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The town had grown very silent around them, around him: not a car was stirring on Lodowick Street. His stomach hurt. It usually did, this time of night: an incipient ulcer. Doc Pat had told him, If you must keep drinking, at least eat. One of the unfortunate side effects of his affair with Sukie was skipping lunch in order to fuck. She sometimes brought a jar of ca­shews but with his bad teeth he wasn't that fond of nuts any more; the crumbs got under the appliance and cut his gums.

Amazing, women, the way loving never fills them up. If you do a good job they want more the next minute, as bad as getting out a newspaper. Even Felicia, for all she said she hated him. This time of night he would be having one more nip by the dying fire, giving her time to get herself into bed and fall asleep waiting for him. Having talked herself out, she toppled in a minute into the oblivion of the just. He wondered now if she had been hypoglycemic: in the mornings she had been clearheaded and the ghostly audience she gave her speeches to had dispersed. She had never seemed to grasp how much she infuriated him. Some mornings, on a Saturday or Sunday, she would keep her nightie on as provocation, by way of making up. You would think a man and woman living together so many hours of their lives would find a moment to make up in. Missed opportunities. If tonight he had just ridden it out and let her get safely upstairs... But that possibility, too, along with his grandchildren and the healing of his liquor-pitted stomach and his troubles with his little denture, was off the map.

Clyde had the sensation of there being several of him, like ghost images on TV. This time of night he, in a parade of such ghost images, would mount the stairs. The stairs. The limp dry old rope still dangled in his hand. Its cobwebs had come off on his corduroy trousers. Lord give me strength.

The staircase was a rather grand Victorian con­struction that doubled back after a midway landing with a view of the back yard and its garden, once elaborate but rather let go in recent years. A rope tied to the base of one of the upstairs balusters should provide enough swing room over the stairs below, which could serve as a kind of gallows platform. He carried the rope upstairs to the second-floor landing. He worked rapidly, fearing the alcohol might over­take him with a blackout. A square knot was right over left, then left over right. Or was it? His first attempt produced a granny. It was hard to move his hands through the narrow spaces between the squared baluster bases; his knuckles got skinned. His hands seemed to be a great distance from his eyes, and to have become luminous, as though plunged into an ethereal water. It took prodigies of calculation to fig­ure where the loop in the rope should come (not more than six or eight inches under the narrow facing board with its touchingly fine Victorian molding, or his feet might touch the stairs and that blind animal his body would struggle to keep alive) and how big the loop for his head should be. Too big, he would fall through; too snug, he might merely strangle. The hangman's art: the neck should break, he had read more than once in his life, thanks to a sudden sharp pressure on the cervical vertebrae. Prisoners in jail used their belts with blue-faced results. Chris had been in Boy Scouts but that had been years ago and there had been a scandal with the scoutmaster that had broken up the den. Clyde finally produced a messy kind of com­pound slip knot and let the noose hang over the side. Viewed from above, by leaning over the banister, the perspective was sickening; the rope lightly swayed and kept swaying, turned into a pendulum by some waft of air that moved uninvited through this d rally house.

Clyde's heart was no longer in it but with the methodical determination that had put ten thousand papers to bed he went into the warm cellar (the old fur­nace chewing, chewing fuel) and fetched the alumi­num stepladder. It fell feather-light; the might of angels was descending upon him. He also carried up some lumber scraps and with these set the ladder on the car­peted stairs so that, one pair of plastic feet resting three risers lower than the other on pieces of wood, the step-less crossbraced rails were vertical and the entire tilted shape would topple over at a nudge. The last thing he would see, he estimated, would be the front doorway and the leaded fanlight of stained glass, its vaguely sun­riselike symmetrical pattern lit up by the sodium glow of a distant street lamp. By light nearer to hand, scratches on the aluminum seemed traces left by the swerving flight of atoms in a bubble chamber. Every­thing was touched with transparency; the many taper­ing, interlocked lines of the staircase were as the architect had dreamed them; it came to Clyde Gabriel, rapturously, that there was nothing to fear, of course our spirits passed through matter like the sparks of divinity they were, of course there would be an afterlife of infinite opportunities, in which he could patch things up with Felicia, and have Sukie too, not once but an infinity of times, just as Nietzsche had conjectured. A lifelong fog was lifting; it was all as clear as rectified type, the meaning that the stars had been singing out to him, Candida sidera, tingeing with light his sluggish spirit sunk in its proud muck.

The aluminum ladder shivered slightly, like a highstrung youthful steed, as he trusted his weight to it. One step, two, then the third. The rope nestled dryly around his neck; the ladder trembled as he reached up and behind to slip the knot tighter, snug against what seemed the correct spot. Now the ladder was swinging violently from side to side; the agitated blood of its jockey was flailing it toward the hurdle, where it lifted, as he had foreseen, at the most delicate urging, and fell away. Clyde heard the clatter and thump. What he had not expected was the burning, as though a hot rasp were being pulled up through his esophagus, and the way the angles of wood and carpet and wallpaper whirled, whirled so widely it seemed for a second he had sprouted eyes in the back of his head. Then a redness in his overstuffed skull was followed by blackness, giving way, with the change of a single letter, to blankness.

"Oh baby, how horrible for you," Jane Smart said to Sukie, over the phone.

"Well it's not as if I'd had to see any of it myself. But the guys down at the police station were plenty vivid. Apparently she didn't have any face left." Sukie was not crying but her voice had that wrinkled quality of paper that has been damp and though dry will never lie flat again.

"Well she was a vile woman," Jane said firmly, com­forting, though her head with its eyes and ears was still back in tte suite of Bach unaccompanieds—the exhilarating, somehow malevolently onrushing Fourth, in E-flat Major. "So boring, so self-righteous," she hissed. Her eyes rested on the bare floor of her living room, splintered by repeated heedless socketing of her cello's pointed steel foot.

Sukie's voice faded in and out, as though she were letting the telephone drop away from her chin. "I've never known a man," she said, a bit huskily, "gentler than Clyde."

"Men are violent," Jane said, her patience wearing thin. "Even the mildest of them. It's biological. They're full of rage because they're just accessories to repro­duction."