She felt her dress opening, she felt the buttons slipped out of the holes.
“Yes, make it rape again,” she said. “Make it rough and hard, and slow.”
Suddenly she was flung over on her back, her head was forced to one side against the pillow; the dress was ripping, and the invisible hands were moving down her belly. Something like teeth grazed her naked sex, fingernails scraping her calves.
“Yes,” she cried, her teeth clenched. “Make it cruel.”
Forty-three
HOW MANY DAYS and nights had passed? She honestly did not know. Unopened mail stacked on the hall table. The phone, now and then ringing-to no avail.
“Yes, but who are you? Underneath it all. Who is there?”
“I told you, such questions mean nothing to me. I can be what you want me to be.”
“Not good enough.”
“What was I? A phantom. Infinitely satisfied. I don’t know whence came the capacity to love Suzanne. She taught me what death was when she was burnt. She was sobbing when they dragged her to the stake; she couldn’t believe they could do it to her. This was a child, my Suzanne, a woman with no understanding of human evil. And my Deborah was forced to watch it. And had I made the storm, they would have burnt them both.
“Even in her agony. Suzanne stayed my hand, for Deborah’s sake. She went mad, her head banging against the stake. Even the villagers were terrified. Crude, stupid mortals come there to drink wine and laugh as she was burned. Even they could not bear the sound of her screaming. And then I saw the beautiful flesh and blood form which nature had given her ravaged by fire, like a corn husk in a burning field. I saw her blood pouring down on the roaring logs. My Suzanne. In the perfection of her youth, and in her strength, burnt like a wax candle for a stupid pack of villagers who gathered in the heat of the afternoon.
“Who am I? I am the one who wept for Suzanne when no one wept. I am the one who felt an agony without end, when even Deborah stood numb, staring at the body of her mother twisting in the fire.
“I am the one who saw the spirit of Suzanne leave the pain-racked body. I saw it rise upwards, freed, and without care. Do I have a soul that it could know such joy-that Suzanne would suffer no more? I reached out for her spirit, shaped still in the form of her body, for she did not know yet that such a form was not required of her, and I tried to penetrate and to gather, to take unto myself what was now like unto me.
“But the spirit of Suzanne went past me. It took no more notice of me than of the burning husk in the fire. Upwards it went away from me and beyond me, and there was no more Suzanne.
“Who am I? I am Lasher, who stretched himself out over the whole world, threaded through and through with the pain of the loss of Suzanne. I am Lasher, who drew himself together, made tentacles of his power, and lashed at the village till the terrified villagers ran for cover, once my beloved Deborah was taken away. I laid waste the village of Donnelaith. I chased the witch judge through the fields, pounding him with stones. There was no one left to tell the tale when I finished. And my Deborah gone with Petyr van Abel, to silks and satins, and emeralds, and men who would paint her picture.
“I am Lasher, who mourned for the simpleton, and carried her ashes to the four winds.
“This was my awakening to existence, to self-consciousness, to life and death, to paying attention.
“I learned more in that interval of twenty days than in all the gracious aeons of watching mortals grow upon the face of the earth, like a breed of insect, mind springing from matter but snared in it, meaningless as a moth with its wing nailed to a wall.
“Who am I? I am Lasher, who came down to sit at the feet of Deborah and learn how to have purpose, to obtain ends, to do the will of Deborah in perfection so that Deborah would never suffer; Lasher, who tried and failed.
“Turn your back on me. Do it. Time is nothing. I shall wait for another to come who is as strong as you are. Humans are changing. Their dreams are filled with the forecast of these changes. Listen to the words of Michael. Michael knows. Mortals dream ceaselessly of immortality, as their lives grow longer. They dream of unimpeded flight. There will come another who will break down the barriers between the carnate and discarnate. I shall pass through. I want this too much, you see, for it to fail, and I am too patient, too cunning in my learning, and too strong.
“The knowledge is here now. The full explanation for the origin of material life is at hand. Replication is possible. Look back with me if you will to Marguerite’s bedroom on the night that I took her in the body of a dead man, and willed my hair to grow the color that I would have for myself. Look back on that experiment. It is closer in time to the painted savages who lived in caves and hunted with spears than it is to you in your hospital, and in your laboratory.
“It is your knowledge which sharpens your power. You understand the nucleus, and the protoplasm. You know what are chromosomes, what are genes, what is DNA.
“Julien was strong. Charlotte was strong. Petyr van Abel was a giant among men. And there is another kind of strength in you. A daring, and a hunger, and aloneness. And that hunger and aloneness I know, and I kiss with the lips I do not have; I hold with the arms I do not have; I press to the heart in me that isn’t there to beat with warmth.
“Stand off from me. Fear me. I wait. I will not hurt your precious Michael. But he cannot love you as I can, because he cannot know you as I know you.
“I know the insides of your body and your brain, Rowan. I would be made flesh, Rowan, fused with the flesh and superhuman in the flesh. And once this is done, what metamorphosis may be yours, Rowan? Think on what I say.
“I see this, Rowan. As I have always seen it-that the thirteenth would be the strength to open the door. What I cannot see is how to exist without your love.
“For I have loved you always, I have loved the part of you that existed in those before you. I have loved you in Petyr van Abel, who of all was most like you. I have loved you even in my sweet crippled Deirdre, powerless, dreaming of you.”
Silence.
For an hour there had been no sound, no vibrations in the air. Only the house again, with the winter cold outside it, crisp and windless and clean.
Eugenia was gone. The phone rang again in the emptiness.
She sat in the dining room, arms resting on the polished table, watching the bony crepe myrtle, scraping, leafless and shining, at the blue sky.
At last she stood up. She put on her red wool coat, and locked the door behind her, and went out the open gate and up the street.
The cold air felt good and cleansing. The leaves of the oaks had darkened with the deepening of winter, and shrunken, but they were still green.
She turned on St. Charles and walked to the Pontchartrain Hotel.
In the little bar, Aaron was already waiting at the table, a glass of wine before him, his leather notebook open, his pen in his hand.
She stood in front of him, conscious of the surprise in his face when he looked at her. Was her hair mussed? Did she look tired?
“He knows everything I think, what I feel, what I have to say.”
“No, that’s not possible,” said Aaron. “Sit down. Tell me.”
“I cannot control him. I can’t drive him away. I think … I think I love him,” she whispered. “He’s threatened to go if I speak to you or to Michael. But he won’t go. He needs me. He needs me to see him and be near him; he’s clever, but not that clever. He needs me to give him purpose and bring him closer to life.”
She was staring at the long bar, and the one small bald-headed man at the end of it, fleshly being with a slit of a mouth, and at the pale anemic bartender polishing something as bartenders always do. Rows of bottles full of poison. Quiet in here. Dim lights.