Sheck put his finger in the book and closed it, like he'd be coming back to it in a minute.
Maybe he wanted to see how things worked out with Cain and God.
"I's just curious what kind of stories your compadre's been telling you. I figured you'd be walking out of there with a big retainer and a bigger load of horseshit."
"Why exactly did you figure that?"
Sheck glanced to his right and smiled, like there was somebody there he wanted to share the joke with. "Come on, son. Old Milo'd love to think I'm the boogey man causing his every little problem."
"Every little problem. You mean like Miranda Daniels' producer getting shot at, her demo tape stolen, Julie Kearnes murdered-those kinds of little problems?"
Sheckly kept smiling. "Hell, son, I ain't the one who decided Miranda needed a national deal. You understand Century Records only wants her, don't you? The rest of the band-those boys don't stand to get nothing from this except a handshake. You want to know who's angry enough with Milo Chavez to cause some problems, you just think about that goddamn Century deal."
"That's funny," I said.
"What is?"
"You keep saying Milo. Les is the one with the agency. Is there some reason you're not worried about him?"
Sheck's smile didn't waver at all. "All right. Let me ask you about that. If Les SaintPierre is so allpowerful smart, what makes him hire a threehundredpound wet back to sell country music to redneck bars? That make any business sense to you?"
He raised his palm. "I'm serious now, not trying to be mean here. I just don't get what was going through Les' head. I sure as hell wouldn't be out of town as much as he's been, leaving Gordo in charge. I'll deal with anybody I need to? don't get me wrong. But there's club owners a lot worse than me, they see Chavez coming-" He shook his head regretfully. "That kind of thing's gonna really hurt Miranda's job prospects."
I looked at the blue S amp;W on my dashboard.
"Mr. Sheckly, it's hot out. The only airconditioning I've got in this convertible is called
'fourth gear.' I'd like to get moving."
"I'm just telling you, Tres-I worry about my friends the Danielses. Willis and me go way back. I care about his daughter doing all right. This agency's charging ten percent for booking, old Les is gettin' forty more for management. For fifty percent of my career, if I was Miranda, I'd expect a damn sight better service."
"And you're the better service."
"That's right."
"I hear you did wonders for that other girl you sponsored-the one in the swimming pool."
Sheck let out air between his teeth. "You could do yourself a favour right now and forget whatever horseshit Chavez's been feeding you. I'll do right by Miranda. You think some spic lawyer's gonna play straight with you about that? You think your daddy would be arguing against me here?"
I counted to five. "Sheck-you like Sheck, right?"
He nodded.
"Honest, Sheck-I appreciate the concern. The thing is, the only load of manure I've come across today has been dumped in my passenger seat. I'd like it out of here."
Sheck's face darkened but his eyes stayed as bright and colourless as highoctane fuel. "That was a mistake, son. I can overlook one mistake. When I was younger I thought I was hot shit, too."
"Are you going to get out of my car?"
Sheck put my book back on the floorboard. He took his revolver off the dash and got out of the car.
"I thought to level with you, Tres, because I knew your father. I never had any beef with him? I don't see any reason to have one with you. You want to talk, come on out to my place some night. I'll buy you a beer. But you get yourself tangled on the wrong side of the barbed wire when it comes to Miranda Daniels, I'll eat you for lunch."
There was no anger in his voice, no violent edge.
He turned and walked with easy confidence across West Ashby, back to his truck. He didn't even bother to holster the S amp; W.
9
I got home around sunset, changed into exercise clothes, and ran through the basic stances, five minutes each, then twenty minutes of silk reeling exercises.
Afterward I lay on the floor until the sweat started to dry and the airconditioning felt cold again. Robert Johnson climbed up onto my chest and sat there, staring down at my face.
"What?" I said.
He yawned, showing me the black spots on the top of his mouth. His breath was not pleasant.
I made our standard dinner-Friskies tacos for him, chalupas for me. I showered and changed, then drank a Shiner at the kitchen counter.
My green neon KMAC wall clock read sevenohfive. Erainya Manos would still be at the office, typing up the daily client reports. The professors at UTSA would probably be in their offices too, preparing for night classes or yawning as they waded through bad under graduate essays. I tried to imagine myself in either place. I couldn't quite do it.
All I got in my head was a cartoon vision of me as Wile E. Coyote, my toes clinging to two different icebergs, doing the splits as they drifted farther and farther apart. In my hand a little wooden sign that read yikes!
I looked at the thick gray envelope that was propped up by the sink. The maroon words LES SAINTPIERRE TALENT were printed in the upper righthand corner. No return address, just like there'd been no number on the business card. You either knew what you needed to know to get in touch with Les SaintPierre or you didn't merit the infor mation. Cocky.
I opened the envelope and started to read.
On top of the stack, on a piece of yellow legal paper, Milo had brainstormed all the personal facts he knew about the missing talent agent. The list was surprisingly short.
Date of birth April 8,1952. Place of birth unknown, somewhere near Texarkana, Milo thought. High school in Denton, a year of formal music training at North Texas State before SaintPierre had dropped out and joined the air force toward the end of Vietnam. In '76, he'd started his music industry career as a songplugger for a large Nashville publishing group. He'd been partially responsible for the surge in Texas music that had happened over the following few years-the birth of the Austin City Limits TV show with its videotaped studio concerts, the rise of Willie Nelson and the other Outlaws, the sudden interest in places like Luckenbach and Gilley's and Kerrville. Les had been a confirmed bachelor until three years ago, when he'd met Allison Cassidy in Nashville. He and Allison now lived in Monte Vista, not far from the agency's office.
On the back of the page was a list of Les' favourite bars and hangouts in San Antonio and Austin. That list was more extensive.
Underneath the legal paper was a portrait studio photo of the God of Talent Agents.
Les SaintPierre looked like a cross between Barry Manilow and an amateur prizefighter. His mouth was a colourless Cupid's bow and his eyes were dark and soft.
Maybe the unsuspecting could even mistake them as sensitive. His nose had started out as a fine thin triangle but had obviously been broken at least once. His neck, his cheekbones, and his brow were all a little too thick, a little too Neanderthal for Manilow.
His hair was short and greasy and thinning and his shirt was open to reveal a chest that was robust enough but pale and hairless and somehow hollow looking. There was a slightly haggard look to his face, and a dangerous quality, too-the kind of omnivorous hunger you see in drug addicts and car salesmen and lowrated talk show hosts.
I skimmed through the rest of the package. A copy of Les' management contract with Miranda Daniels, a copy of the allegedly backdated agreement between Tilden Sheckly and Les, a list of present clients and how much the agency had grossed in commissions in the last six months-just over a million dollars all together. There was a rundown on the last dates Les had personally sold and the last people he had spoken with. Tilden Sheckly and Julie Kearnes were among them.