Hearst groaned, sitting up.
'Are you all right?' said Blackwood, kneeling by him. 'It's all over now,' said Miphon. 'The wizard's dead.' 'What about that staff?' said Hearst. 'That's just a piece of wood now,' said Miphon.
'There's no power left in it any more.'
It was hard to talk in a normal tone: he felt drunk with exultation. Such power! He would use it to reform the world.
Miphon knew what had to be done to Hearst. Would he also have to reshape Blackwood? He examined Blackwood's memories, let himself see the world through Blackwood's eyes. By the time Miphon was finished, he was very quiet; he had been first shocked then humbled by what he had learnt.
In Blackwood's memories, Miphon had discovered visions. He had seen the flame of life; he had seen the beauty of the vitality which graces every life. He had seen the way in which each thing is true to its own nature: nothing can be changed by an application of cleverness without destroying its essential nature. He had learnt how much he lacked in wisdom: what he had been about to do to Morgan Hearst would have been as evil as anything ever done by Ebonair.
'What's the matter with you?' said Blackwood, seeing how quiet Miphon had become. 'You look shocked.'
'You see visions,' said Miphon quietly.
'Yes,' said Blackwood, it's hard. I see… tragedy everywhere. I see people who never satisfy more than a tiny part of their potential, who are not what they wish to be, yet could be so easily if they only knew how. I see women dancing for men they hate, slaves honouring masters unworthy to rule the life of a rat. I see… so much that I can hardly bear to walk through the streets of Selzirk.'
'You have a choice,' said Miphon. 'You've no need to see such visions.'
'No man was made to,' said Blackwood. i can take away your visions – but I can never give them back,' said Miphon. 'You will see the world only through your seven senses.'
'Do it,' said Blackwood.
And Miphon did.
Selzirk lay in darkness, yet Morgan Hearst knew the dawn was approaching. He dressed quietly and armed himself with his sword Hast. He ran his hand over his head: the hair had been cropped to the stubble he favoured for a campaign. The death-stone, couched in leather, lay next to his skin.
So he was off again. He must go south to the flame trench Drangsturm and the Castle of Controlling Power dominating the western end of that flame trench. The encounter with the wizard Ebonair had brought home to him the perils of delaying any longer in disposing of the death-stone. He was still shocked at what a disaster his drunken bravado had almost brought upon Selzirk and the Harvest Plains.
Hearst paused to look down on the kingmaker Farfalla. Had she loved him? Or had she just sought to use him? She had not protested when he took other women – so surely she could hardly have loved him. Or could she?
The night before, she had wept; in the end, Hearst had slipped her a sleeping potion. Even now, toward morning, she was in the grips of that potion. Or was she? As Hearst watched, Farfalla rolled over and opened her eyes.
She reached for him, spoke, her voice drugged, weak: 'Morgan…?'
Hearst said nothing.
Fighting the drug, half-conscious, Farfalla spoke, to say: 'Don't leave me…'
It was a kind of love that spoke to him: a kind of need.
And to his horror, Hearst found that the way Farfalla spoke brought to his mind the way the woman Ethlite had spoken in the city of Larbreth in the Cold West, when he had been standing in the shadows and she had thought he was Elkor Alish.
Hearst remembered striding through the city with his fingers knotted in her hair and her head dangling. Alish had seen him. And in Runcorn, when Alish lay paralysed by poison, Hearst had boasted of that killing, as if the murder gave him title to a kind of glory.
He knew, now, exactly what he had done. And he knew, now, that Alish would never forgive him.
He turned on his heel and walked away.
CHAPTER FIFTY-FOUR
The trio were supposed to leave Selzirk at noon, travelling by ship down the Velvet River to Androlmarphos, and from there by sea to the Castle of Controlling Power. However, Hearst doubted that they would survive such a journey. Even if Farfalla did not plot against them, their wealth – the red and green bottles and the death-stone – would tempt their guides and escorts beyond endurance.
Accordingly, Blackwood, Hearst and Miphon left Selzirk before dawn, setting out along the Salt Road on fast horses. Hearst had decided that, if they were pursued, he would not hesitate to use the death-stone; he hoped he would not be put to that necessity.
Hearst was deeply troubled by his new insights into the past; Miphon, for his part, was already beginning to worry about the delicate task of diplomacy that would face him at the Castle of Controlling Power, when he would have to introduce a Rovac warrior to the Confederation of Wizards.
But Blackwood travelled with a light heart, for, thanks to Miphon, he no longer saw visions. He had been released from the weight of an intolerable burden: he was free. Free for what? He had not yet decided: for the moment he was content to travel the Salt Road under the summer sun. Occasionally he thought of other places, other times: but it was over a year since they had first marched from Castle Vaunting, leaving it in the grip of a mad-jewel; the memories of the past were fading, and Blackwood faced the future.
Blackwood carried a fine Selzirk bow and a quiver of arrows; when they camped at evening, he set up a target and practised, sending the arrows singing home. If they sheltered in a village, Blackwood negotiated to secure food and lodgings; if they met travellers on the road, he hailed them, and passed the time of day with them for a while, exchanging information about conditions on the road.
Miphon and Hearst, busy with their own thoughts, were happy to let Blackwood handle these responsibilities. They had every confidence in him. For Blackwood, much had changed since he first left Estar: the greatest change was that he could now inspire confidence in a wizard of the order of Nin and a warrior of Rovac.
And so they travelled south, through the Harvest Plains to Veda.
Veda's battlements, blood red, towered into the sky, suggesting a monument to evil. But inside, all was peace: windowless corridors of luminous milky white, curving away in smooth arcs, led to libraries, sleeping quarters, meditation chambers and study rooms. The corridors were warm; asking about the warmth, the travellers were told that Veda fed upon heat from deep underground.
The varied wonders of Veda made little impression on the travellers, who were by now prepared to take anything in their stride; Veda would only have surprised them if it had turned out to be commonplace. Besides, Veda's greatest treasures were works of art, which none of the three had much of an eye for.
Morgan Hearst could appraise the approximate value of a piece of gold or jewellery, or tell a fine weapon at a glance, but hardly noticed Veda's artworks. Blackwood liked tapestries showing people and animals, and Miphon liked landscape paintings, but there was nothing like that in Veda. There was Aromsky's sculpture in bronze: The Ethical Structure of the Universe. There was the anonymous ivory called The Seven Spheres of Space and Time. There was Kere-mansky's Temptation of Zero by Infinity. The travellers, when they noticed these masterpieces at all, thought them cold, alien, ugly, uninviting.
Life in Veda itself was strange. All work was done by the Secular Arm, an organisation dominated by military and mercantile considerations. The Secular Arm would recruit anyone and anything that could stand on two legs; for administrative convenience it used the Galish Trading Tongue.