Выбрать главу

When I opened the alley door I saw the brown bank envelope that had been pushed under it. It was sealed and bank envelopes are tough. I had to get out my pocket knife to slit it open.

Three sheets of paper from a five-cent lined school pad, written on with a soft lead pencil. A wilclass="underline" “I, being in my right mind…” and “In consideration I…” A note of hand: “I agree to repay and pledge my…” Both papers signed, the writing neat and precise. “Dear Eth: This is what you want.”

The skin on my face felt as hard as a crab’s back. I closed the alley door slowly as you’d close a vault. The first two sheets of paper I folded carefully and placed in my wallet, and the other— I crumpled it and put it in the toilet and pulled the chain. It’s a high box toilet with a kind of step in the bowl. The balled paper resisted going over the edge, but finally it did.

The alley door was a little open when I emerged from the cubicle. I thought I had closed it. Going toward it, I heard a small sound and, looking up, I saw that damn cat on one of the top storage shelves hooking out with its claws for a hanging side of bacon. It took a long-handled broom and quite a chase to drive it out into the alley. As it streaked past me, I swiped at it and missed and broke the broom handle against the doorjamb.

There was no sermon for the canned goods that morning. I couldn’t raise a text. But I did get out a hose to wash down the front sidewalk and the gutter too. Afterward I cleaned the whole store, even corners long neglected and choked with flug. And I sang too:

“Now is the winter of our discontent Made glorious summer by this sun of York.”

I know it’s not a song, but I sang it.

Part two

Chapter eleven

New Baytown is a lovely place. Its harbor, once a great one, is sheltered from the northeast screamers by an offshore island. The village is strewn about a complex of inland waters fed by the tides, which at ebb and flow drive wild races through narrow channels from the harbor and the sea. It is not a crowded or an urban town. Except for the great houses of the long-gone whalers, the dwellings are small and neat, distributed among fine old trees, oaks of several kinds, maples and elms, hickory and some cypresses, but except for the old planted elms on the original streets, the native timber is largely oak. Once the virgin oaks were so many and so large that several shipyards drew planks and knees, keels and keelsons, from nearby.

Communities, like people, have periods of health and times of sickness—even youth and age, hope and despondency. There was a time when a few towns like New Baytown furnished the whale oil that lighted the Western World. Student lamps of Oxford and Cambridge drew fuel from this American outpost. And then petroleum, rock oil, gushed out in Pennsylvania and cheap kerosene, called coal oil, took the place of whale oil and retired most of the sea hunters. Sickness or despair fell on New Baytown—perhaps an attitude from which it did not recover. Other towns not too far away grew and prospered on other products and energies, but New Baytown, whose whole living force had been in square-rigged ships and whales, sank into torpor. The snake of population crawling out from New York passed New Baytown by, leaving it to its memories. And, as usually happens, New Baytown people persuaded themselves that they liked it that way. They were spared the noise and litter of summer people, the garish glow of neon signs, the spending of tourist money and tourist razzle-dazzle. Only a few new houses were built around the fine inland waters. But the snake of population continued to writhe out and everyone knew that sooner or later it would engulf the village of New Baytown. The local people longed for that and hated the idea of it at the same time. The neighboring towns were rich, spilled over with loot from tourists, puffed with spoils, gleamed with the great houses of the new rich. Old Baytown spawned art and ceramics and pansies, and the damn broadfooted brood of Lesbos wove handmade fabrics and small domestic intrigues. New Baytown talked of the old days and of flounder and when the weakfish would start running.

In the reedy edges of the inner waters, the mallards nested and brought out their young flotillas, muskrats dug communities and swam lithely in the early morning. The ospreys hung, aimed, and plummeted on fish, and sea gulls carried clams and scallops high in the air and dropped them to break them open for eating. Some otters still clove the water like secret furry whispers; rabbits poached in the gardens and gray squirrels moved like little waves in the streets of the village. Cock pheasants flapped and coughed their crowing. Blue herons poised in the shallow water like leggy rapiers and at night the bitterns cried out like lonesome ghosts.

Spring is late and summer late at New Baytown, but when it comes it has a soft, wild, and special sound and smell and feeling. In early June the world of leaf and blade and flowers explodes, and every sunset is different. Then in the evening the bobwhites state their crisp names and after dark there is a wall of sound of whippoorwill. The oaks grow fat with leaf and fling their long-tasseled blossoms in the grass. Then dogs from various houses meet and go on picnics, wandering bemused and happy in the woods, and sometimes they do not come home for days.

In June man, hustled by instinct, mows grass, riffles the earth with seeds, and locks in combat with mole and rabbit, ant, beetle, bird, and all others who gather to take his garden from him. Woman looks at the curling-edge petals of a rose and melts a little and sighs, and her skin becomes a petal and her eyes are stamens.

June is gay—cool and warm, wet and shouting with growth and reproduction of the sweet and the noxious, the builder and the spoiler. The girls in body-form slacks wander the High Street with locked hands while small transistor radios sit on their shoulders and whine love songs in their ears. The young boys, bleeding with sap, sit on the stools of Tanger’s Drugstore ingesting future pimples through straws. They watch the girls with level goat-eyes and make disparaging remarks to one another while their insides whimper with longing.

In June businessmen drop by Al ’n’ Sue’s or the Foremaster for a beer and stay for whisky and get sweatily drunk in the afternoon. Even in the afternoon the dusty cars creep to the desolate dooryard of the remote and paintless house with every blind drawn, at the end of Mill Street, where Alice, the village whore, receives the afternoon problems of June-bitten men. And all day long the rowboats anchor off the breakwater and happy men and women coax up their dinners from the sea.

June is painting and clipping, plans and projects. It’s a rare man who doesn’t bring home cement blocks and two-by-fours and on the backs of envelopes rough out drawings of Taj Mahals. A hundred little boats lie belly down and keel up on the shore, their bottoms gleaming with copper paint, and their owners straighten up and smile at the slow, unmoving windrows. Still school grips the intransigent children until near to the end of the month and, when examination time comes, rebellion foams up and the common cold becomes epidemic, a plague which disappears on closing day.

In June the happy seed of summer germinates. “Where shall we go over the glorious Fourth of July?… It’s getting on time we should be planning our vacation.” June is the mother of potentials, ducklings swim bravely perhaps to the submarine jaws of snapping turtles, lettuces lunge toward drought, tomatoes rear defiant stems toward cutworms, and families match the merits of sand and sunburn over fretful mountain nights loud with mosquito symphonies. “This year I’m going to rest. I won’t get so tired. This year I won’t allow the kids to make my free two weeks a hell on wheels. I work all year. This is my time. I work all year.” Vacation planning triumphs over memory and all’s right with the world.[48]

вернуться

48

all’s right with the world: Robert Browning (1812-89), Pippa Passes (1841), part 1.