I sat very still until Blanceagle got his body under control. One Muddy Waters, two Muddy Waters. Twentyseven Muddy Waters later he sat up, wiped his nose with his knuckles. He set the airline receipt on the arm of the chair and patted it.
"I got to go. I got to-"
He looked at the sound board, struggling to remember what he'd been doing. He started gathering up the one gigabyte cartridges, sticking them in his windbreaker pockets that were a little too small to hold them. I handed him one that kept slipping away.
"You're copying a lot of music here."
He stuffed the last of the discs in his pocket, then made a feeble attempt to clean the drops of Captain Morgan's Spiced Rum off the sound board's controls, wiping between the lines of knobs with his fingers. "Sheck is crazy. I can't just-I'm in six years deep now, he can't expect-"
Alex padded his shoulder holster, realized it was empty.
"Over there." I pointed. "Sheckly can't expect what?"
Blanceagle glanced over at his unloaded gun in the milk crate, then at me, suspicious how I'd pulled that off.
"What was your name?" he asked.
I told him. He repeated "Navarre" three times, trying to place it. "You know Julie?"
"I was tailing her the day she got murdered. Maybe I helped it happen by applying pressure on her at the wrong time. I don't feel particularly good about that."
Alex Blanceagle pulled together enough anger to sound almost sober. "You're another goddamn investigator."
"Another?"
He tried to maintain the glare but he didn't have the attention span or the energy or the sobriety for it. His eyes zigzagged down and came to rest on my navel.
He muttered unconvincingly, "Get out of here."
"Alex, you've had some kind of disagreement with Sheck. You're clearing out your stuff. It's got to be in connection with the other things that have been happening.
Maybe you should talk to me."
"Things will work out. You don't worry about Sheck, you understand? Les SaintPierre couldn't do it, I'll take care of it myself."
"Take care of what, exactly?"
Blanceagle looked down at his halfpacked duffel bag and wavered between anger and wistfulness. Maybe if I'd had more time and more Captain Morgan's I could've eventually plied him into a temporary friendship, but just then the door of the studio opened and my stunt double came in.
Jean did look enough like me that I couldn't label Alex a complete idiot for making the mistake. Jean was much thicker in every part of his body, though, slightly taller, his black hair curlier. He was also less comfortably and more expensively dressed-black boots, tight gray slacks, a black turtleneck, a gray linen jacket. It must've been a thousand degrees in those clothes. His left hand casually held a gray and black Beretta that matched his outfit perfectly. His eyes were the same colour as mine, hazel, but they were smaller and amorally fierce as a crab's. Put me on the GNC highcal highfibre diet and force me to dress that way and I probably would've looked the same.
Jean looked around calmly. He zeroed in on the shoulder holster under Alex Blanceagle's windbreaker, dismissed it, then noticed Blanceagle's full pockets and the duffel bag. Finally he looked at me. That took a little longer.
Eyes still on me, Jean asked Alex a calm, threeword question in German. Blanceagle responded in the same language-a negative answer.
Jean held out his hand.
Alex struggled to his feet. He limped over to us, trying to keep the weight off his recently kicked shin. He started fumbling with his pockets, pulling out the recording cartridges one by one, and handing them to Jean.
Two of the discs clattered to the floor. When Alex bent over to get them, Jean kicked him in the ribs just hard enough to send Blanceagle sprawling. Jean did it without anger or change of expression, the way a kid might push over a rolypoly bug.
Alex stayed on the carpet, blinking, reorienting himself, then began the process of getting his limbs to work.
Jean's next question, still in German, was aimed at me.
I shrugged helplessly. Jean looked at Alex, who was now up on one elbow and seemed quite content to stay that way.
Blanceagle squinted up at me for a long time. He said, slowly and deliberately, "He's a steel player, for God's sake. I forgot to reschedule the fucking base track session tonight, is all."
Jean scrutinized me one more time, trying to burn a hole in my face with those little crab eyes. I tried to look like an ignorant steel guitar player. I managed the ignorant part pretty well.
Finally Jean nodded at the door. "Get out, then."
His English was perfect, the accent British. A German speaker with a French name and a British accent. It made about as much sense as anything else I'd come across so far. I looked down at Alex Blanceagle.
"Don't worry about those base tracks," Alex told me. "I'll take care of it."
There was absolutely no confidence in his voice.
As I left, Jean and Alex were having a very quiet, very reasonable conversation in German. Jean did most of the talking, slapping the gray and black Beretta against his thigh with a casual carelessness that reminded me very much of his boss, Tilden Sheckly.
When I got back to the main room I could've stuck around longer. Tammy Vaughn was just starting her first number, "Daddy Taught Me Dancin'." I wasn't a country fan but I had heard it once or twice on the radio and Tammy sounded fine. The two hundred or so folks on the dance floor looked like a paltry crowd in the vastness of the hall, but they were hooting and hollering their best. Tilden Sheckly was standing by the sound board, still having a lively argument with the woman in the skyblue jumpsuit. I could've asked a lot of questions, done some twostepping with bighaired women, maybe met a few more nice men with guns.
Instead I said goodbye to Leena the bartender. She was busy now, a bottle of tequila in either hand, but she told me to stick around for a while longer. Her break was coming up soon.
I told her thanks anyway. I'd had enough of the Indian Paintbrush for one night.
12
When I woke up Tuesday I stared at the ceiling for a long time. I felt queasy, disoriented, like I'd been looking through someone else's prescription lenses too long.
I groped along the windowsill until I found the business card from Julie Kearnes' wallet.
The words on it hadn't changed.
LES SAINTPIERRE TALENT MILO CHAVEZ, ASSOCIATE
Milo's wad of fifties was still there, too, not much lighter for my night on the town.
Finally I got up, did the Chen long form in the backyard, then showered and made migas for myself and Robert Johnson.
I checked the latest Austin Chronicle. Miranda Daniels was scheduled to start at the Cactus Cafe at eight P.M. After doing the dishes, I called my brother Garrett and left a message telling him surprise, we had plans tonight. I love my brother. I love having a free place to sleep in Austin even more.
I tried Detective Schaeffer at SAPD homicide. Schaeffer wasn't in. Milo Chavez wasn't in either.
I peeled off a stack of Milo's fifties, enough for my October rent, and left it in an envelope on the counter. Gary Hales would find it. Maybe, if things went well between now and next Friday, I would be able to spring for November too. But not yet.
I left extra water and Friskies on the kitchen counter and a piece of newspaper where Robert Johnson would, inevitably, throw up when he realized I was gone overnight.
Then I headed out for the VW.
I hit Austin just after noon and spent a few more fruitless hours visiting Les SaintPierre's hangouts, talking to people who hadn't seen him recently. This time I claimed to be a songwriter trying to get my tape to Les. I told everybody I had a great new surefire hit called "Lovers from Lubbock." I found it difficult to generate much excitement.