It seemed the great underclass to which he had belonged in New Orleans did not exist in this city, where even policemen and fire fighters spoke well and dressed well and owned expensive houses. It was impossible to tell from what part of town a person came. The pavements themselves were amazingly clean, and an air of restraint seemed to affect the smallest exchanges between people.
When he went to Golden Gate Park, Michael marveled at the nature of the crowds, that they seemed to add to the beauty of the dark green landscape, rather than to be invading it. They rode their glamorous foreign bicycles on the paths, picnicked in small groups on the velvet grass, or sat before the band shell listening to the Sunday concert. The museums of the city were a revelation, too, full of real Old Masters, and they were crowded with average people on Sundays, people with children, who seemed to take all this quite for granted.
Michael stole weekend hours from his studies so that he could roam the De Young, and gaze in awe at the great El Greco painting of Saint Francis of Assisi, with its haunted expression and gaunt gray cheeks.
“Is this all of America?” Michael asked. It was as if he’d come from another country into the world he had only glimpsed in motion pictures or television. Not the foreign films of the great houses and the smoking jackets, of course, but the later American films, and television shows, in which everything was neat and civilized.
And here Michael’s mother was happy, really happy as he had never seen her, putting money in the bank from her job at I. Magnin where she sold cosmetics as she had years ago, and visiting with her sister on weekends and sometimes her older brother, “Uncle Michael,” a genteel drunk who sold “fine china” at Gumps on Post Street.
One weekend night they went to an old-fashioned theater on Geary Street to see a live stage production of My Fair Lady. Michael loved it. After that they went often to “little theaters” to see remarkable plays-Albert Camus’s Caligula and Maxim Gorky’s The Lower Depths and a peculiar mishmash of soliloquies based on the work of James Joyce called Ulysses in Nighttown.
Michael was entranced with all this. Uncle Michael promised him that when the opera season came he would take him to see La Bohème. Michael was speechless with gratitude.
It was as if his childhood in New Orleans had never really happened.
He loved the downtown of San Francisco, with its noisy cable cars and overflowing streets, the big dime store on Powell and Market, where he could stand reading at the paperback rack, unnoticed, for hours.
He loved the flower stands which sold bouquets of red roses for almost nothing, and the fancy stores on Union Square. He loved the little foreign movie theaters, of which there were at least a dozen, where he and his mother went to see Never on Sunday with Melina Mercouri and La Dolce Vita made by Fellini, absolutely the most wonderful film Michael had ever seen. There were also comedies with Alec Guinness, and dark murky philosophical films from Sweden by Ingmar Bergman, and lots of other wonderful films from Japan and from Spain and from France. Many people in San Francisco went to see such movies. There was nothing secret about them at all.
He loved having coffee with other summer students in the big garishly lighted Foster’s Restaurant on Sutter Street, talking for the first time in his life with Orientals and Jews from New York, and educated colored people who spoke perfect English, and older men and women who were stealing time from families and jobs to go back to school just for the sheer joy of it.
It was during this period that Michael came to comprehend the little mystery of his mother’s family. By bits and pieces he put it together that they had once been very rich, these people. And it was Michael’s mother’s paternal grandmother who had squandered the entire fortune. Nothing was left from her but one carved chair and three heavily framed landscape paintings. Yet she was spoken of as something beyond wonderful, a goddess one would think, who had traveled the whole world, and ate caviar, and managed to put her son through Harvard before going completely bankrupt.
As for the son-Michael’s mother’s father-he had drunk himself to death after the loss of his wife, a “beautiful” Irish-American girl, from the Mission District of San Francisco. Nobody wanted to talk about “Mother” and it soon came clear that “Mother” had committed suicide. “Father,” who drank unceasingly until he had a fatal stroke, left his three children a small annuity. Michael’s mother and her sister Vivian finished their education at the Convent of the Sacred Heart, and went into genteel occupations. Uncle Michael was “the spitting image of dad,” they said with a sigh, when he had fallen asleep from his cognac on the sofa.
Uncle Michael was the only salesman that Michael ever knew who could sell people things while he himself was sitting down. He would come back to Gumps, drunk from lunch, and sit there, flushed and exhausted and merely point to the beautiful china, explaining everything from his chair, while the young customers, couples soon to be married, made up their minds. People seemed to find him charming. He did know all about fine china, and he was a terribly nice guy.
This gradual education regarding his mother’s family illuminated much for Michael. As time went on he came to see that his mother’s values were essentially those of the very rich though she herself did not know it. She went to see foreign films because they were fun, not for cultural enhancement. And she wanted Michael to go to college because that’s where he “ought” to be. It was perfectly natural to her to shop at Young Man’s Fancy and buy him the crew-neck sweaters and button-down shirts that made him look like a prep-school boy. But of middle-class drive or ambition she and her sister and her brother really knew nothing. Her work appealed to her because I. Magnin was the finest store in town, and she met nice people there. In her leisure hours, she drank her ever increasing amounts of wine, read her novels, visited with friends, and was a happy, satisfied person.
It was the wine that killed her eventually. For as the years passed she became a ladylike drunk, sipping all evening long from a crystal glass behind closed doors, and invariably passing out before bedtime. Finally one night, late, she struck her head in a bathroom fall, put a towel to the wound and went back to sleep, never realizing that she was slowly bleeding to death. She was cold when Michael finally broke down the door. That was in the house on Liberty Street which Michael had bought and restored for his family, though Uncle Michael was gone by then, too, of drink also, though in his case they had called it a stroke.
But in spite of her own lassitude and final indifference to the world at large, Michael’s mother was always proud of Michael’s ambition. She understood his drive because she understood him, and he was the one thing that had given her own life true meaning.
And Michael’s ambition was a raging flame when he finally entered San Francisco State College in the fall as a matriculating freshman.
Here, on an enormous college campus amid full-time students from all walks of life, Michael felt inconspicuous and powerful and ready to start his true education. It was like those old days in the library. Only now he got credit for what he read. He got credit for wanting to understand all the mysteries of life which had so provoked him in years past when he’d hidden his curiosity from those who might ridicule him.
He could not believe his luck. Going from class to class, deliriously anonymous among the great proletarian student body with their backpacks and their brogans, Michael listened, rapt, to the lectures of his professors and the stunningly clever questions asked by the students around him. Peppering his schedules with electives in art, music, current events, comparative literature, and even drama, he gradually acquired a true old-fashioned liberal arts education.