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"Your teeth look lovely now."

"Thank you. It cost Daddy money he didn't really have, but he was determined to have me beautiful. He loved me, Lexa."

"I'm sure he did, darling," Alexandra said, pressing down on her voice; the air caught under the tarpaulin was growing, struggling like a wild animal made of wind.

"He loved me so much," Jenny was blurting. "How could he do that to me, hang himself? How could he leave me and Chris so alone? Even if he were in jail for murder, it would be better than this. They wouldn't have given him too much, the awful way he did it couldn't have been premeditated."

"You have Darryl," Alexandra told her.

"I do and I don't. You know how he is. You know him better than I do; I should have talked to you before I went ahead with it. You might have been better for him, I don't know. He's courteous and attentive and all that but he's not there for me some­how. His mind is always elsewhere, with his projects I guess. Alexandra, please let me come and see you. I won't stay long, I really won't. I just need to be... touched," she concluded, her voice retracted, curling under almost sardonically while voicing this last, naked plea.

"My dear, I don't know what you want from me,"

Alexandra lied flatly, needing to flatten all this, to erase the smeared face rising in her mind's eye, rising so close she could see flecks of grit, "but I don't have it to give. Honestly. You made your choice and I wasn't part of it. That's fine. No reason I should have been part of it. But I can't be part of your life now. I just can't. There isn't that much of me."

"Sukie and Jane wouldn't like it, your seeing me," Jenny suggested, to give Alexandra's hard-heartedness a rationale.

"I'm speaking for myself. I don't want to get re-involved with you and Darryl now. I wish you both well but for my sake I don't want to see you. It would just be too painful, frankly. As to this illness, it sounds to me as if you're letting your imagination torment you. At any rate you're in the hands of doctors who can do more for you than I can."

"Oh." The distant voice had shrunk itself to the size of a dot, to something mechanical like a dial tone. "I'm not sure that's true."

When she hung up, Alexandra's hands were trem­bling. All the familiar angles and furniture of her house looked askew, as if wrenched by the disparity between their moral distance from her—things, immune from sin—and their physical closeness. She went into her workroom and took one of the chairs there, an old arrow-back Windsor whose seat was spat­tered with paint and dried plaster and paste, and brought it into the kitchen. She set it below the high kitchen shelf and stood on it and reached up to retrieve the foil-wrapped object she had hidden up there on returning from Jane's house this April. The thing startled her by feeling warm to her fingers: warm air collects up near a ceiling, she thought to herself in vague explanation. Hearing her stirring about, Coal padded out from his nap corner, and she had to lock him in the kitchen behind her, lest he follow her out­doors and think what she was about to do was a game of toss and fetch.

Passing through her workroom, Alexandra stepped around an overweening armature of pine two-by-fours and one-by-twos and twisted coathangers and chicken wire, for she had taken it into her head to attempt a giant sculpture, big enough for a public space like Kazmierczak Square. Past the workroom lay, in the rambling layout of this house lived in by eight gen­erations of farmers, a dirt-floored transitional area used formerly as a potting shed and by Alexandra as a storage place, its walls thick with the handles of shovels and hoes and rakes, its stepping-space nar­rowed by tumbled stacks of old clay pots and by opened bags of peat moss and bone meal, its jerrybuilt shelves littered with rusted hand trowels and brown bottles of stale pesticide. She unlatched the crude door— parallel beaded boards held together by a Z of bracing lumber—and stepped into hot sunlight; she carried her little package, glittering and warm, across the lawn.

The frenzy of June growth was upon all the earth: the lawn needed mowing, the border beds of button mums needed weeding, the tomato plants and peonies needed propping. Insects chewed at the silence; sun­light pressed on Alexandra's face and she could feel the hair of her single thick braid heat up like an elec­tric coil. The bog at the back of her property, beyond the tumbled fieldstone wall clothed in poison ivy and Virginia creeper, was in winter a transparent brown thicket floored, between tummocks of matted grass, with bubbled bluish ice; in summer it became a solid tangle of green leaf and black stalk, fern and burdock and wild raspberry, that the eye could not (ravel into for more than a few feet, and where no one would ever step, the thorns and the dampness underfoot being too forbidding. As a girl, until that age at about the sixth grade when boys become self-conscious about your playing games with them, she had been good at Softball; now she reared back and threw the charm— mere wax and pins, so light it sailed as if she had flung a rock on the moon—as deep into this flourishing opacity as she could. Perhaps it would find a patch of slimy water and sink. Perhaps red-winged blackbirds would peck its tinfoil apart to adorn their nests. Alex­andra willed it to be gone, swallowed up, dissolved, forgiven by nature's seethe.

The three at last arranged a Thursday when they could face one another again, at Sukie's tiny house on Hemlock Lane. "Isn't this cozy!" Jane Smart cried, coming in late, wearing almost nothing: plastic sandals and a gingham mini with the shoulder straps tied at the back of the neck so as not to mar her tan. She turned a smooth mocha color, but the aged skin under her eyes remained crêpey and white and her left leg showed a livid ripple of varicose vein, a little train of half-submerged bumps, like those murky photo­graphs with which people try to demonstrate the exis­tence of the Loch Ness monster. Still, Jane was vital, a thick-skinned sun hag in her element. "God, she looks terrible!" she crowed, and settled in one of Sukie's ratty armchairs with a martini. The martini was the slippery color of mercury and the green olive hung within it like a red-irised reptile eye.

"Who?" Alexandra asked, knowing full well who.

"The darling Mrs. Van Horne, of course," Jane answered. "Even in bright sunlight she looks like she's indoors, right there on Dock Street in the middle of July. She had the gall to come up to me, though I was trying to duck discreetly into the Yapping Fox."

"Poor thing," Sukie said, stuffing some salted pecan halves into her mouth and chewing with a smile. She wore a cooler shade of lipstick in the summer and the bridge of her little amorphous nose bore flakes of an old sunburn.

"Her hair I guess has fallen out with the chemo­therapy so she wears a kerchief now," Jane said. "Rather dashing, actually."

"What did she say to you?" Alexandra asked.

"Oh, she was all isn't-this-nice and Darryl-and-I-never-see-you-any-more and do-come-over-we're-swimming-in-the-salt-marsh-these-days. I gave her back as good as I got. Really. What hypocrisy. She hates our guts, she must."