back in a position of power, though whether overt or covert, Kanshin would not even guess. He knew that the victims Noyoki had chosen for his “pet” to slay were all rivals or former rivals; perhaps he was ridding himself of his male rivals by using the deaths of their females to undermine them.

“It is a pity that we cannot persuade the man to broaden his—ah—interests,” he said carefully.

Noyoki frowned. “If I could find a way to coerce him to take men—well, perhaps coercion would be a bad idea. He is an artist in his way, and when one coerces an artist, the work is always flawed.”

Kanshin nodded, although the turn of Noyoki’s phrase surprised him. Had the mage spoken from past experience?

Their dual role in this was to use Hadanelith to simulate murder by magic. Kanshin would find a way to insert Hadanelith into the victim’s chambers and get him out again; if there was no other way in, Noyoki would spirit him in and out by that odd talent of his when he was done, using the excess of the power released from the victim’s suffering and death. In between, Hadanelith had free rein to work whatever atrocities on the victim that he chose, up until the moment he received the signal to kill.

A clever plan, which required a minimum of magic to carry out. At the moment, Kanshin’s payment was coming through Noyoki, and both maintained the polite fiction that Noyoki was working for someone else, some great noble who wanted obstacles removed from his path, but in such a way that these dangerous new pale-skinned allies were also placed under suspicion.

It is easier to discredit foreigners anyway. It is just a good thing that their arrival coincided with the beginning of our plan. Kanshin had not told Hadanelith any more than was strictly necessary to carry out the work, but he wondered if the man had guessed who was taking the blame for the murders. If so, he did not seem at all displeased by the idea of what might be his own countrymen being falsely accused.