Vasilisa declined the offer of tea. No, thank you very much. Most kind. (Giggle) How cosy it is here, despite the terrible times.
(Giggle) No, really, thank you very much. Wanda Mikhailovna's sister had arrived from the country, and he had to go right back home. He had only come to deliver a letter to Elena Vasilievna. He had just opened the letter-box at the front door and there it was. 'Thought I should bring it up right away. Goodbye.' With another little jerk, Vasilisa took his leave.
Elena took the letter into the bedroom.
'A letter from abroad? Can it really be? Obviously there are such letters - you only have to touch the envelope to feel the difference. But how did it get here? No mail is being delivered. Even from Zhitomir to the City letters have to be sent by hand. How stupid and crazy everything is in this country. After all, people still travel by train - why not letters? Yet this one got here. Bad news can always be sure of getting through. Where's it from? War . . . Warsaw. But the handwriting's not Talberg's. I don't like the look of it.'
Although the bedroom lamp was shaded, Elena had an unpleasant impression as if someone had ripped off the colored silk shade and the unshaded light had struck her eyes. The expression on Elena's face changed until it looked like the ancient face of the Virgin in the fretted silver ikon-cover. Her lips trembled, then her mouth twitched and set into folds of contempt. The sheet of gray deckle-edged paper and its torn envelope lay in the pool of light.
... I have only just heard that you have divorced your husband. The Ostroumovs saw Sergei at the embassy - he was leaving for Paris with the Hertz family; they say he's going to marry Lydia Hertz. What strange things happen in all this muddle and chaos. I'm sorry you didn't leave Russia, sorry for all of you left behind in the clutches of the muzhiks. The newspapers here are saying that Petlyura is advancing on the City. .We all hope the Germans won't let him . . .
A march tune which Nikolka was strumming next door thumped mechanically in Elena's head, as it came through the walls and the door muffled with its tapestry portiere that showed a smiling
Louis XIV, one arm thrust out and holding a long beribboned stick.
The door-handle clicked, there was a knock and Alexei entered. He glanced down at his sister's face, his mouth twitched in the same way as hers had done and he asked:
'From Talberg?'
Elena was too ashamed and embarrassed to reply at first, but after a moment she pulled herself together and pushed the sheet of paper towards Alexei:
'From Olga ... in Warsaw . . .'
Alexei stared at the letter, running his eyes along the lines until he had read it all, then read the opening words again:
My dear Lena, I don't know whether this will reach you, but . . .
Various colors played over his face: against a background of ashen-yellow his cheek bones were tinged with pink and his eyes changed from blue to black.
'How I would like,' he ground out through clenched teeth, 'to punch him in the teeth . . .'
'Who?' asked Elena, twitching her nose to keep back the gathering tears.
'Myself, Alexei replied, deeply ashamed. 'Myself, for having kissed him when he left.'
Elena burst into tears.
'Do me a favor,' Alexei went on, 'and get rid of that thing.' He jabbed his finger at the portrait on the table. Sobbing, Elena handed the portrait to her brother. Alexei immediately ripped the photograph of Sergei Talberg out of the frame and tore it into shreds. Elena moaned like a peasant woman, her shoulders heaving, and leaned her head against Alexei's starched shirt-front. With superstitious terror she glanced up at the brown image in the ikon, before which the lamp was still burning in its golden filigree holder.
'Yes, I agreed ... when I prayed to you ... on this condition . ..
don't be angry with me, Mother of God, don't be angry . . . thought the superstitious Elena. Alarmed, Alexei said:
'Hush, my dear, hush ... it wouldn't do for the others to hear you.'
But no one in the drawing-room had heard her. Nikolka was thumping out a march tune, 'The Double-Headed Eagle', and the others were laughing.
Twenty
Great was the year and terrible the year of Our Lord 1918, but the year 1919 was even more terrible.
On the night of February 2nd to the 3rd, at the snow-covered approach to the Chain Bridge across the Dnieper two men were dragging a man in a torn black overcoat, his face bruised and bloodstained. A cossack sergeant was running alongside them and hitting the man over the head with a ramrod. His head jerked at each blow, but the bloodstained man was past crying out and only groaned. The ramrod cut hard and viciously into the tattered coat and each time the man responded with a hoarse cry.
'Ah, you dirty Yid!' the sergeant roared in fury. 'We're going to see you shot! I'll teach you to skulk in the dark corners. I'll show you! What were you doing behind those piles of timber? Spy! . . .'
But the bloodstained man did not reply to the cossack sergeant. Then the sergeant ran ahead, and the two men jumped aside to escape the flailing rod with its heavy, glittering brass tip. Without calculating the force of his blow the sergeant brought down the ramrod like a thunderbolt on to the man's head. Something cracked inside it and the man in black did not even groan. Thrusting up his arm, head lolling, he slumped from his knees to one side and with a wide sweep of his other arm he flung it out as though he wanted to scoop up more of the trampled and dung-stained snow. His fingers curled hook-wise and clawed at the dirty snow. Then the
figure lying in the dark puddle twitched convulsively a few times and lay still.
An electric lamp hissed above the prone body, the anxious shadows of the two pig-tailed haidamaks fluttered around him, and above the lamp was a black sky and blinking stars.
As the man slumped to the ground, the star that was the planet Mars suddenly exploded in the frozen firmament above the City, scattered fire and gave a deafening burst.
After the star the distant spaces across the Dnieper, the distance leading to Moscow, echoed to a long, low boom. And immediately a second star plopped in the sky, though lower, just above the snow-covered roofs.
At that moment the Blue Division of the haidamaks marched over the bridge, into the City, through the City and out of it for ever.
Behind the Blue Division, the frost-bitten horses of Kozyr-Leshko's cavalry regiment crossed the bridge at a wolfish lope followed by a rumbling, bouncing field-kitchen . . . then it all disappeared as if it had never been. All that remained was the stiffening corpse of a Jew on the approach to the bridge, some trampled hay and horse-dung.
And the corpse was the only evidence that Petlyura was not a myth but had really existed . . . But why had he existed? Nobody can say. Will anybody redeem the blood that he shed?
No. No one.
The snow would just melt, the green Ukrainian grass would grow again and weave its carpet over the earth . . . The gorgeous sunrises would come again . . . The air would shimmer with heat above the fields and no more traces of blood would remain. Blood is cheap on those red fields and no one would redeem it.
No one.
#
That evening they had stoked up the Dutch stove until it glowed, and it was still giving out heat late into the night. The scribbled inscriptions had been cleaned from the tiles depicting Peter
the Great as 'The Shipwright of Saardam', and only one had been
left:
'Lena . . . I've bought tickets for Aid . . .'
The house on St Alexei's Hill, covered with snow like a White general's fur hat, slept on in a long, warm sleep that dozed away behind the blinds, stirred in the shadows.