All this came from my going over to Porlock Street to avoid talking to Wee Willie. It’s on Porlock that the beautiful houses of New Baytown are. You see in the early eighteen hundreds we had over a hundred whaling bottoms. When the ships came back from a year or two out as far as the Antarctic or the China Sea, they would be loaded with oil and very rich. But they would have touched at foreign ports and picked up things as well as ideas. That’s why you see so many Chinese things in the houses on Porlock Street. Some of those old captain-owners had good taste too. With all their money, they brought in English architects to build their houses. That’s why you see so much Adam influence and Greek revival[14] architecture on Porlock Street. It was that period in England. But with all the fanlights and fluted columns and Greek keys, they never neglected to put a widow’s walk on the roof. The idea was that the faithful home-bound wives could go up there to watch for returning ships, and maybe some of them did. My family, the Hawleys, and the Phillipses and the Elgars and the Bakers were older. They stayed put on Elm Street and their houses were what is called Early American, peak roofs and shiplap siding. That’s the way my house, the old Hawley house, is. And the giant elms are as old as the houses.
Porlock Street has kept its gas street lamps, only there are electric globes in them now. In the summer tourists come to see the architecture and what they call “the old-world charm” of our town. Why does charm have to be old-world?
I forget how the Vermont Allens got mixed up with the Hawleys. It happened pretty soon after the Revolution. I could find out, of course. Up in the attic somewhere there will be a record. By the time father died, my Mary was pretty tired of Hawley family history, so when she suggested that we store all the things in the attic, I understood how she felt. You can get pretty tired of other people’s family history. Mary isn’t even New Baytown born. She came from a family of Irish extraction but not Catholic. She always makes a point of that. Ulster family, she calls them. She came from Boston.
No she didn’t, either. I got her in Boston. I can see both of us, maybe more clearly now than then, a nervous, frightened Second Lieutenant Hawley with a weekend pass, and the soft, petal-cheeked, sweet-smelling darling of a girl, and triply all of those because of war and textbooks. How serious we were, how deadly serious. I was going to be killed and she was prepared to devote her life to my heroic memory. It was one of a million identical dreams of a million olive uniforms and cotton prints. And it might well have ended with the traditional Dear John letter except that she devoted her life to her warrior. Her letters, sweet with steadfastness, followed me everywhere, round, clear handwriting in dark blue ink on light blue paper, so that my whole company recognized her letters and every man was curiously glad for me. Even if I hadn’t wanted to marry Mary, her constancy would have forced me to for the perpetuation of the world dream of fair and faithful women.
She has not wavered, not in the transplanting from Boston Irish tenancy to the old Hawley house on Elm Street. And she never wavered in the slow despondency of my failing business, in the birth of our children, or in the paralysis of my long clerkship. She is a waiter—I can see that now. And I guess she had at lengthy last grown weary of waiting. Never before had the iron of her wishes showed through, for my Mary is no mocker and contempt is not her tool. She has been too busy making the best of too many situations. It only seemed remarkable that the poison came to a head because it had not before. How quickly the pictures formed against the sound of frost-crunching footsteps on the night street.
There’s no reason to feel furtive walking in the early morning in New Baytown. Wee Willie makes little jokes about it but most people seeing me walking toward the bay at three in the morning would suppose I was going fishing and not give it another thought. Our people have all sorts of fishing theories, some of them secret like family recipes, and such things are respected and respectable.
The street lights made the hard white frost on the lawns and sidewalks glint like millions of tiny diamonds. Such a frost takes a footprint and there were none ahead. I have always from the time I was a child felt a curious excitement walking in new unmarked snow or frost. It is like being first in a new world, a deep, satisfying sense of discovery of something clean and new, unused, undirtied. The usual nightfolk, the cats, don’t like to walk on frost. I remember once, on a dare, I stepped out barefoot on a frosty path and it felt like a burn to my feet. But now in galoshes and thick socks I put the first scars on the glittering newness.
Where Porlock crosses Torquay, that’s where the bicycle factory is, just off Hicks Street, the clean frost was scarred with long foot-dragged tracks. Danny Taylor, a restless, unsteady ghost, wanting to be somewhere else and dragging there and wanting to be somewhere else. Danny, the town drunk. Every town has one, I guess. Danny Taylor—so many town heads shook slowly from side to side—good family, old family, last of the line, good education. Didn’t he have some trouble at the Academy? Why doesn’t he straighten up? He’s killing himself with booze and that’s wrong because Danny’s a gentleman. It’s a shame, begging money for booze. It’s a comfort that his parents aren’t alive to see it. It would kill them—but they’re dead already. But that’s New Baytown talking.
In me Danny is a raw sorrow and out of that a guilt. I should be able to help him. I’ve tried, but he won’t let me. Danny is as near to a brother as I ever had, same age and growing up, same weight and strength. Maybe my guilt comes because I am my brother’s keeper and I have not saved him. With a feeling that deep down, excuses—even valid ones—give no relief. Taylors—as old a family as Hawleys or Bakers or any of the others. In childhood I can remember no picnic, no circus, no competition, no Christmas without Danny beside me as close as my own right arm. Maybe if we had gone to college together this wouldn’t have happened. I went to Harvard—luxuriated in languages, bathed in the humanities, lodged in the old, the beautiful, the obscure, indulged myself with knowledge utterly useless in running a grocery store, as it developed. And always I wished Danny could be with me on that bright and excited pilgrimage. But Danny was bred for the sea. His appointment to the Naval Academy was planned and verified and certain even when we were kids. His father sewed up the appointment every time we got a new Congressman.
Three years with honors and then expelled. It killed his parents, they say, and it killed most of Danny. All that remained was this shuffling sorrow—this wandering night sorrow cadging dimes for a pint of skull-buster. I think the English would say, “He’s let the side down,” and that always wounds the let-downer more than the side. Danny’s a night wanderer now, an early-morning man, a lonely, dragging thing. When he asks for a quarter for skull-buster his eyes beg you to forgive him because he can’t forgive himself. He sleeps in a shack in back of the boat works where Wilburs used to be shipbuilders. I stooped over his track to see whether he was headed home or away. By the scuff of the frost he was going out and I might meet him any place. Wee Willie wouldn’t lock him up. What would be the good?
There was no question where I was going. I had seen and felt and smelled it before I got out of bed. The Old Harbor is pretty far gone now. After the new breakwater went in and the municipal pier, sand and silt crept in and shallowed that once great anchorage sheltered by the jagged teeth of Whitsun Reef. And where once were shipways and ropewalks and warehouses and whole families of coopers to make the whale-oil casks, and docks too over which the bowsprits of whalers could project to their chain stays and figure- or fiddleheads. Three-masters they were usually, square-rigged; the after mast carried square sails as well as boom-and-gaff spanker—deep-hulled ships built to suffer the years at sea in any weather. The flying jib boom was a separate spar and the double dolphin-striker served as spritsail gaffs as well.
14
Adam influence and Greek revivaclass="underline" Robert Adam (1728-92) was a renowned neoclassical Scottish architect and interior designer. Greek Revival is a late neoclassical movement in architecture, inspired by Greek design.